Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Symbolism in Hawthorne’s works
Symbolism in Hawthorne’s works
The symbolism of NATHANIEL HAWTHORNE
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Symbolism in Hawthorne’s works
The Analysis of Light and Dark Imagery
Nathaniel Hawthorne's The House of the Seven Gables, uses many qualities of symbolism which help develop the novel's main ideas. Darkness is the emblematic 'color'; of the Pyncheon's. Contrasted with its opposite, light, it forms one of the major symbols of the novel: the opposition of dark and light. Hawthorne uses dark imagery throughout his novel to express a sense of decay, but he also uses light imagery to inject hope.
Nathaniel Hawthorne in The House of the Seven Gables describes Phoebe as 'an illuminating speck of light transforming the darkness of the house like the light of dawn'; (92). This description of Phoebe, using light imagery, expresses that she is an innocent woman with an inner spirit to help break the Pyncheon's curse. Clark Giffith records in Hawthorne's Imagery: The 'Proper Light and Shadow'; in the Major Romances that 'Phoebe is rather too obviously a little ray of sunshine...'; (37). When Phoebe enters the house 'from the sunny daylight,'; and is almost blinded by the 'density of shadows'; lurking in the passages of the old house, the contrast between Phoebe's lighted presence against the dark gloomy house can be seen.
The old Pyncheon-elm, which stands over the house, is a symbol of resurrection from the darkness and decay. In Chapter nineteen, 'Alice's Posies,'; the Pyncheon elm is suddenly filled with the morning sun in fact, one branch of the elm has been 'transmutated to bright gold.'; The elm is particula...
On the surface, a beautiful, poisonous girl and a preacher shadowed by a black veil share no similar characteristics. However, in the works of Nathaniel Hawthorne, these characters share two remarkably comparable stories. The Minister’s Black Veil and Rappaccini's Daughter both share the symbolic use of colors, yet the characters’ relation to the outside world deviates. Hawthorne expertly contrasts colors to illustrate the battle of good against evil. In The Minister’s Black Veil, Mr. Hooper’s black veil contrasts sharply against the pale-faced congregation, just as Beatrice’s likeness to the purple flowers, described as being able to, “...illuminate the garden,” contrasts the darkness of Dr Rappaccini’s black clothing. These clashes of colors
Throughout his literary endeavors, Nathaniel Hawthorne utilizes symbolism to present a certain theme that pertains to human nature and life. In his works, The Scarlet Letter and "The Minister's Black Veil", Hawthorne uses symbolism to present a common theme pertaining to religion; that though manifested sin will ostracize a person from society, un-confessed sin will destroy the soul.
James Wright was a poet that dealt with many hardships in his life, but he found a way to turn those negative moments into beautiful works of poetry. As a child, he lived in poverty with his family and later on suffered with depression and alcoholism. Growing up in Ohio, Wright learned how to work hard which is reflected in his poetic achievements. Wright turned his struggles into poems and for him to be able to achieve success through his pain is what makes his work American. Frank McShane wrote “The Search for Light” in Peter Stit and Frank Graziano’s James Wright: A Profile, and in the book McShane includes: “James Wright knew how restricted most American lives were” (131). For Wright to be able to live the “restricted” life McShane is discussing,
Harry Mulisch, through his novel The Assault, conveys the Nazi Occupation in the Netherlands in 1945 giving full emphasis on the impact to people’s lives. Anton Steinwijk, the protagonist of the novel, experiences traumatic experience when the military assaulted and killed his whole family. His wish to leave what has happened to him in the past is influenced largely by his devastation and undesirable perception of the war from what he has experienced. Additionally, people around Anton also encourage him to expect a peaceful future, away from the war. Light and darkness symbolizes Anton's perception of the war and volcano ashes representing trails of his past, which influences how Anton reacts at times of trouble and when approached with information of the past.
In any novel worth reading there is use of basic rhetorical devices like symbolism, allusions, etc. Nathaniel Hawthorne viewed strongly abroad as excellent author for many reasons but none as prevalent as his use of symbolism. Hawthorne uses repetition, motifs and symbolism to poetically approximate allusions almost within every word of his book “The Scarlet Letter”. Symbolism is the adhesive in “The Scarlet Letter”, other than maintaining the reader’s interest, it also makes allusions to other famous works such as the bible, and he uses it to transition the exposition throughout the book. A white man standing next to an Indian was wearing “… clad in a strange disarray of civilized and savage costume” (45) symbolizing the linimal position of the character in the story and in life. Although this symbol has one clear layer it also has a bi-layer to represent a different meaning. The matter that Hawthorne forms epic amounts of symbol s would have formed a problem if he hadn’t made it easy to depict the differences between his concrete symbols and his abstract symbols through repetit...
