The Genius Of Michelangelo

839 Words2 Pages
bulb-icon

Recommended: The Renaissance Medici Family

Michelangelo was born in 1475 and lived up to 1564. He mainly worked as a painter, sculptor, and architect and he was greatly considered as the greatest artists of Italian Renaissance time and of the entire time. His father did not approve his son’s career in art(Barnes, 2000). He was appreciated as a painter in Domenico Ghirlando, which were known for his large paintings on the walls. He was a genius, to have encompassed all the three human characteristics in a single person. All his entire work showed a blend of distinct physical realism, intensity and psychological insight.He had an extraordinary talent that was contemporaries recognized. The extra powerful and wealthy men of his time freely offered a commission to him, the popes and other …show more content…

After a year Michelangelo’s talent drew the attention of Lorenzo de’ Medici, who was Florence’s leading citizen and arts patron, who was thrilled by the intellectual stimulation of being in the company of the city’s most romantic, poetic and literate men. He made Michelangelo stay in his palatial home(Barnes, 2000).
Michelangelo had an innate talent and was a genius by himself. Despite him learning the art of sculpturing from the ancient Roman Sculptures, he was a noted sculptor himself("Home," 2016). Among other wealthy citizens and the most prominent people including the Pope and people affiliated with the Catholic church who took a closer look into talents saw him as an asset and gave him a lot of commission so as to proceed with his artistic talent. His talent gave him the opportunity to extend his art by painting the Sistine Chapel ceilings, the Pieta and David sculptures(Barnes, …show more content…

Peter’s Basilica for more than 500years ("Home," 2016). There is the delicate 69-inch-tall masterpiece featuring two intricate figures sculptured from a single block of marble has continuously drawn legions of visitors the sculpture of Virgin Mary carrying her dead son in her arms a sculpture that is still evident in cardinal’s tomb, the Pieta. A large male figure in Florence’s is also part of Michelangelo’s works; he was contracted in 1951 to create this marble sculpture upon his return, and he chose the young king David’s from the old testament. It has become a renowned artistic heritage and symbol of the city as many scholars considered it to be technically perfect. The most sacred part of the Vatican, i.e., the Sistine Chapel ceiling has 12 apostles on it. The ceiling paintings had seven prophets and five female prophets of myth around the ceiling with its middle part filled with Genesis scenes(Padiyar, 2012). The artist upon his old age concentrated on architectural projects like the interior of Chapel in Florence’s windows, cornices, and designs. He also designed the iconic St.Peter 's Basilica dome in

Show More
Related

  • Giralamo Savonarola and the Development of the Renaissance in Florence

    2211 Words  | 5 Pages

    Under the Medici rule, especially the leadership of Lorenzo de’Medici, art thrived and new revolutionary ideas emerged, furthering the Renaissance in Florence while challenging the stronghold of the church. Florence became an edifice for art and the greatest painters of the time flocked to the city including Fra Filippo Lippi, Verrocchio, Botticelli, Leonardo da Vinci, and Michelangelo (Greenblatt 13)...

    Read More

  • The School of Athens by Raphael and Judith Decapitating Holofernes by Artemisia Gentileschi

    671 Words  | 2 Pages

    Raphael Sanizo, usually known just by his first name, was born in 1483 in Urbino, Italy. He was an Italian painter and architect of the High Renaissance. He was celebreated for the perfection and grace of his paintings and drawings. He was very productive in his life, but had an early death at the age of thirty-seven years old, letting his rival Michelangelo take the reins on the art world. He is one of the great masters of his time. He died on March 28 of 1483 at the age of thirty-seven years old.

    Read More

  • Michelangelo 's Influence On The Italian Renaissance

    788 Words  | 2 Pages

    Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...

    Read More

  • The Sistine Chapel and the Creation of Adam

    931 Words  | 2 Pages

    Michelangelo’s talent might be due to the relocation from his birthplace to the essential renais...

