In the film Stagecoach, the group of individual of differing social standings and classes convene as group of passenger in their journey, attempting to avoid Apache warriors. While each passenger had their own motivations for their journey – some with honorable circumstances such as finding their spouse, and others with less honorable circumstances, such as being forced out of town due to alcoholism or prostitution. Regardless of their backgrounds and context and their motivations, this group of passengers, through the relentless challenges they faced throughout their journey from Tonto to Lordsburg. Although they were coerced to work together under the threat of death from Apache warriors, the team that the passengers formed in Stagecoach …show more content…
Numerous scenes depict this second stage of storming – Gatewood constantly fight with Curly for leadership in deciding whether or not to return to Tonto as Gatewood insists the Stagecoach forges on while Curly calls for a democratic vote. Furthermore, Hatfield and Doc Boone find themselves in conflict when they argue about the wording of the Civil War – whether it was the War of Southern Confederacy or the War of Rebellion. This seemingly meaningless conflict evolves into one in which Hatfield criticizes Doc Boone’s alcoholism and Boone hints at Hatfield’s criminal background, recalling that “gentleman did not shoot other people.” Despite these conflicts, as Tuckman mentions, certain group members continue to be silent throughout the conflicts – Ms. Mallory, is almost entirely silent throughout the entire journey with the exceptions when she asks where her spouse, a captain in the military, is. At the stage of the film, it seems as if the passengers are still “feeling each other” out, gauging their personalities and tendencies. Tuckman mentions that that group members must move from a “testing …show more content…
Furthermore, performing stage is characterized by “complete group identity complete, group morale is high, and group loyalty is intense.” Some of features of the performing stage is not all conspicuous in the film. While group morale is high, indicated but their eventual arrival at Lordsburg, loyalty is on a varying spectrum for the passengers. Gatewood, who seems entirely distant from the passengers, does not seem to have loyalty for the group beyond arriving at Lordsburg. In contrast, Ringo’s loyalty is shown after he is handed a gun to fight against the Apaches rather than easily fleeing from Curly and the Stagecoach. Hatfield’s final act to kill Ms. Mallory with his last bullet could be debated as being loyalty to group or disloyalty, depending on personal interpretations of his actions. Those who see his action as “protecting” Mallory from the savages could deem it loyalty to the group while others could construe his actions as a cowardly betrayal from fighting as a group and
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
out, it all works as a piece. And you feel that these actors are in this situation and the audience is not
The midnight setting at the cemetery for the Battle of Gettysburg gave Boone’s words an extraordinary power; he gave them a patriotic and an innate sense of responsibility to make sure that those soldiers that died died in order to unite people and bring them together. By informing the team of the historical background and the importance of the events that took place there he has power behind his words, and his slow and deliberate tone allots them adequate time for total comprehension. But like all teachers do, he started with a question giving them an opportunity to become engaged as well as making it real for them. Without even saying anything, team unity is promoted by having them run together, as well as listen to the speech together. During his speech he emphasizes that exact point “I don’t care if you like each other or not. But you will respect each other. And maybe, I don’t know, maybe we’ll learn to play this game like men”. He was in the position to say these things to them at this point because of the authority he had developed up to this point, if he had tried to do this in the beginning it would not have gone how it did at this point. In his speech he borrowed credibility from Gettysburg, towards the end of the speech he told the boys to “take a lesson
He also greets and dismisses the audience at the beginning and end of each act. The stage manager interrupts daily conversation on the street. The Stage Manager enters and leaves the dialog. He is also giving the foresight of death in the play. His informality in dress, manners, and speech, connects the theme, universality, of the production to the audience.
...ll and be forced to question their identity. The play shows that no amount of ignorance or arrogance can save a person from that.
And it wasn't just young men who answered the call. Whole families and people of all stations in life joined the caravan, which is part of the fascination of our haunting story. One is struck, for example, by how many women there were in the Donner party and how many of them survived the horrific ordeal they met. Imagine packing up an entire household, saying good-bye to all you've known and setting off to walk essentially to walk to California, a continent away, little knowing what was in store.
Having received assurances that fast communication from the Missouri River to California would be well patronized, three early stagecoach men, Senator W.M. Gwin, Alexander Majors, and Daniel E. Phelps, made preparations for the inauguration of the new service. Six hundred broncos, especially chosen for fleetness, toughness, and endurance, were purchased. Seventy-five men, none of them weighing over one hundred and ten pounds, were engaged as riders, being selected on account of their bravery, their capacity for deprivation and their horsemanship, as well as for their shooting abilities and their knowledge of the craft and the manner of attack of the Indians (When 1).
“Its…it’s them again. They’s ridin’ tonight.” A night rider was someone who committed nocturnal and racist acts of violence against blacks. In the historical fiction, Roll of Thunder, Hear My Cry, by Mildred D. Taylor, racism is a highly active issue within the Logan’s daily lives. One example of specifically the Logan children dealing with racism is the Black vs. White schooling system which was considered “separate but equal”. However, they were not equal in many areas including transportation. The black kids had to walk to school, whereas the white kids were given a bus. The Logan kids made the decision to take action towards the bus in response to being constantly bothered by the bus. This action left the bus out of commission for
“Round Em Up and Move ‘em Out!” and “A Life on the Trail” give information about how life was on a cattle drive. Think about what might have happened if you were actually participating on a drive.
After being seriously injured in the Battle of Chancellorsville, Tom Bridwell spent some weeks in a hospital, and then went home to recuperate. Jem liked having his father home, but it seemed that they couldn’t even sit down to dinner without the conversation turning to war. Jem’s grandfather could never understand why Jem’s dad didn’t share his beliefs. Tom suddenly has to leave for the war again. Jem is being torn between the two men he loves. He comes to believe what his father believes in and wants to go fight for Mr. Lincoln, but chores at the farm, his age, and his grandfather is what keeps him home.
“Stage to Lordsburg” is a short story about a group of strangers travelling from the town of Tonto to the city of Lordsburg via stagecoach. It was adapted into a film titled Stagecoach, which possesses the same premise of its source material but features several major alterations, additions and removals of important characters.
Movies are a great way to take a break from your hectic life and just relax. Movies have been entertaining you and everyone around the world since the mid 1800’s. The evolution movie went from black and white pictures to color and sound to finally 3-D film. Directors, artists, and inventors took hundreds of years to just perfect putting the one by one captured pictures in a fluid motion to make a ten second movie. So, just think about trying to create the 3D effect or even how movies were created.
This film starts out with a wounded Civil War Veteran at war, named John Dunbar, who shows characteristics of loyalty, honor, courage, fearlessness, and strong will. After healing from his wounds, a general, who had clearly lost his mind, sent him further in the West to make post. On his way there, he and the carriage man Timmons, saw unsightly and brutally body remains, that only Native Americans left behind after their slaughter. After reaching his station, everything started out normally with him making preparations for when the other Civil War Veterans would arrive; but, things changed after his first encounter with a Native American who paid Dunbar's fort a visit.
John Ford’s classic American Western film, Stagecoach (1939) shows many examples of political life and social behavior during it’s time. The plot is about nine travelers onboard a stagecoach from Tonto, Arizona to Lordsburg, New Mexico Territory. In the beginning, the passengers of the Stagecoach are unfamiliar with each other. However, their relationships grow as they get to know each other during their journey. Each character claims a different social position.
Good acting is essential to any good performance. The actors and actresses have to try to make what the audience is seeing and hearing come alive. The four characters in the play “Proof” are able to do this. The meaning and purpose behind the play is easily understood because the actors and actresses do such a fine job in their performances.