During the early to mid 19th century, there was a heavy emphasis placed on the beauty of nature in all types of art. The Chasm of the Colorado by Thomas Moran is a classic example of a romantic painting. Romantic paintings were created with the intent of awing and terrifying the viewer with nature. This particular painting shows the Grand Canyon with storm clouds sweeping across the ravine. Another popular movement that glorified nature’s sublime characteristics was the transcendentalist movement, which Henry Wadsworth Longfellow was closely associated with. Transcendentalists believed that they were connected to nature by more than just their five senses. The poem “A Gleam of Sunshine” by H.W. Longfellow, personifies nature and compares religious allegory to the nature. Both “A Gleam of Sunshine” and The Chasm of …show more content…
Longfellow. Henry Wadsworth Longfellow was a famous transcendentalist. Longfellow frequently traveled between America and Europe as an adult. Before this, he pursued his formal education at Bowdoin University where he became part of the Peucinian Society an elite literary group. Longfellow also taught as a professor at both Bowdoin and Harvard but wrote most of his poetry while traveling through Europe, especially Scandinavia. “A Gleam of Sunshine” compares someone the narrator loves to nature. Longfellow compares many of the characteristics of nature of God’s miracles. He compares the world around him, especially the sunlight, to miracles from God and the feeling of love, both extremely powerful forces in the universe.The “golden sun” is compared to “the celestial ladder seen/By Jacob in his dream”. His love has a dress “like the lilies”. The poem has many religious allusions, following the transcendentalist model that God was in everything. Longfellow too refers to the world as being beyond what the five senses can capture and shows his connection with nature through this
Thomas would be in the category of romantic art for the theme of his artwork. He has based it on the beauty of nature and the fact that most of his major works were done in the period that romanticism took place, most of the 19th century and the beginning of the 20th century. Thomas Moran had attended the Hudson Valley River School, where many landscape artists had attended, too. He painted the Hudson Valley with the attraction, beauty, and scenery of the valley.(www.ency). He also was attracted to the awesomely romantic images of American wilderness and the open west, where he did most of his paintings. (www.art) Thomas was fascinated with Yellowstone and wanting to be associated with it painted the wilderness and scenery of it. (Vol.15) With the paintings he had done of Yellowstone Congress was fascinated with them, that they bought The Chasm and The Grand Canon of the Yellowstone Thomas had painted.
In Emerson’s “Nature” nature is referred to as “plantations of god” meaning that nature is sacred. Also mentioned, is that “In the woods is perpetual youth”(#) conveying that nature keeps people young. Therefore, these excerpts show that nature is greatly valued by these transcendentalists. Transcendentalists would likely care significantly about the environment. In contrast, nowadays nature is often and afterthought. Natures’ resources are being depleted for human use, and the beauty of nature is also not as appreciated by modern people as it was by transcendentalists. The threat to nature in modern times contrasts to the great appreciation of nature held by authors like Emerson and
As we look back on intellectual movements throughout history, it can be seen that the perceptions of nature changed drastically. The Enlightenment and Romantic movements are not separate from this observation; in fact they are prime examples, seeing as that in both eras nature is a major theme and exploration point for the people of the time. This interest in nature, however, is where the majority of similarities end between the two movements. In order to fully understand the differences in ideals between the two movements, we must focus on the disciplines they study most, the themes created when they are studied, and the way humanity is compared to nature.
The 1830s was a time of serious religious conflict. Many people, especially authors, had different opinions on how to find true spirituality. In the end, authors in America created Transcendentalism. Transcendentalism is a philosophical and literary movement that searches for individual truth through spiritual reflection, complete solitude, and a deep connection with nature. Because this was established by authors, many of them wrote different pieces reflecting and using the beliefs of Transcendentalism. Ralph Waldo Emerson was considered to be the father of Transcendentalism. He wrote many influential pieces that follow and emphasize major Transcendental beliefs. The major beliefs include the over-soul, nature, and senses. In addition to those, there are minor beliefs and overall ways of living. These beliefs were included in Transcendental pieces as a general way to share the belief and to create a movement. Due to the use of nature, senses, and the over-soul as its three core Transcendental beliefs, Ralph Waldo Emerson’s “Nature” successfully explain the fundamentals of Transcendentalism.
During the nineteenth century, literary writers were encouraged in transcendentalism. Their main focus was on capturing the spirituality in nature. For example, authors such as Henry Thoreau and Ralph Emerson were dominating the world of poetry and prose with their tales of nature. From Thoreau's' journey through the Maine Woods to Emerson's Nature, the transcendental ere, was in the main stream. Yet, not all of the nineteenth century writers shared this same viewpoint. As a matter of fact, one writer emerging, who proved to be just as prominent, had a viewpoint in direct opposition of his contemporaries. The great Edgar Allen Poe, though born during the same period and encountered the same influences, would emerge as a different writer. "Those others", Emerson, Hawthorne, Thoreau, Whittier and Holmes, "turned toward Wordsworth while Poe, took Coleridge as his loadstar in his search for a consistent theory of art" (Perkins 1236).
The Romantic period was an entirely unique era in American history that produced new life philosophies through the focus of nature and exploration resulting in the evolution of the American Dream. Consequently, some of the world’s greatest advancements in arts and literature were accomplished during this time period. Authors such as Henry Wadsworth Longfellow, James Fennimore Cooper, and Oliver Wendell Holmes sparked the imagination of American audiences through newfound literature such as lyrical poetry, myths, legends, folklore, and the new American novel. Romantic age writers emphasized nature, especially in poetry, as an inspiration for imagination and emotion. The American Dream during the Romantic era was to lead a life of emotion and intuition over reasoning through exploration of the countryside and the recognition of natural beauty displayed by imaginative literature that reflected this American Dream.
