The Always Present Mother
“This is now bone of my bones and flesh of my flesh; she shall be called woman, because she was taken out of man” (Gen. 2:23). History has shown us that the “Great Mother” archetype has been with society since the beginning of time. Through stories, songs, poems and thoughts, man has always found the need for the “Mother” and the women that make this archetype possible. Some are consider myths and legends, while others have been documented in history. Regardless of what they have done or thought to have done, they have made an impact on the way man foresees woman. I will discuss three women characters that play a role in the mother archetype, and explain why these rolls are important to their culture. Demeter will be the first goddess in this examination on the mother archetype, followed by Isis. These women are man made stories, to try and help explain why certain things are the way they are. The last mother archetype I will discuss was a woman that is still worshipped today, and with the help of man made stories, she has become immortal. This woman is the Virgin Mary. Before this is discussed, I will explain what an archetype is and what traits and similarities one must have to become a “Mother Archetype”.
The mother archetype is a term derived from a man by the name of Carl Gustav Jung. Jung was a predecessor of Sigmund Freud. “According to Jungian psychology the archetypes of the collective unconscious are manifested in similar mythological motifs which are universal…”(Trachy and Hopkins 166). Jung defines a archetype in many ways.
Archetypes appear in conscious as a universal and recurring image, pattern or motif representing a typical human experience. Archetypal images come from the collective unconscious and are the basic concepts of religions, mythologies, legends and Arts…they emerge through dreams and visions…they convey a sense of transpersonal power which transcend the ego. (Jung 46)
The ego is the center of the consciousness and the base of the individual’s experience of subjective identity. The mother archetype has definite qualities of her own, such as, life giving, wisdom, and nurturing traits. Not all the traits of the mother archetype are good. There is the evil side of the mother archetype as well, such as, darkness, witchery and death. All these aspect...
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...left at the realization that they are thoughts. These goddess or mother archetypes are brought into our societies to teach man and woman the values in each other. To restore balance in one’s lives. Demeter, she helped to explain strange occurrences in Greece as well as reveal the importance of woman’s traits to give life. Isis, she kept the Egyptian nation strong and united during her reign by being everything at once. Mary, she has had mercy brought into the Christian beliefs against the sometimes stern male God. All three characters are important throughout history, and have managed to keep their legends alive.
Works Cited
Engelsman, Joan C. The Feminine Dimension of the Divine. Pennsylvania: Westminster
Press, 1997.
Epiphanius, Heresies. In Mary In The Document of the Church. Palmer, P.F. ed. London:
Burns Oats, 1953.
Holy Bible. New King James Version. Nashville: Thomas Nelson, 1997.
Hopkins, P., & Trachy, C.L. The Study of Story. North Carolina: Hunter Textbooks Inc.,
1996.
Jung, C.G. Collected Works, Volume 9, Part1, Archetypes & the Collective Unconscious.
London: Routledge & Kegan Paul, 1968 (1933)
The different archetypes are the shadow, the mandala, the great mother, the transformation, the hero, the spiritual father, and the trickster. All archetypes were drawn from a part of what makes us human and hidden in our subconscious. Many of the characters in the film often play more than one character. An example of this would be Ben Kenobi seems to play the archetype of Luke’s father, then he also plays the archetype as an old, wise man.
An archetype, as defined by Literary Terms, is an idea, symbol, pattern, or character type that appears repeatedly in stories from cultures worldwide, symbolizing something universal in the human experience. There are three types of archetypes: symbolic, character, and situational. In her memoir, The Glass Castle, Jeannette Walls employs each archetype to capture her difficult life growing up due to her father's alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel's theme of perseverance. The central theme of the novel is perseverance, as Jeannette and her siblings worked hard and never gave up, managing to build a better life for themselves.
archetype is very typical example of a person or a thing. Carlson’s most important characteristic
The goddesses Played a vital role in Greek society for they were responsible for many aspects of Greek. life, i.e., a life of a child. birth, harvest, etc. Accompanying the 6 major goddesses (Hera, Athena, Aphrodite, Hestia, Demeter and Artemis) we have the lesser divinities such as the Muses, the Graces, the Fates, etc. The second level of women used in Greek mythology is that of the human.