    Read More

  • Analysis Of Michelangelo Merisi Da Caravaggio

    1214 Words  | 3 Pages

    Michelangelo Merisi da Caravaggio was broadly delicate when it came to issues of aesthetic creativity: he debilitated both the painter Guido Reni and craftsman and biographer Giovanni Baglione for replicating his style. Regardless of his earnest attempts to secure his particular style, be that as it may, Caravaggio wound up noticeably a standout amongst the most generally imitated craftsmen ever.

    Read More

  • Michelangelo And The Pope's Ceiliing

    1459 Words  | 3 Pages

    In Michelangelo and the Pope's Ceiling Ross King gives a penetrating look into the life of Michelangelo Buonarroti during the four years he spends painting the ceiling of the Sistine Chapel. At a scale of nearly five thousand and eight hundred square feet and almost seventy feet above the ground, this would be an incredible task for the artist. He faces many challenges, mentally and physically, during the process, but still finishes the ceiling in an incredibly short amount of time considering the size of his work. Michelangelo is renowned for his moody temper and reclusive lifestyle. Most people find him to be an extremely difficult person, due partially to his lack of concern for anyone but himself, and to his undaunted stubborn nature. The one man with whom he will despise and contend with all his life was Pope Julius II; he is also the man who commissions him to paint the ceiling. Ross King's purpose in writing this book is to detail Michelangelo's magnificent struggle with personal, political, and artistic difficulties during the painting of the Sistine ceiling. He also gives an engaging portrait of society and politics during the early sixteenth century.

    Read More

  • Michelangelo's Influence: The Renaissance

    953 Words  | 2 Pages

    Michelangelo began work on the project off and on, but he became disgruntled when the pope’s priorities changed and the funds became more focused on military events. Michelangelo left Rome but then later returned in 1508 when Pope Julius II called him back for a less expensive, but still ambitious painting project: to depict the 12 apostles on the ceiling of the Sistine Chapel, a most sacred part of the Vatican where new popes are elected and inaugurated. Michelangelo began the project and after four years, the original plan for 12 apostles developed into more than 300 figures and scenes from Genesis on the ceiling of the sacred space. Michelangelo did not use any assistants or apprentices and completed the 65-foot ceiling alone, spending endless hours on his back and guarding the project until revealing the finished work, on October 31, 1512. The most famous Sistine Chapel ceiling painting depicts the Creation of Adam, in which God and Adam outstretch their hands to one another. Although the frescoes on the ceiling of the Sistine Chapel are probably the best known of his works today, Michelangelo thought of himself primarily as a sculptor. Michelangelo continued to sculpt and paint until his death, although he increasingly worked on architectural projects as he aged. In 1546, Michelangelo was appointed architect of St. Peter's Basilica in Rome. The process of replacing the Constantinian basilica of the 4th century had been underway for fifty years. Successive architects had worked on it, but little progress had been made, and Michelangelo was persuaded to take over the project. He developed an idea for a centrally planned church to strengthen the structure both physically and visually. The dome was not completed until after his death and has been called the “greatest creation of the

    Read More

  • Michelangelo: The Renaissance Mastermind

    789 Words  | 2 Pages

    Michelangelo was a painter, sculptor, poet, and architect. He was born March 6, 1475, and he passed away February 18, 1564. He is considered to be one of the most brilliant artist during the renaissance time period. His full name is Michelangelo di Lodovico Buonarroti Simoni.

    Read More

  • Michelangelo

    627 Words  | 2 Pages

    In April 1508 Pope Julius II hired Michelangelo to paint the ceiling of the Sistine Chapel (McNeese 87). The Sistine Chapel was where major papal ceremonies took place (Summers 11). Although Julius II just wanted Michelangelo to paint the ceiling of the chapel Michelangelo had bigger ideas. By 1513, Michelangelo had around 340 figures on the ceiling of the chapel.

