Settings Along the Tracks: The Places That Molded Jacob Jankowski in Water For Elephants
People always tell you settings that they were put in that helped mold them into the person they are today. The story of Jacob Jankowski is no different, and his story has many settings that we today could never even possibly imagine. Not only did his story take place in the separate world of a circus but also in the time of the 1920s which were riddled with depression and crime and many people looked for an escape. For many that's what the circus was, for the viewers and the performers. When we first see him, Jacob jumps the circus train as a young man and by the end of the story you see him step off the train as a man who is strong person who's sure of himself. As the story develops, you see Sara Gruen developing the character of Jacob Jankowski in Water for Elephants through settings such as the old folks home, the different train stops
…show more content…
“‘What about butter?’ I’m outraged. My mind skips back over the elas weeks, months, and years, trying to remember the last appearance of cream or butter in my life?” (Gruen 110). This very minor thing starts to show what life for him in the home is, miserable. Everything about his life is controlled and he has a hard time adjusting to this new feeling of restriction, which also brings out a very angry side of Jacob. The doctors think he’s depressed and give him medicine, even though he refuses to take it, he is told he has to and eventually gives up fighting it and just accepts taking the medicine. “I cling to my anger with every ounce of humanity left in my ruined body, but it's no use. It slips away, like a wave from shore. I am pondering this sad fact when I realize the blackness of sleep is circling my head” (Gruen ). This was one of the points where you just see Jacob letting go because it’s so much easier than fighting
“Courage is rightly esteemed the first of human qualities […] because it is the quality that guarantees all others” (Winston Churchill). This quote attests to the importance of the courage portrayed in The Help and Water for Elephants and emphasizes why courage is a defining trait of the characters. In both novels, the characters are confined and put through pain and suffering but in the end demonstrate tremendous amounts of courage in order to overcome their oppression. In The Help, the coloured help are confined to living life in an era full of racism, they are put through pain and suffering by the way they are treated by their employers and the members of their community. The characters demonstrate
Jacob was illustrated by McKay to be selfless and loyal to highlight the strength of friendship. For a start, McKay developed Jacob to be caring
At the beginning of Levi’s stay, he is unsure as to where he actually is and what is going to take place while he is in this “Rubber facility” producing Buna. Upon further de-humanizing events like being stripped of all his clothes, and being given a number permanently on his body with a “slightly painful tool with a very short needle” (Levi, 27) and “only by showing one’s number’ can one get bread and soup” (Levi, 28) Levi begins to realize that where he is, is not going to be good. Levi’s new friend, Steinhauf, tells him that no matter what, he must hang on to his humanity in any way he can.
Love is a very powerful emotion which is achieved by overcoming many hurdles and acting with courage. This bravery can be shown towards anything and anyone, including humans and animals. In Sara Gruen’s Water For Elephants, courage is a key aspect for characters that portray their love for other individuals and the animals. The characters, Jacob and Marlena love each other bravely, despite knowing the consequences for their actions. Not only does Marlena love Jacob, she also portrays affection for her horses as she protects them heroically. However, she is not the only one that admires the animals. Jacob is also fond of the animals in the circus and portrays it with valour.
I absolutely loved reading Water for Elephants; it is probably one of the best novels that I have read in my life time thus far. I would say that this novel is one for all ages but it contains some foul language and some content that’s more appropriate for a mature reader. One thing that I liked is that each chapter had a different photo from many different circuses. For example, one of the photos is an elephant, or the entertainers or pictures of the big circus tent (Gruen 238, 70, 48). Another thing that I utterly enjoyed about Gruen’s novel was her transitions; every few chapters she would flip- flop back and forth between twenty-three year old Jacob and ninety-three year old Jacob. Here’s an example of this, “I give up on rage, which at this point has become a formality, and make a mental note to get angry again in the morning. Then I let myself drift, because there’s really no fighting it. The train groans, straining against the increasing resistance of air breaks. After several minutes and a final, prolonged shriek, the great iron beast shudders to a stop and ...
Another possible theme of the book is fear versus courage. Fear and a lack of courage played a role in how Jacob lived his life. He was afraid all the time. He was fearful of being bullied, of being made fun of, and of being noticed by Maria who he has a crush on. Fear made him want to be invisible. If Jacob were to have the courage to stand up to his fears and face up to the
With the exception of some small problems with Sarah’s strong will, MacLachlan makes the relationship between Sarah and Jacob seem easy. However in the movie, Jacob also has a hard time letting Sarah get close to him because of his love for his dead wife, Katherine. For example, in the movie when they fight about putting Katherine’s possessions in the house and going to visit the grave Sarah says “I cannot make a difference until you make peace with Katherine’s death”. Jacob does not make that peace until Sarah goes to help Maggie deliver her baby. The delivery brings back memories of Katherine’s death since she died giving birth to Caleb. It is here that Jacob realizes “I never stopped long enough to tell her that I missed her”. Once Jacob realizes this he has room to love Sarah.
