Arguably, the alluring tale of “Beauty and the Beast” is perhaps one of the most romantic fairytales ever told. How has this wonderful, concocted amusement—filled with intrigue and come-hitherness—managed to sustain its audience for so long? Foremost, the title of the fairytale is stirring and enticing, painting a picturesque simile in the minds of those that are curious and alert, not unlike the designated heroine in the tale, Beauty. Too, the title suggests that the capacity to be beautiful is no more powerful than the stealthful, nefarious beast that lurks inside us all, making the theme of the tale as relevant today as it was in the 17th century. Further, when one digs deeper inside the nest of the tale, discovering the foreshadowed lining of “Beauty and the Beast,” the initial conundrum slowly becomes more gratuitous and substantial. Inquisitive onlookers will soon realize there is much more to “Beauty and the Beast” than the obvious facts and accessories in the tale. In the following response, my aim is to deconstruct—by comparing and contrasting—both the 1756 traditional French tale of “Beauty and the Beast,” written by Madame Leprince de Beaumont, and Disney’s more synthetic yet shrewdly animated version of the tale. However, more specifically, I intend to devote most of my reaction to “Beauty and the Beast” to the two title characters, with emphasis on the subtle yet noticeable changes in the character Beauty, as opposed to the more dynamic changes in the character of the Beast.
In Beaumont’s tale of “Beauty and the Beast,” the character of Beauty has all the traits a young lady should have. On the surface, Beauty is younger, prettier, and much nicer than her two older sisters are. Inwardly—where her sisters are unapp...
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...sney’s Beast is more constant with his behavior, remaining quick-tempered, hardheaded, and resentful throughout most of the movie, until Beauty makes him truly see how bitter and angry he has become. Furthermore, Disney’s Beast struggles with his own identity, fighting against both his gruesome outward appearance and the innermost man that he so desperately wants to be. At first, it becomes apparent to the viewer that Disney’s Beast has a difficult time controlling his rage, using his external prowess as the Beast to make Beauty feel threatened and unsafe, by both verbally abusing her with his aggressive shouts and intimidating her with his shocking presence. Because the once handsome prince was changed into a hideous monster for being unkind, he now allows his unpleasant persona as the Beast to control the man that lay underneath his gruff exterior.
In “The Classic Fairy Tales” by Maria Tator and “Mad Shadows” by Marie-Claire Blais, both texts deal with the idea that suffering and understanding are deeply connected. The authors aim to prove that suffering and understanding go hand in hand in order for change to occur. In “The Classic Fairy Tales”, Beauty and the beast, Snow White and Cinderella, will explore the relation between understanding suffering via transformation, desire, and physical injuries, when compared and contrasted with Mad Shadows.
...ve for these characters was fated to be unattainable and deceiving. The attempt to seek out such represents a temptation that is pointless to pursue because the simple variable of change is unavoidable. This patriarchal society's denial to this truth is a cruel deception that, in both poems, victimizes women. The deception is maintained in the fairy-tale folklores of romantic poetry that Goblin Market and The Prince's Progress imitate, both literally and suggestively. Rossetti’s narratives illustrate a complex of immediate gratification, especially with the incorporation of romantic ideas, and they highlight that the fulfillment of these delights, however brief, leads to certain betrayal and disappointment. In this way, Rossetti oddly criticizes the romantic ideas in traditional literature while presenting a review of the beliefs fundamental to those ideas.
Fairy tale is a story that features folkloric chapters and enchantments, often involving a far-fetching sequence of events. Fairy tales have been around for thousands of years, whether it comes from Grimm’s Fairy Tales which is what most people consider the “classic” or “traditional” fairy tales to Disney movies, the idea of the fairy tale fills our society with lessons and examples of how we should behave and live; fairy tales teach the same things in different ways, or teach different things with the same tale. A couple of these tales are “Beauty and the Beast”, by Jeanne-Marie Leprince De Beaumont and “The Pig King”, by Giovanni Francesco Straparola. They are both tales about falling in love with someone despite their appearance. The similarities and differences between “Beauty and the Beast” and “The Pig King” is captivating while still depicting a similar tale. They are similar in the way they find love and their love story but they also share a similar behavior pattern in the way the girls behave towards the prince. However, the two tales do display a difference in the attitudes of the princes and their actions towards their love
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
The use of ‘wild’ in both Catherine and La Belle’s descriptions shows their similarity in nature. The similarities of their descriptions of a charming, appealing appearances compared with their saucy, wild natures demonstrate the comparison of conflict within these texts.
