In The Color of Water, author James McBride writes both his autobiography and a tribute to the life of his mother, Ruth McBride. In the memoirs of the author’s mother and of himself, they constantly face discrimination from their race in certain neighborhoods and of their religious beliefs. The trials and tribulations faced by these two characters have taught readers universally that everyone faces difficulties in life, but they can all be surmounted.
Whenever Ruth or James McBride face any forms of racism, especially for being related to each other, having different skin colors, they can always look to religion to aid them through these tough times. It appears so that in the book, religion knows no race, and therefore is very accepting to no matter who it may be. In this case, in Chapter 6, the author tells about his past experiences going to Church with his family, and recalling his mother’s true embrace of Christianity, her singing voice, the fact that she was the only white person there, and how odd and exaggerated Reverend Owen’s sermons were whenever going to Whosoever Baptist Church. One afternoon at Church, Ruth McBride was weeping after hearing her favorite songs, like “We’ve Come This Far by Faith” or “What a Friend We Have in Jesus”. James McBride asks her mother why she cries in Church, and her response is that God makes her happy. He thinks about this a bit more and assumes that maybe God likes black people better, hence having her mother cry at Church. He then asks whether God was black or white. She responds saying that he is not black or white, but a spirit, leading into the main metaphor of the story, saying, “God is the color of water. Water doesn’t have a color.” The metaphor displays how God has no color, no race to him, and would accept anyone, no matter their race. This representative of how Ruth and James McBride were accepted as Christians solely, therefore avoiding any difficulties having to do with race, at least when speaking about it with religion.
The author then looks back upon the time in his life when her mother decided to drive Hunter Jordan’s old car. However, she didn’t know how to drive, and was generally afraid to get behind the wheel. On that day, she drove crazily on the road, and declared to never drive again. James McBride also reflected on his life up to a teenager, who knew that bad things would occur in the not too distant future if he didn’t change his ways and behavior.
Questioning looks, dirty gazes, and the snide babbles were all too accustomed to Ruth McBride, when she walked down the street with her tow of children. James McBribe, one of the dozen children from her two elopements, was often ashamed as well as scared. They had to prolong the worse racial monikers. His mother, who was white, maintained unattended, “Whenever she stepped out of the house with us she went into a somewhat mental zone where her attention span went no farther than the five kids trailing her,” McBride subsequently wrote “My mom had absolutely no interest in a world that seemed incredulously agitated by our presence. The remarks and stares that we heard as we walked about the world went right over our head.” Her indomitable spirit and her son’s recollections became the basis of “The Color of Water”. In the work there is a great presence of God and the fortitude he unconditionally sends, especially to Ruth. Although Ruth’s clout frequently surpassed her circadian problems, she would more regularly rely on God for her vigor.
Between Shades of Gray by Ruta Sepetys, is one of the most famous historical fiction books ever written. This 352 paged book has inspired many teens to acknowledge the Genocide of Baltic people. Ruta Sepetys was inspired to write a fiction book instead of a non-fiction book based on the stories she heard from survivors of the genocide during a visit to her relatives in Lithuania. She interviewed dozens of people during her stay. Between Shades of Gray was her first novel that she had written. This book was interpreted well enough by the readers to become a New York Times Bestseller.
reacts to the crosser. At the beginning of the poem, the speaker’s first impression of the swamp
James McBride’s mother, like Tateh before her, clasps the values of education and religion close to her; according to McBride’s depiction in The Color of Water, she enforces them with an iron fist, instilling them in her children as Tateh did to her, Dee-Dee, and Sam, though more out of tough love than for pride. Despite carrying on Tateh’s materialistic tendencies, Ruth keeps the balance by inheriting his recognition of the predominance of education and religion over wealth in terms of resulting quality of life. Ruth’s and Tateh’s worldview is passed on from generation to generation, from parent to child, like all values, whether or not parent and child consent to the continuation of the morals’ journey through time.
James McBride's The Color of Water. James McBride's memoir, The Color of Water, demonstrates a man's search for identity and a sense of self that derives from his multiracial family. His white mother, Ruth's abusive childhood as a Jew led her to search for acceptance in the African American community, where she made her large family from the two men she marries. James defines his identity through the truth of his mother's pain and exceptionality, through the family she creates and the life she leaves behind.