Landscape paintings became of interest to artists as a way to depict nature, a man?s spiritual place in the world, and his relation to God (Pohl, 2012). The paintings of nature became a way for artists to express themselves visually and spiritually while also expanding what people could see, read, and feel (Pohl, 2012). Landscape paintings helped to grow communities and expand the western movement (Pohl, 2012). There was an issue between tearing down and using the resources of nature to build communities and to increase material wealth (Pohl, 2012).
In Emily Dickinson’s poem #336, the narrator feels a strong sense of despair and laments at having lost the physical ability to see in one eye. The narrator reflects upon the importance of sight in experiencing nature and finds a better appreciation for it now that she has lost her sight. By the end of the poem however, the narrator experiences transcendence, as she comes to the realization that through the act of imagination she is able to see far more than the limited view her eyes provided her with. Through the act of poetic writing, the narrator is able to capture the beauty of nature and engrave in into her soul. In Ralph Waldo Emerson’s excerpt from “Nature”, he alludes to the significance in sight when it comes to it being able to merge the human soul with nature to create perfect unity, and as such he lays the groundwork for Dickinson’s ideas that are presented within her poem. Though Dickinson’s poem may initially seem transcendental, it can also be interpreted as a mixture of Emerson’s transcendental ideas and those that support the notion of imagination. Dickinson’s poem serves as a response to Emerson’s ideas because she adds on to his thoughts and unites his idea that there is oneness present in the world with the notion that imagination and sight serve as a bridge that connects human consciousness with nature to create this oneness that Emerson believes in.
Landscape painting was extremely important during the middle of the nineteenth century. One of the leading practitioners of landscape painters in America was Thomas Cole. He visited many places seeking the “natural” world to which he might utilize his direct observations to convey the untainted nature by man to his audience. His works resolved to find goodness in American land and to help Americans take pride in their unique geological features created by God. Thomas Cole inspired many with his brilliant works by offering satisfaction to those seeking the “truth” (realism) through the works of others.
From looking at the titles of Walt Whitman's vast collection of poetry in Leaves of Grass one would be able to surmise that the great American poet wrote about many subjects -- expressing his ideas and thoughts about everything from religion to Abraham Lincoln. Quite the opposite is true, Walt Whitman wrote only about a single subject which was so powerful in the mind of the poet that it consumed him to the point that whatever he wrote echoed of that subject. The beliefs and tenets of transcendentalism were the subjects that caused Whitman to write and carried through not only in the wording and imagery of his poems, but also in the revolutionary way that he chose to write his poetry. The basic assumptions and premises of transcendentalism can be seen in all of Whitman's poems, and are evident in two short poetic masterpieces: "A Noiseless Patient Spider" and "When I Heard the Learn'd Astronomer."
William Wordsworth is easily understood as a main author whom expresses the element of nature within his work. Wordsworth’s writings unravel the combination of the creation of beauty and sublime within the minds of man, as well as the receiver through naturalism. Wordsworth is known to be self-conscious of his immediate surroundings in the natural world, and to create his experience with it through imagination. It is common to point out Wordsworth speaking with, to, and for nature. Wordsworth had a strong sense of passion of finding ourselves as the individuals that we truly are through nature. Three poems which best agree with Wordsworth’s fascination with nature are: I Wandered as a Lonely Cloud, My Heart leaps up, and Composed upon Westminster Bridge. In I Wandered as a Lonely Cloud, Wordsworth claims that he would rather die than be without nature, because life isn’t life without it, and would be without the true happiness and pleasure nature brings to man. “So be it when I shall grow old, Or let me
Robert Frost, an Americian poet of the late 19th century, used nature in many of his writings. This paper will discuss the thought process of Frost during his writings, the many tools which he used, and provide two examples of his works.
This Longfellow allows himself to be attach more so to “The Rainy Day” than any other of his other poems. This shows that he is the one at the window when he stated in his poem “The day is cold, and dark, and dreary,” as the spectator of the people that running everywhere to seek shelter in the street in that eighteen-hundreds parlor. Longfellow is the writer and could said that he is the one who is feeling all kinds of emotions that were implied in his poem. His choice of the lyrical poem that he chose made him the smarter one, to represent the depression effect of his commotion and to make an entrance for the reader to come to his
Ralph Waldo Emerson(1803-1882), the leader of the Transcendentalism in New England, is the first American who wrote prose and poem on nature and the relationship between nature and man Emerson's philosophy of Transcendentalism concerning nature is that nature is only another side of God "the gigantic shadow of God cast our senses." Every law in nature has a counterpart in the intellect. There is a perfect parallel between the laws of nature and the laws of thought. Material elements simply represent an inferior plane: wherever you enumerate a physical law, I hear in it a moral rule. His poem The Rhodora is a typical instance to illustrate his above-mentioned ideas on nature. At the very beginning of the poem, the poet found the fresh rhodora in the woods, spreading its leafless blooms in a deep rock, to please the desert and the sluggish brook, while sea-winds pieced their solitudes in May. It is right because of the rhodora that the desert and the sluggish brook are no longer solitudes. Then the poem goes to develop by comparison between the plumes of the redbird and the rhodora . Although the bird is elegant and brilliant, the flower is much more beautiful than the bird. So the sages can not helping asking why this charm is wasted on the earth and sky. The poet answers beauty is its own cause for being just as eyes are made for seeing. There is no other reason but beauty itsel...
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.