In “Escape from Wonderland” by Deborah Ross, the writer explains how the fictional characters are admired. Although they seem to be sending a bigger message to young girls. The writer talks about drawing a line between fantasy and reality. In the end Ross’s objective is to show how some Disney characters break the femininity and imagination tradition. Which can have an effect in children and how they value their own ability to have unique visions. By comparing Alice in Wonderland (1951), The Little Mermaid (1989) and Beauty and the Beast (1991) to heroines like Arabella from The female Quixote. “Charlotte Lennox’s (The Female Quixote illustrates both these conservative and progressive plot patterns, for it both draws upon and criticizes earlier romances, which themselves often both celebrate and punished female imagination and expressiveness. Therefore, like Disney’s movies today, which also use material from romance and fairy-tale tradition”, (pg. 473, Escape from Wonderland). Young women may not only begin to fantasize about a grandeur life more exciting than reality but to be disappointed with society in the workplace and relationships. For example, Meredith from Brave she is a princess that wishes to have a different life than what her mother has planned for her. She refuses to get married and have the duties of a princess. She wants to have adventures and be
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
Throughout the movie The Beauty and The Beast Disney presents a classic fairytale, but when seen in a different perspective it demonstrated that not everything is as it seems. Belle is affected by multiple disorders starting with Introversion, Schizoid Personality Disorder, Schizophrenia as well as Stockholm Syndrome. However, with psychoactive drugs and extensive therapy Belle can be treated to allow her to progress prevent a relapse in her daily
Jeanne-Marie LePrince de Beaumont’s take on “Beauty and the Beast” is a pretty simple story. A single merchant father of six kids loses his fortune. He meets the Beast when
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
The tale of Sleeping Beauty is influenced by oral folklore and various written versions. Today fairytales are told as a domain for the entertainment and teachings of children. In traditional storytelling, peasants transmitted folklore orally around campfires to audiences of mixed ages. However, during the 17th century, peasant tales, such as Sleeping Beauty, were altered by writers like Charles Perrault’s, to appeal to the courts of aristocracy. Thus the characters of Sleeping Beauty adorned a courtly air to appeal to the crown, such as Louis XIV of France. Throughout history, various cultural influences transformed the tale of Sleeping Beauty through the manipulation of various social forces to achieve better entertainment purposes and reflect Christian beliefs and customs. In addition, the moral of the tale conveys a message that women remain passive in hope to marry her true lov...
Some fairy tales are so iconic that they withstand the passing of time. One of those fairy tales is that of Cinderella. The rags to riches story that gives even the lowliest of paupers, hope that they may one day climb the social ladder. While the core message of the story has transcended time, over the years it has been adapted to address a variety of audiences. One of those renditions is Perrault’s Cinderella where the traditional idea of gender is conveyed and therefore associated with good/evil. This idea is challenged by a fellow 1600’s French author, L’heriter de Villandon’s, who’s version of Cinderella brings about a female protagonist who is also the heroine.
In order to understand Joyce’s theory of beauty, the process that occurs must be de-constructed. Beauty can be found in vastly different contexts—the sun setting over the ocean or the Mona Lisa hanging in The Louvre in Paris—yet every experience has been
Beauty and the Beast is probably one of the most well known fairy tales that the Grimms’ reproduced. In it’s original form it was a long, drawn out story that was catered to adults. The Grimms’ changed the story to be more understood by children and made it short and to the point. Unlike many of the other fairy tales that they reproduced, Beauty and the Beast contains many subtle symbols in its purest form. It shows a girl and how she transfers to a woman; it also shows that beauty is in the eye of the beholder. The one major thing that separates this story from all the rest is that Beauty gets to know the Beast before marrying him.