The stories about women in the bible illustrate the importance of their role and contribution to society. Women were slaves, concubines, and child bearers; they were also wives, matriarchs, and prophets. Although, some women had less important titles than others each served a purpose. Even if the Bible does not explain God’s relationship with women as with Moses and other prophets, it illustrates the love and dedication women had for Him. The scriptures describe brave, nurturing, and God fearing women whose decisions impacted the existence of the Israelites.
"The Archetypes and the Collected Unconscious."The Collected Works of C.G. Jung. 2nd ed. Ed. Carl G. Jung. London: Routledge, 1990. 393-417.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
These three goddesses represent three different types of women in Greek society. Sarah Pomeroy, author of Goddesses, Whores, Wives, and Slaves, believed that “the goddesses are archetypal images of human females, as envisioned by males” (8). Pomeroy understands the significance of the differences between Hera, Athena, and Aphrodite, and what those differences meant for the women of Greece who were required to follow three important rules. The first rule was for the women to live a life of domesticity and motherhood. This was very important to the men in the society.
Characters such as McMurphy and Nurse Ratched, exhibit many archetypes that better explain their unconscious actions. Carl Jung’s article on archetypes and Key Kesey’s characters perfectly correlate with the definitions of The Mother and The Anima Archetypes. For example, The Anima Archetype explains how, in men, that they tend to present forms of infatuation, idealization, and fascination with the opposite sex. In addition, in women, The Anima will radiate as a form of fate or destiny and stray away from the ideas of the conscious mind, which might be more possible or realistic. In the novel the protagonist, Randall McMurphy, develops The Anima Archetype when he bets the other patients that he can overcome the head nurse at the institution. The Anima developed because of his sudden infatuation with the nurse. This archetype explains the unconscious mind by verifying what McMurphy really feels involuntarily or naturally. Another Archetype that developed to justify the results of the unconscious is The Mother Archetype. Nurse Ratched, the lead nurse at the mental institute, display features of this archetype by setting up specific rules and regulations for the patients. In women this archetype shows love, care, and a diminishing expression of individuality. The mother tends to
In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood.
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help advance the story.
Archetypes have been around for thousands of years, dating back to at least Plato discussing his “Theory of Forms”. In a literary contexts we think of archetypes such as the hero, the mentor, the journey, or the initiation. When looked at from these perspectives it appears that there is nothing original to write about, but these archetypes are used over and over with much success. The reason is because the writer and the reader empathize with the archetypes. Take for example the Initiation archetype, also called the Coming of Age story, in it is the struggle of the young against the old in an attempt to obtain individuality, and freedom that reflects what Jungian psychologists call, a “father complex”, a type of subset to the oedipus complex, in the authors.
When dealing with the character archetype there are several characters those being the mentor and the evil figure with an ultimately good heart. To begin with, the mentor is
The first theory to be discussed is structuralism, this theory is composed of many different branches. The branches that this paper will be looking into is archetypes. The definition of of archetype is typical images, characters, narrative designs and themes and other literary phenomena. Archetypes have their own form of criticism that is called archetypal criticism. Archetypal criticism means the generic, recurring and conventional elements in literature that cannot be explained through historical influence or tradition.
The great psychologist-philosopher Carl Jung was briefly a student of Freud. Because Jung felt that Freud's approach to psychoanalysis was by far too narrow, he broke off from his teachings, and made significant contributions to mythological criticism. Jung's greatest contribution was his theory of archetypes. His proposal of archetypes argues that there is one original pattern or model of all things of the same type. According to Jung, beneath the personal unconscious is a collective unconscious that is in the psychic inheritance of all humans. Jung thought of the collective unconscious as a sort of memory bank that stores images and ideas that humans have accumulated over the course of evolution.