The House of the Seven Gables written by Nathaniel Hawthorne is a novel that engages the reader in an intricate love story that blends history and a fanciful ancestry. Hawthorne stays true to the Romantic era’s convections through his detailed development of the plot. Through his writing, the reader can capture the emotions, morality and motives of each character. Although Hawthorne writes in the romantic style, he does not fail to go against the social norms with the plot. He defines the normal roles of women and he emphasizes the role of wealth in society. Furthermore he asserts his opinions on issues that were prevent in that time, such as, racism, slave emancipation and Jim Crow. The story was not created to just provide a creative love
Symbolism “acts as webbing between theme and story. Themes alone can sound preachy, and stories alone can sound shallow. Symbolism weaves the two together” (Hall). Symbolism uses the story to convey the theme. Darkness is used in the novel to show the secrecy and lies that the story has. The whole story involves secrecy among two women and a man. Without symbolism the story would just have a very dark house and two very mysterious and disturbed women. Instead there is a feel of secrecy right from the beginning. Symbolism gives the story excitement, while also providing the reader with a good read. The author can read the first few pages and determine the story is not a happy
Altering an audience's opinion is a struggle that many writers face; it is always possible, however, to unite the reader with the speaker's position. In Paradise Lost by John Milton, the author attempted to persuade his readers into thinking that the theme of obedience to God will keep you in a blissful state and disobedience will keep you in a wretched state by the use of light in his books. God is associated with a radiant white light; while on the other hand, Satan is affiliated with a dark shady black. With this use of this contrast of symbolism of light and dark, there is a clear distinction that light is righteousness and more desired than the darkness, which is evilness and bad.
For example, in the beginning of the story, Young Goodman Brown is leaving his wife Faith at sunset to go on a journey that cannot wait. The images of a sunset and of the approaching nighttime illustrate the fear of the unknown. Goodman Brown must travel through the darkness before he reaches the light of knowledge just as the prisoners in Allegory of the Cave must travel from the dark cave in order to reach the light. As the story continues, Hawthorne uses the image of a “dreary road, darkened by all the gloomiest trees of the forest” to heighten the fear of the unknown. Goodman Brown has left the comfort of the cave of confusion and is beginning to discover the imperfections of the world and of its people.
The book All The Light We Cannot See by Anthony Doer, was not your traditional love and war story. It’s about a young blind girl named Marie growing up in the war, who had a connection with a young boy named Werner who is a part of the Hitler youth. There are a few other characters who are all in different parts of the world, and yet they eventually all meet up together and find out they all have some type of connection between each other. All of the characters in the book were affected by the war, and caused them to change into the characters that they ended up to be.
“Symbols are objects, characters, figures, or colors used by the author to represent abstract ideas or concepts.” Symbolism in literature is the depth and hidden meaning in any piece of work. The Scarlet Letter, by Nathaniel Hawthorne is a powerful and evocative novel laced with symbolism. The most obvious is the symbol of the scarlet letter itself, representing Hester’s sin of adultery. Hawthorne’s other symbols are less obvious and are very often obscured in the novel.
It had called her to come and gaze at a mystery. From barren brown stems to glistening leaf-buds to snowy virginity of bloom. It stirred her tremendously" (10). Gazing across the garden, Janie "was seeking confirmation of the voice and vision, and everywhere she found and acknowledged answers. [she longed] to be a pear tree - any tree in bloom!...
Hawthorne also uses black and darkness as symbols throughout The Scarlet Letter. Black is used to represent evil and hiding. Hawthorne calls the prison the "black flower of civilized society," meaning it is evil and a place concealing the truth. Frequently Hawthorne makes references to darkness turning to light, suggesting darkness as a state of hiding where the person will not accept life's experiences and holds back. Pearl's eyes are called a "small black mirror," meaning they are empty and filled with sin as they reflect Hestor's scarlet letter. Hawthorne explains black weeds growing from a sinner's grave as evil coming out and dying hope. The Puritan's describe Satan as the Black Man in the forest.
Rene Descartes’ natural light is his saving grace, and not Achilles’ heel. Descartes incorporates the concept of natural light within his epistemology in order to establish the possibility of knowing things completely without doubt. In fact whatever is revealed to the meditator via the natural light is considered to be indefeasible. The warrant for the truth of these ideas does not rely on experience or the senses. Rather the truth of the idea depends on viewing the concept through clear and distinct perception. Descartes’ “I am, I exist”, (Med. 2, AT 7:25) or the ‘cogito’ is meant to serve as the basis for knowing things through clear and distinct perception. Descartes’ cogito is the first item of knowledge, although one may doubt such things as the existence of the body, one cannot doubt their ability to think. This is demonstrated in that by attempting to doubt one’s ability to think, one is engaging in the action of thought, thus proving that thinking is immune to doubt. With this first item of knowledge Descartes can proceed with his discussion of the possibility of unshakeable knowledge. However, Descartes runs into some difficulty when natural light collides with the possibility of an evil genie bent on deceiving the meditator thus putting once thought concrete truths into doubt. Through an analysis of the concept of natural light I
In Hawthorne's novel The Scarlet Letter, there is a broad array of symbolism throughout the entire book. The purpose of using symbolism versus writing out the meaning making an extraordinarily boring and bland book is that it makes the reader have to think more and delve into the deeper meaning of things. Hawthorne also uses symbolism to convey a much deeper mental image of his words to the audience. He uses an vast array of colors, unique characters and grave sin to portray an deeper unconvoluted meaning to the audience; also, by using symbolism, Hawthorne manages to broaden the knowledge and imaginary context of The Scarlet Letter to allow people relate to the novel through the scarlet letter.