Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The Character of Heathcliff in Wuthering Heights by Emily Bronte
The Character of Heathcliff in Wuthering Heights by Emily Bronte
Wuthering heights emily bronte poetic device
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The sympathy that Emily Bronte generates for Heathcliff in the beginning of her novel Wuthering Heights leads the reader to understand the reasons for his moral ambiguity but not justify or overlook his violent, revengeful nature at the close of the novel. Bronte purposefully distorts elements of her work and portrays Heathcliff as inhumane and ghostly to reinforce the idea that people can simultaneously have villainous characteristics (to the extent that they are unrealistic) in addition to desirable qualities. Heathcliff’s consuming passion for Catherine and overabundance of emotion lead him to destroy the lives of all those who surround him when that love cannot be fulfilled. Ultimately, Bronte’s initial illustration of Heathcliff as a helpless …show more content…
Although Heathcliff must suffer because of his doomed fate, his constant mistreatment of others as well as his desire to thwart the possibility of happiness for those around him only strengthens the reader’s perception of him as solely a villain at the close of the work and not a hero who deserves sympathy. Heathcliff’s horrible childhood generates sympathy for the reader and initially seems to be a source of justification for some of his later actions. Even when Heathcliff first enters the Earnshaw household, the majority of the family criticizes him; not only is Mrs. Earnshaw “ready to fling it out of doors” () but Nelly, whose job is in part to take care of the child, “put it on the landing of the stairs, hoping it might be gone on the morrow” (37). (citation) Nelly’s presentation in the passage reveals her role as an unreliable narrator because she does not present Heathcliff without bias. She even notes, “Hindley hated him: and so to say the truth I did the same; and …show more content…
The compassion that Heathcliff holds for Catherine remains steadfast even after she dies. Bronte illustrates Heathcliff’s enduring passion and love when he proclaims, “Catherine Earnshaw, may you not rest as long as I am living; you said I killed you-haunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts wandered on earth. Be with me always-take any form-drive me mad!” Catherine’s death not only leads Heathcliff to call Linton “a pitiful, shuffling, worthless thing,”(209) but also to torment him so much that he “wakes and shrieks in the night.” When he learns that young Cathy accepts Hareton despite his inability to read and low social status, Heathcliff is able to find peace; indeed, he confesses, “My old enemies have beaten me; now would be the precise time to revenge myself on their representatives: I could do it; and none could hinder me. But where is the use? I don't care for striking . . . I have lost the faculty of enjoying their destruction, and I am too idle to destroy for nothing. (33.59) Ultimately, Heathcliff’s passionate love and emotion overpowers his longing for revenge. Bronte offers hope for all characters with Heathcliff’s recognition that he does not to destroy others to be happy but merely needs to be with his love, even if it is only possible through death.
“I have not broken your heart - you have broken it; and in breaking it, you have broken mine”. (Brontë 156) Since the beginning of time, love is something all aspire to attain. It has shown through novels, movies, plays, and songs, however not all love is the same. In Emily Brontë’s novel, Wuthering Heights, published in 1847, characters illustrate through disputes that occur, deception and selfishness. This is illustrated through the events of; Heathcliff's hunger for revenge, Edgar Linton's impact on Catherine in comparison to Heathcliff, and Heathcliff’s deception on all characters.
I, Heathcliff, feel as though my actions are not reasoned correctly by the narrator's nelly, Mr lockwood and Isabella. So you have heard about my low points in the book, and some of you are probably thinking, “wow what a bad guy he is”. But i assure you none of the reasons for condemning my actions are just. You have heard their side of the story. Here’s mine.
The final sense of alienation and the most implicating occurs with Catherine's marriage to Edgar, Heathcliff considers this a betrayal of his love for her, since she wants the social status and existence at the Grange. Heathcliff is however proud and determined and does not cower when opposed by those consider themselves to be superiors. Finally, when he realizes that Catherine has chosen status, wealth and position over him, he disappears for three years and returns in the manner of a gentleman.
Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
. The reader sees an extraordinary inwardness in Emily Bronte’s book Wuthering Heights. Emily has a gloomy and isolated childhood. . Says Charlotte Bronte, “ my sister’s disposition was not naturally gregarious; circumstances favored and fostered her tendency to seclusion; except to go to church, or to take a walk on the hills, she rarely crossed the threshold of home.”(Everit,24) That inwardness, that remarkable sense of the privacy of human experience, is clearly the essential vision of Wuthering Heights. Emily Bronte saw the principal human conflict as one between the individual and the dark, questioning universe, a universe symbolized, in her novel, both by man’s threatening and hardly-to-be-controlled inner nature, and by nature in its more impersonal sense, the wild lonesome mystery of the moors. The love of Heathcliff and Catherine, in its purest form, expresses itself absolutely in its own terms. These terms may seem to a typical mind, violent, and even disgusting. But having been generated by that particular love, they are the proper expressions of it. The passionately private relationship of Heathcliff and Catherine makes no reference to any social convention or situation. Only when Cathy begins to be attracted to the well-mannered ways of Thrushcross Grange, she is led, through them, to abandon her true nature.