    Read More

  • Essay On Michelangelo

    773 Words  | 2 Pages

    As time went on Michelangelo goes on the create some of the best Statues and paintings known to man today. Aside from his “artistic” life Michelangelo was also an architect and a poet, he designed buildings such as the Laurentian Library and the Medici Chapel, but his biggest accomplishment came in 1546, became the head architect of Peter’s Basilica. For him when it came it poetry, he wrote over 300 poems that have come to be known as “Michelangelo's sonnets,” which are still read by people to this day. Even Though, he is known for his memorable sculptures and paintings, Michelangelo did not have the best personality. He was short-tempered, so he did not really work well with others, when Michelangelo painted the ceiling of the Sistine Chapel, he fired all of his workers, because he wanted everything to the peak of perfection. A lot Michelangelo’s works did remain unfinished, but the ones that he did complete are still some of the best in history; from Pieta, David, The Last Judgement, to the ceiling

    Read More

  • The Pieta and David by Michelangelo Buonarroti

    1044 Words  | 3 Pages

    Michelangelo Buonarroti is one of the greatest artists of the Renaissance times, as well as one of the greatest of all time. He did was a painter, a sculptor as well as an architect, excelling in all areas from a young age. Michelangelo’s art was a symbol of the Florence people’s cultural and political power and superiority. Michelangelo thought of himself as a divine being, meaning he thought he was perfection and no one could ever compare. To this day through, in terms of his art, this may hold some truth depending mostly on opinion. He created some of the most magnificent, and most sought after pieces of all time. Some of them are still around today for us to witness including Michelangelo’s Pieta, and one of his most famous Michelangelo’s David.

    Read More

  • Michelangelo Di Ludovico Buonarroti Simoni Research Paper

    442 Words  | 1 Pages

    He wrote 300 poems that has survived. Some of his most famous name were “Celestial Love, Dante, The Doom of Beauty, Joy May Kill, Love’s Justification, On The Brink of Death, To the Supreme Being and To Vittoria Colonna.” All of the poems I listed was made between (1475-1564). Some things he did in his life time were; In 1490-92 he learned sculpting where he worked in Medici household and sculpted under a master sculptor named Giovanni. At the age of 17 years old he had was hit in the nose by another apprentice that had caused him to be distorted for the rest of his life. The fortunes changed for the better. In November 1497, he creates his most famous works that is the Pieta. In 1505, he was asked to paint the Sistine Chapel ceilings. In 1524, he designs first building, and 1536 he paints a famous altar wall. The way Michelangelo fits into the Renaissance period was because he created works of the art during the Italian Renaissance period that were intense and provided a blend, which had physical realism and psychological insight, which means that have been well preserved over the years. He was important during the renaissance period because he had changed

    Read More

  • Michelangelo

    515 Words  | 2 Pages

    age of twenty-five and is the only work he ever signed. This sculpture shows a

    Read More

  • The Lives Of The Most Excellent Sculptor And Giorgio Vasai

    1781 Words  | 4 Pages

    One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting

    Read More

  • Michelangelo's Motivation

    1901 Words  | 4 Pages

    The night Michelangelo Buonarroti was born, “Mercury and Venus were in the house of Jove,” says Vasari. This means that, according to a lucky star, Michelangelo could be expected to produce extraordinary works of both art and intellect. How true this turned out to be! Whether it was fate or coincidence, few haven’t heard of this world renowned and avant-garde talent. From painting to architecture and sculpture, it seems like there is nothing Michelangelo couldn’t master. Michelangelo is said to have considered himself a sculptor, but why was it then that he produced his sculpture with such a unique and striking depiction of the human body? Why did Michelangelo create such masculine forms, and was it self expression that provoked this intense artistry? There are many factors that can influence an artists creative process, but with Michelangelo the most prominent were most likely his religion, society, travels, and self perception.

    Read More

More about The Genius Of Michelangelo

Open Document