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Suspense and Tension in film Psycho
Alfred Hitchcock 1960 horror film ´Psycho` is one of the most
celebrated and scary films of its time. Hitchcock’s psychological
thriller, psycho was and still is the mother of all modern day
horrors. It cost Hitchcock around $800,000 to make the film. Psycho
broke all film conventions by showing a leading lady having a lunch
time affair in her underwear and also in the shower scene it was
rejected on the grounds of nudity but was later with no alterations
was accepted. The film stars Anthony Perkins as Norman Bates, Janet
Leigh and Marion Crane and Vera Miles as Lila crane.
Psycho differs from other horrors because the audience starts off
identifying with the main character we are shown what her life is
about, her job, her boy friend and just her life in general. When
Marion takes $40,000, instead of the audience disliking her because
she has committed a crime they understand why she did it after all it
is from a arrogant, snobby millionaire when he is talking to Marion’s
boss he says ‘I never carry as much as I can afford to lose.’ So when
she takes the money we don’t feel sorry for him at all. But when she
is killed then we start to identify with Norman Bates. The audience is
tricked in thinking that they will be following Marion thought the
film but they are wrong, this is known as Maguffin of a red herring.
Hichcock uses many different devices to create tension and suspense,
for example camera angle, lighting, music and red herrings all of
these components make up psycho, without them the film just wouldn’t
be as good or effected. One of the first examples of first person
camera angles i...
... middle of paper ...
...he black and white look doesn’t let then get to close. Also
Hitchcock was a master of using light, he could make a character stand
out more then the rest or blend in with the rest. If the film was in
colour it wouldn’t be as effective.
I think Hitchcock was a master at what he did and creating suspense
and tension, he knew exactly when to get the audience on the edge of
their seats and when to relax them. He was also a master at using
certain devices like camera angles, lighting, music and sound, with
every sot he took all of these components into account. I really
enjoyed watching the film, I wasn’t tense or in suspense as such, but
I can imagine what effect it had in people in the 1960 and why the
film was such a big hit. In my option I would give the film a 9/10
overall. And would recommend anyone go and watch it.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
‘Psycho’ is a 1960’s thriller that has been voted as one of the top 15
Film Analysis of Psycho When ‘Psycho’ was first screened in New York on 16th June 1960, it was
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
bank. Marion went home there was a close up shot on the money then on
The 1960's was a decade of tremendous social and political upheaval. In the United States, many movements occurred by groups of people seeking to make positive changes in society.
The 1960’s were a time of change and a time for liberalism. The 60’s have been described by many historians by having the most amount of significant change in American history. It was an era where America shifted from optimism to disillusionment. From blind acceptance to distrust. In ten short years, America’s view of authority has drastically changed. It was a time for violent confrontation. The Vietnam War took place all throughout the 60’s, and changed American history forever. Also, there was a war that was going on within the United States border. The Civil Rights movement was in full force in the South. Both of these conformations put America’s civil loyalty to the test. Politics ruled the land in the 60’s, from the assassination of
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
PSYCHO is a unique film because it is a black and white film in the
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
This film definetly deserves five out of five stars, as the of plot of this film which is based on a true story is excellent, the actors behind the characters are marvelous, and the inclusion of appropriate music and sound effects brilliantly enhance the emotion and mood of the story. Designed for a mass audience of various ages, I would definetly not hesitate to recommend this movie to a friend, and neither will
The movie Psycho, is one of the most influential movie in Cinema history to date. The director Alfred Hitchcock, wanted to test many of the conventions of movie making that was common at that time. Alfred Hitchcock movie broke many cultural taboos and challenged the censors. Alfred Hitchcock showed a whole bunch of at the time absurd scene, for example: Marion Crane (Janet Leigh) dying naked while taking a shower, Norman Bates with split personality disorder, and the first ever flushing toilet shown in a movie. Because from the late 1920's to the late 1950's, movies were made usually go around the story, and usually with a lot dialogue. This movie gives the audience an experience that was much more emotional and intuitive. The viewers were caught up in a roller coaster of shock, surprise and suspense based on image, editing and sound.
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
The film Psycho, directed by Alfred Hitchcock, is a psychological thriller that was created in 1960. The main theme of this film revolves around psychological illnesses. The film focuses on the main character, Norman Bates, and his psychological problems which include a split personality, voyeurism, sadism, guilt and self-punishment, and anal fixation. Throughout the movie you can see Bates exhibit these traits at different points; however, some traits are not as clearly evident as others. This film takes an in-depth look at how someone who possesses a mental illness might behave or think.