In looking back upon his experience in Auschwitz, Primo Levi wrote in 1988: ?It is naïve, absurd, and historically false to believe that an infernal system such as National Socialism (Nazism) sanctifies its victims. On the contrary, it degrades them, it makes them resemble itself.? (Primo Levi, The Drowned and the Saved, 40). The victims of National Socialism in Levi?s book are clearly the Jewish Haftlings. Survival in Auschwitz, a book written by Levi after he was liberated from the camp, clearly makes a case that the majority of the Jews in the lager were stripped of their human dignity. The Jewish prisoners not only went through a physical hell, but they were psychologically driven under as well. Levi writes, ??the Lager was a great machine to reduce us to beasts? We are slaves, deprived of every right, exposed to every insult, condemned to certain death?? (Levi, 41). One would be hard pressed to find passages in Survival in Auschwitz that portray victims of the camp as being martyrs. The treatment of the Jews in the book explicitly spells out the dehumanization to which they were subjected. It is important to look at how the Jews were degraded in the camp, and then examine whether or not they came to embody National Socialism after this.
In “My Pen Writes in Blue and White,” Vincent Cremona suggests that his exposure to informal and formal speech in his household has allowed him to communicate effortlessly with a variety of individuals from all walks of life. Cremona is capable of writing in different styles such as blue collar, white collar, and a combination of both collars. The author uses his “basic, bold, and workman-like” blue collar language when speaking with construction workers that work directly under him (195). In contrast, when the author communicates with “. . . assorted managers and executives,” he uses white collar language, specifically “long-winded terms used by . . . professor[s] and textbooks” (197). In other words, Cremona is an expert in using simple
In the story "So Much Water So Close To Home" a young girl is raped, killed and found in a river where four men are fishing. What makes this story interesting is that after discovering the body they did not report it until after they left, three days later. When one of the men who discovered her, the husband of the narrator, Stuart returns home he doesn't tell his wife about the incident until the following morning. Because of this, Claire believes that all men are responsible for the murder of the girl. Due to these facts she acts irrationally, suspiciously, and with distrust not only towards her husband, but also to all men in general.
In the book by Carl Rogers, A Way of Being, Rogers describes his life in the way he sees it as an older gentleman in his seventies. In the book Rogers discusses the changes he sees that he has made throughout the duration of his life. The book written by Rogers, as he describes it is not a set down written book in the likes of an autobiography, but is rather a series of papers which he has written and has linked together. Rogers breaks his book into four parts.
The relationship you have with others often has a direct effect on the basis of your very own personal identity. In the essay "On The Rainy River," the author Tim O'Brien tells about his experiences and how his relationship with a single person had effected his life so dramatically. It is hard for anyone to rely fully on their own personal experiences when there are so many other people out there with different experiences of their own. Sometimes it take the experiences and knowledge of others to help you learn and build from them to help form your own personal identity. In the essay, O'Brien speaks about his experiences with a man by the name of Elroy Berdahl, the owner of the fishing lodge that O'Brien stays at while on how journey to find himself. The experiences O'Brien has while there helps him to open his mind and realize what his true personal identity was. It gives you a sense than our own personal identities are built on the relationships we have with others. There are many influence out there such as our family and friends. Sometimes even groups of people such as others of our nationality and religion have a space in building our personal identities.
Falling Water’s plans all came about when the architect, Frank Lloyd Wright was born, Jun 8, 1867. Frank was born in Richland Center, Wisconsin. Wright designed Fallingwater in 1935. At his death in 1959, he had built more than 400 buildings. Wright’s most famous house was designed and built for the Pittsburgh Kaufman family, for a weekend retreat.
James Mcbride in the story color of water experiences racism in a few different ways. James’s mother is a white woman and his dad is black. James is mixed and goes to a good school because his mother Ruth wanted to make sure all her kids get great education. Where he lives, it is
In Green Grass, Running Water by Thomas King, King intertwines stories to create a satire that pokes fun at Indian culture compared to European culture. The book attempts to also poke fun at Judeo-Cristian beliefs by examining the creation story. King makes fun of the story of Adam and Eve. He pokes fun at western civilization and government. Although the book made me laugh some of the meanings behind kings writing puzzled me and made me question king's motives. The book is truly a puzzle that can be hard to decipher for most. I found the book to be challenging but entertaining and interesting.
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.