The use of dramatic irony in a story is to excite and amuse a reader, but also to make their knowledge feel superior by letting them in on secrets that the characters don’t yet know. Sophocles was excellent at filling this piece of writing with numerous examples of dramatic irony. His uses of irony are supposed to show the reader what Oedipus’s character really is. With his use of irony, we as readers gain a better understanding of Oedipus’s stubborn tendencies that originate from his father. It also gives the reader insight to the disastrous outcome of the story when the whole truth is revealed. Sophocles uses Creon’s delivery of Apollo’s prophecy, Tiresias’s words of wisdom, and Jocasta’s assurances to present dramatic irony in his drama.
Creon returns to Thebes with a message from Apollo’s oracle saying, “‘Pay the killers back- whoever is responsible’” (Pg. 168 L. 122). Oedipus later says after this message is delivered that, “Now you have me to fight for you, you’ll see: / I am the land’s avenger by all rights” (Pg. 169 L. 153). Oedipus begins hunting for Laius’s murderer and even goes as far as to curse the perpetrator. It is not until later in the play that he learns of the mistake he has made by cursing himself when he truth come out that he is the killer of Laius.
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Tiresias is called to the castle to reveal the identity of Laius’s killer, or give some kind of hint to who it might have been. However, when he arrives he is adamant about keeping that dangerous secret to himself. In response, Oedipus suddenly turns irrational and begins to accuse the prophet. Tiresias responds by saying that, “you’re blind to the corruption of your life/ to the house you live in, those you live with” (Pg. 177 L. 471). This is ironic because the audience knows that not only is Oedipus blind to the truth of his life, but that he will one day be physically blinded by his own
As Oedipus himself describes it, Creon comes “not to take [Oedipus] home, but to dump me out on the frontier to protect Thebes from fighting a war against Athens” (Oedipus at Colonus, 783-786). Creon seeks not to help Oedipus as he claims, but to use his divine power with no regard for Oedipus’s peace or happiness. It’s impossible to be sure whether Creon would have been more genuine had Oedipus not thrown Creon under the bus himself, but it seems that way to me. More importantly, Oedipus prolongs the curse that afflicts the city as the murderer remains unexposed. This works directly against Oedipus, because he is responsible for Thebes’s well-being. By pridefully insisting he could have nothing to do with Laius’s death, despite knowing that he had killed several unidentified people, he neglects his city and lets it suffer. Socrates would have Oedipus search his life for wrongdoing and immorality, but he instead chooses to shove blame onto others, and it’s clear from the events mentioned above that he only postpones the consequences of guilt, and makes them worse to
When Creon comes back and Oedipus finally hears what the oracle has to say he is outraged. Creon says "By banishing a man, or by bloodshed in quittance, since it is the blood which belong which brings the tempest on our city." (Prologue) At which Oedipus exclaims "For whoever was the slayer of Laius might wish to take vengeance on me also with a hand as
As the truth is getting revealed: "… You, Oedipus, are the desecrator, the polluter of this land." Oedipus does not believe (his choice). He (Oedipus) start to accuse Creon of truing to take his powers away (king). And still want to reveal whole truth. After talking to Jocasta Oedipus faces that he in fact might killed the king Laius. " There was s herald leading a carriage drawn by horses and the man riding in the carriage … The driver pushed.
In Sophocles’ tragic drama Oedipus the King, Oedipus, the king of Thebes, suddenly realizes that he killed his father and marries his mother. Oedipus shows great concern for his kingdom and his people, calling to “drive the corruption from the land” by bringing Laius’s murderer to justice (109). He summons Tiresias to find Laius’ murderer, but Oedipus becomes enraged when Tiresias accuses Oedipus of being the murderer. Oedipus, thinking that Creon is involved in this so-called conspiacy as well makes false accusations against Creon. Much to his surprise, however, Oedipus learns that the man he killed long ago is Laius, his father, and that Oedipus’ wife, Jocasta, is his mother, all in accordance with the prophecy that he had heard long before. After coming to this realization as well, Jocasta commits suicide. Oedipus gouges out his eyes after this episode and laments his birth. Although Oedipus strives to be a fair and just king by seeking Laius’ murderer, he is often not fair to his people. Also, by lamenting his birth, Oedipus blames whoever saved him for the pain he experiences. The play demonstrates the theme of injustice through Oedipus’ lament of his birth and Oedipus’ denial of justice to others—namely, Tiresias and Creon.
Sophocles uses irony in his play to show the quality of Antigone. Antigone showed verbal irony when she said “I should not want you” (Prologue lines 54-55). This shows irony because she came to Ismene asking for help and now she refuses her help. Antigone was rude to Ismene when she said this because she was blunt when she said it. This showed that Antigone was prideful because no matter what happened she would not let Ismene help her. Antigone showed verbal irony when she said, “our good Creon” (prologue line 23). This shows irony because Antigone did not believe that Creon was good when he said Polyneices could not be buried. She was being sarcastic and rude towards Creon when she said this to Ismene. This shows Antigone has a rude and character.
Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492)
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
When Creon, brother in law of Oedipus accuses him of being a murder, Oedipus was really mad. He accuses Creon of betrayal and hypocrisy. In another speech, Oedipus accuses Creon for pointing him as guilty for the murder of Laius. We can see that when Oedipus says:
Dramatic irony in Oedipus the King is evident throughout, which is similar to the latter play, but in a different form. In here, the irony is evident. Oedipus the King revolves around characters' attempts to change their destiny (which fails) - Jocasta and Laius's killing of Oedipus and Oedipus's flight from Corinth. Each time somebody tries to avert the future, the audience knows their attempt is futile, creating irony. When Jocasta and Oedipus mock the oracles, they continue to suspect that they were right. Oedipus discounts the oracles' power, but believes in his ability to uncover the truth, yet they lead to the same outcome. His intelligence is what makes him great, but it is also what causes the tragedy. When he ridded Thebes of the Sphinx, Oedipus is the city's saviour, but by killing Laius and marrying Jocasta, he is its affliction, causing the blight that strikes the city during the opening. Meanwhile, the characters, especially Teiresias, mention sight, light, darkness, &c as metaphors, while referring to `seeing the truth'. However, while Teiresias knows the truth and is blind, Oedipus can see all but the truth. When he discovers the truth, he becomes blind. Also, he does not just solve the Sphinx's riddle - he is its answer. His birth is mentioned throughout the play (crawling on `4 legs'), and he never relies on anybody but himself (`standing on his own `2 legs'),...
Sophocles’ use of symbolism and irony is shown in Oedipus Tyrannus through his use of the notion of seeing and blindness. This common motif is extended throughout the play and takes on a great significance in the development of the plot. In an effort to escape his god given prophecy, Oedipus tragically falls into the depths of unthinkable crimes as a result of the mental blindness of his character; thus never escaping his lot.
Sincerely caring for his people, he desires to make Thebes lives better by revealing the death of Laius, meaning if he solves the problem, he will become a hero. He asks for the help of his brother in law – Creon, and he brings Tiresias, the blind prophet who can see from Apollo’s eyes, to answer Oedipus’ concern. Unfortunately, Oedipus has several weaknesses that lead to the outcomes. He fears of rebellion, subverts the laws when frightened, and refuses to listen to others when he is mad. He accuses Creon as a betrayer when Tiresias indicates that he is the killer and even wants Creon to die. He
Throughout Oedipus the King, by Sophocles, there are many references to sight, blindness, and seeing the truth. Characters, such as Tiresias, are able to accurately predict what Oedipus’ fate will be through their power to see the truth in a situation. Oedipus maintains a pompous and arrogant personality throughout the play as he tries to keep control of the city of Thebes and prove the speculations about his fate as falsities. Ironically, although Tiresias is physically blind, he is able to correctly predict how Oedipus’ backstory will unfold, while other characters, such as Jocasta and Oedipus are oblivious to the truth even though they can physically see. Thus, we can conclude that the power of “seeing the truth” deviates greatly from the power of sight in reality and can lead to an expedited fate or a detrimental occurrence.
Although Oedipus has already fulfilled his destiny, his excessive pride pushes him to reveal the truth of the murder of King Laius. Had Oedipus not acted upon that pride, he would have never realized that he had achieved his dreadful prophecy. Oedipus ignores the dangerous warnings of his companions, and instead increases the urgency of the hunt for the murderer. “Listen to you? No more. I must know it all, / must see the truth at last” (1168-1169). Oedipus chooses to pursue the truth about King Laius’ murderer, not knowing he was the culprit. His own reckless pride makes Oedipus want to be the hero that would save Thebes from the deadly plague triggered by the murder of Laius. “I’ll start again- I’ll bring it all to light myself” (150)! Oedipus’ pride once again pushes him to find out the truth of the old kings murder. He wants to act as a God and protect his city. Oedipus’ free will causes him to be prideful, therefore hastening his downfall. “Now my curse on the murderer…” (280). When Oedipus curses the murderer, he unknowingly curses himself, too. Oedipus has multiple chances to turn away from his fate, but his excessive pride only leads him closer to it.
Irony used from beginning to end and with each statement made by Oedipus about finding the killer of Laius. Although the audience is familiar with the story they are fully invested in Oedipus. Because Sophocles uses irony in his play it makes the audience empathize with the protagonist. Oedipus becomes human, a tangible character that experiences the same emotions as everyday people. The thing that makes Oedipus even more human is that he is a victim of a fate assigned to him before he was born. He unknowingly carries out the prophecy destined for him which leads to the discovery that he was abandoned at birth by his biological parents; with this discovery a sense of his identity is taken from him. A character so arrogant normally does not receive empathy from the audience, however, he is still very much an innocent fragile human being punished for his father’s defiance. Sophocles used irony to bring a new twist to a familiar story. The use of irony keeps the audience ahead of the protagonist yet still eagerly awaiting his reaction to the obstacles before him; even though they know his fate the audience wants to see how he deals with his unfortunate
Oedipus is self-confident, intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout “Oedipus the King”. He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character says and what they mean. Both of these elements are used effectively to develop the tale of Oedipus.