Wuthering Heights is not just a love story, it is a window into the human soul, where one sees the loss, suffering, self discovery, and triumph of the characters in this novel. Both the Image of the Book by Robert McKibben, and Control of Sympathy in Wuthering Heights by John Hagan, strive to prove that neither Catherine nor Heathcliff are to blame for their wrong doings. Catherine and Heathcliff’s passionate nature, intolerable frustration, and overwhelming loss have ruined them, and thus stripped them of their humanities.
Emily Bronte’s Wuthering Heights is a novel about lives that cross paths and are intertwined with one another. Healthcliff, an orphan, is taken in by Mr. Earnshaw, the owner of Wuthering Heights. Mr. Earnshaw has two children named Catherine and Hindley. Jealousy between Hindley and Healthcliff was always a problem. Catherine loves Healthcliff, but Hindley hates the stranger for stealing his fathers affection away. Catherine meets Edgar Linton, a young gentleman who lives at Thrushcross Grange. Despite being in love with Healthcliff she marries Edgar elevating her social standing. The characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
In Wuthering Heights, Brontë presents Linton Heathcliff as arguably one of the most unlikeable, unsympathetic characters of the novel: he is often described as 'peevish', is constantly unwell ('faint-hearted creature') and resorts to fits of coughing when he doesn't get his way. He plays a key role in Heathcliff's revenge plot – marrying Cathy to award Heathcliff control of both Thrushcross Grange and the Heights (although this eventually fails) – and reveals its futility in the mean time.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love. Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff.
(2) Emily Bronte’s purpose in writing Wuthering Heights is to depict unfulfilled love in a tragic romance novel and hence the theme of Wuthering Heights is love is pain. Emily Bronte reveals an important life lesson that love is not sufficient for happiness and if anything, stirs up more agony. This message is important because, although it is difficult to accept, the message is devastatingly honest. In Wuthering Heights, two characters named Heathcliff and Catherine loved each other immensely. However, their pride and adamance disabled them from making any progress on their romantic relationship. In fact, Heathcliff and Catherine purposely hurt each another through reckless and cruel actions. The author is exemplifying a recurring theme in history that love is associated with pain. The message allows readers to be aware that love is not constant perfection and happiness.
Heathcliff never finds peace through his revenge. In fact, the only time he truly finds happiness is when he gives up his plan for retaliation. Austin O’Malley states “Revenge is like biting a dog that bit you” (O’malley 1). O’Malley’s quote reflects Heathcliff’s immature need to propagate agony in those who have offended him. Heathcliff’s plan for revenge on Edgar and Catherine is to marry Isabella, who is ignorant of love and of men because she has never experienced either. He wants to hurt Edgar because of his marriage to Catherine, and he wants to get revenge on Catherine by making her jealous. Catherine’s death proves that this flawed plan of repayment helps nothing. Heathcliff, haunted by the ghost of Catherine because he is her “murderer,” still is motivated by the need for revenge and tries to get young Cathy away from Edgar by having her marry his son, Linton. Heathcliff never finds peace until he gives up his plan for revenge just before he dies. When Heathcliff gives up his plan for revenge, he meets Catherine in death and truly becomes happy once more.
Heathcliff is characterized “as dark almost as if it [Heathcliff] came from the devil.” (45) Throughout Wuthering Heights, Heathcliff is treated poorly and is mainly a product of a troubled childhood. This man then manifests into a person that is hardly capable of holding back his impetuous actions, and, therefore, exemplifies the capacity of the most powerful emotions. Although he may not be the ideal protagonist, it is ultimately not his fault and in the end is defined by the events in the story. Due to the extreme emotional and physical pain endured throughout his life, Heathcliff exhibits the strongest love and hate towards others through passion and revenge.
In the novel Wuthering Heights, Emily Bronte strongly emphasizes the dynamic and increasingly complex relationship of Mr. Heathcliff and Catherine. Heathcliff, the abandoned gypsy boy is brought to Wuthering Height by Mr. Earnshaw to be raised with his family. After Mr. Earnshaw's death, he suffers harsh abuses from his "brother" Hindley and from Catherine, whom he dearly loves. This abuse will pave the way for revenge. The evolving and elaborate plans for revenge Mr. Heathcliff masterminds for those who he feels had hurt him and betray him is what makes Wuthering Heights a classic in English literature. The sudden change in feelings and emotions in Mr. Heathcliff are powerful scenes. Revenge becomes the only reason to live for him. Revenge is the main theme in Wuthering Heights because it highlights important events, personality flaws, and the path of destruction.