He was tired and he felt he ought to be getting to bed” (Johnson 39) The fact that he has the mental capacity to analyze his different options in the situation (whether or not to stay up or go to bed) and conclude which one is the “right” choice reinforces….. This process requires a high level of maturity and awareness to be responsible enough to be able to consider something separately from what one prefers or wants. According to Piaget’s study “The Moral Judgement of the Child” children do not develop the ability to even begin to understand their role in relation to others and the rules until the age of 7 or 8, saying “(they) begin to concern themselves with the question of mutual control and of the unification of the rules” (Piaget 17). One may interpret this situation as Harold deciding for himself whether or not he wants to go to bed, thus taking control over his own life, but the intangible force in his mind that is driving him to go to bed does not come from the “child” side of him. The creative, whimsical idea to build a mountain to find his bed resembles the imaginative nature of a child, but the presence of a responsible, moral conscious resembles the much more mature, adult side to Harold. Although Johnson is trying to convey the freedom Harold possesses throughout his journey, there is some older, powerful force controlling his decisions, possibly showing how the individual freedom socialism strives for is idealized because there will always be some figure present with more authority.
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Even though her husband treats her with what seem at first as love, it becomes clear she is nothing more to him than a piece of property. Every time he talks to her, he asks her to get better for his sake and the children's, and only after mentions hers interests. He doesn't think that she has any normal human feelings or worries and attributes her behavior to minor nervous depression. He doesn't see her true suffering since he believes "there is no reason to suffer" (574). He could never understand that a woman can be unsatisfied with the role imposed on her by society. Even though the heroine recognizes that her condition is caused by something other than John's theory, she is too scared to voice her opinion.
In Miss Peregrine’s Home for Peculiar Children, the main character is Jacob Portman. Throughout the book we see Jacob go through a lot of hard times while also trying to convince his parents and his therapist that everything his grandfather told him was real. Jacob started this book as a normal teenager in a small town living with his mom and dad. At the end of the book he’s at a place he never thought he would be in and seeing his grandfather’s stories come to life. Jacob has many obstacles throughout this book and is a perfect example of why you should always believe in yourself.
... the “man” insists that Jacob frees him. After receiving a blessing, and with it the name “Israel”, Jacob finally allows the “man” to leave, and Jacobs states, “‘For I have seen God face to face, and yet my life is preserved’ The sun rose upon [Jacob] as he passed Penu’el, limping because of his thigh.”(Gen 32:30-31). In surviving, Jacob has passed God’s test. God sees him as worthy since Jacob has literally seen God’s face, and still lives. Furthermore, God has rewarded Jacob’s worthiness by changing him; God has marked both his physical body, and his intrinsic self. Physically, Jacob now limps because he has striven with God. Intrinsically, Jacob walks the earth no longer known as “Jacob”, “the supplanter”, but rather as “Israel”, “He who strives with God”. Jacob is no longer the same person. God has changed him over the course of the Jacob Cycle by His own hand.
Due to the destruction of the home, Jacob decides to stay in 1940 to help Emma find Miss Avocet and change back Miss Peregrine back to her human state. He says his goodbyes to his father then paddles away towards a daring new adventure he may not
He does so in the context of obedience. Jacob displays a character much different from Isaac and Esau. Jacob is not introduced as a person indulging in the stimulation of the senses, instead he shows himself early on to be obedient. Jacob listens to, and obeys his mother, while Isaac relies on his senses used to experience food. First, we know that Isaac cannot see. Next, when Jacob is pretending to be Esau, Isaac first hears him, but is unsure of who he is hearing, thus his hearing is undeveloped. Then Isaac asks to feel him, but after feeling he is still unsure even though Jacob is wearing animal pelts. Then Isaac moves to the sense of taste and he tastes the food in order to be sure. Remaining still unconvinced, Isaac has Jacob lean in so that he can smell him. At which point he resolves that it is indeed Esau. Rather than having his hearing developed in such a way to discern between his children, Isaac relied most heavily on taste and
Gilman shows through this theme that when one is forced to stay mentally inactive can only lead to mental self-destruction. The narrator is forced into a room and told to be passive, she is not allowed to have visitors, or write, or do much at all besides sleep. Her husband believes that a resting cure will rid her of her “slight hysterical tendency” (Gilman 478). Without the means to express herself or exercise her mind in anyway the narrator begins to delve deeper and deeper into her fantasies. The narrator begins to keep a secret journal, about which she states “And I know John would think it absurd. But I must say what I feel and think in some way - it is such a relief” (Gilman 483)! John tells his wife that she must control her imagination, lest it run away with her. In this way John has asserted full and complete dominance over his wife. The narrator, though an equal adult to her husband, is reduced to an infancy. In this state the narrator begins her slow descent into hysteria, for in her effort to understand herself she fully and completely loses herself.