Nichelle Santagata Professor Peter Lehman FMS 100 7 December 2014 Honestly the word count: 656 Sucker Punch: The Representation of Women and the Female Body In the 2011 fantasy film Sucker Punch, directed by Zack Snyder, is one that illustrates the objectification of women as prostitutes with absurdly fetishizing them in sexualized outfits, heroic fight scenes, and the delusions of escape. Sucker Punch incorporates the ideals of the mother/whore dichotomy, saving and punishing women, and showcases their beautiful bodies. The main character Babydoll is seen as an innocent young female who is thrown into a psychiatric asylum for troubled girls (run entirely by men) and seen as mentally unstable. In the first five minutes of the film she is already …show more content…
The women’s bodies in the film are for erotic display even without full nudity and no ale eroticism is implied in the film. The prostitutes (inmates) are the whores who cannot be trusted all together because none of them are innocent anymore and are only simply utilized by them ad must follow their rules. The film wants to celebrate independence of females from the male’s dominance with their own female will-power but that can be somewhat contradicted since the role of The Wise Man played by Scott Glenn leads the way for the females and gives them advice. But in this film, every scene he is in, he only does just that and gives them clues so that the females CAN lead themselves to their escape. The lighting in the film also contributes to the beauty of the female body when there are revealing outfits and there are colorful lights that help excentuate their bodies. Babydoll and the rest of the females are killed off except for Sweat Pea in the end who escapes on a bus because she is rewarded in the end for distracting the visitors and is saved for not fighting back, but sacrificing herself. In the end Babydoll escapes as well but receives a lobotomy therefore finds paradise in another manner. But the plot twist is that Babydoll is
In Erzulie’s Skirt, the reader sees two disoriented women awaking to the harsh reality that they have been tricked and imprisoned after their voyage. They are then locked in a concrete room with nothing but their clothing and two beds, forced to work as prostitutes for the personal gain of a racist woman named Delia. In the brothel, Micaela and Miriam are made to allow men to enact their sexual desire and unnatural fetishes, and if they dare to resist or refuse, they are beaten nearly to death. In the most obvious way, this position mirrors the treatment ...
Sitting Bull was a war chief in the Lakota tribe during the 1800s. He was born in 1831 at the Grand River in South Dakota. When he was a child, he was not called Sitting Bull. His name was Jumping Badger but everybody had called him ‘Slow’ at first because they believed that he lacked many skills. It wasn't until he was 14 when he fought in his first battle that they renamed him and started calling him Sitting Bull, like his father.
However, each work is special and focuses on a different aspect of life as compared to the other. In addition, the thematic ideas between the two works are often correlated and often overlap between the two. Moreover, the multiple thematic ideas in the novel and the movie can still apply to the people of today as they also go through many hard times much like Celie and Esperanza. The House on Mango Street is able to focus on abuse of women, and discrimination of the female gender much like The Color Purple. However, The House on Mango Street is able to elaborate on the topic of maturity especially through the various experiences of Esperanza. Nevertheless, many important lessons can be learned from both the novel and the movie, among these include treatment of women, discrimination, and maturity. The novel and the movie do a wonderful job at emphasizing and focusing on these relatable topics that are vital to the growth of
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it.
The case is made that woman are more noticed by men when they have the big butts and fake hair. The female actors in the movie do not make much attempt to discredit this accusation, furthermore accepting the rhetoric that all males like the fake girls they see in the magazine and that’s the reason all women do this. This is a seamless example of how popular culture has continued to view woman and how woman continue to fall victim to the stereotypes of popular culture. During the exchange of ideas about the female stereotypes there are references made about famous Hollywood elites such as Beyoncé which places more light on the fact that popular culture plays a huge role in female
In the film the King of Kong, it is seen that there are many possibilities to creating a thesis statement related to a known film since 2007, but the movie encounters a few similarities regarding both of the main protagonist of the film. In the King of Kong, Seth Gorden used his abilities as a director to show the audience that even though Steve Wiebe and Billy Mitchell were or are still rivals, they still had a similarity of deep comprehensive intelligence, and the documentation of their supporters.
Donna’s father is angry when he finds out and automatically assumes it means she’s going to have sex with many men. This example is representative of the double standard held between men and women. It wouldn’t be an issue if one of the boys had multiple partners or used birth control, but as soon as one of the females does, it is frowned upon. When Jackie hears that Donna is on the pill, she exclaims “you’re going to be so popular,” which implies women can only be well-liked if they please men. Then, Eric’s parents give him “the talk” and while Kitty mentions that foreplay is important, Red disagrees. This implies a woman’s pleasure is not important, as long as men are taken care of. While Laurie is home, Eric finds out that she is failing classes, perpetuating the “dumb blonde”
Sex and sexuality plays an integral part of the stories of the novel as a taboo that many of the characters refuse to address. For Dream
There are movies that make you laugh, that make you cry, that blow you away with jaw-dropping, ever-so-satisfying action sequences. And there is Pulp Fiction, Quentin Tarantino’s masterpiece, an homage to the old Pulp Magazines and crime novels popular in the 1950s. Known for their incredibly dense and complex dialogue and excessive violence, Tarantino adds his trademark nonlinear chronology and thorough character development to create a movie that celebrates the fact that chance governs all of our lives. The film consists of multiple stories that tell of the criminals, gangsters and outliers of Los Angeles, the underbelly of society. It follows Vincent Vega and Jules Winnfield as they embark on their mission to recovering a briefcase that
Have you ever heard of a bull standing up for its land? Well, Sitting Bull, not a real bull, stood up for his land. Sitting Bull was born in 1831 in the north central part of the Dakota Territories, in what would become South Dakota nowadays (reference). Although he was called Sitting Bull at the end of his life, he was called Slow for the earliest years of his life. This was his name because of his “deliberate manner and the awkward movement of his sturdy body” (reference).
In the French film 8 Femmes, François Ozon, the director, guides a play from the 1950’s that focuses on a lively family that have deep secrets that all intertwine. In this musical mystery, comedy film, a murder has happened and each woman has their own motives for wanting to kill the man in the home. Yet, Ozon’s storyline is not the main focus of the film. The film follows each of the women which show the themes of betrayal, secrets, and most importantly sexuality. Sexuality is a main theme in many of François Ozon films that he directs. Sexuality in the cinema can be seen in many of his films because it affects Ozon personally.
2) It is known that the movie tells a lot about the feminine universe in its various aspects. How were men inserted in this universe? What feelings could they represent
... perfect exemplars of how an ideal innocent women, can face undoubtedly tragic fates. Despite much strength in their characters, both Daisy and Desdemona exhibit the vulnerability of their innocence, the ability for others to take advantage of them, and glaring weaknesses. They are unaware of their surroundings, which lead to questionable actions. Their inevitable tragedies occur because of how each character dealt with these situations placed in front of them. All in all, Daisy and Desdemona are responsible for their tragedies because they are women placed in unfamiliar positions and are unable to deal with situations placed in front of them.
In this role, because of her sex, the woman is seen as an object. Traditionally women have been viewed as the weaker sex and because of this stereotype we see women imaging an inferior person, bowing under oppression from men. Perhaps this role is most vivid in the life of Sally in The House On Mango Street. " Sally doesn't tell about that time he hit her with his hands just like a dog, she said, like if I was an animal" (Cisneros 92). We are left to believe that Sally is being abused physically as well as emotionally and sexually.