When asked to envision medieval courts, often images from Game of Thrones or The Tudors come to mind -- maybe even Sir Lancelot and jousting. Yet, these television shows and stories derive their inspiration from a genuine historical context so fascinating and pervasive that nearly 1,000 years later Western culture is still transfixed. French author Chrétien de Troyes, who ironically penned the first romantic depiction of Sir Lancelot, wrote many of the tales that inspire modern pop culture. His stories, particularly that of Cligés written in 1176 AD, though filled with sometimes supernatural, amorous, and scintillating drama, can reveal the political and social undercurrent of the Middle Ages. Ultimately, the passionate characters and events …show more content…
Kieckhefer, when analyzing medieval texts, notes that “magic is often less important in and of itself than as a symbol or indicator of some psychological state.” The physiological state in the case of Cligés would play out between Thessala and the Salernitan doctors. Around the turn of the millenia, organized medicine began to take a stronger hold in Europe. According to Kieckhefer, “some of the business of these folks practitioners - the healing if not the divining - must have been siphoned off by the rise of university-trained physicians around the twelfth century.” One thing of particular interest is Chrétien de Troyes decision to write about Salernitan doctors in particular. Unlike most of Europe, Salerno was developing institutionalized medical training before the practice became mainstream -- “medical study had been available at Salerno as early as the tenth century.” In Chrétien de Troyes’ time, Salerno was the face of new movement amongst learned men. Not only the movement to organize medicine, but the push towards scientia, “a true and certain body of knowledge, focused on a given topic, whose reliability is guaranteed by its being derived from known first principles.” Scientia, not to be confused with modern day science, revolved around knowledge opposed to quantifiable data. Certain new practices were reflective …show more content…
Patronized by Countess Marie de Champagne and the count of Flanders, Chrétien de Troyes was evidently mixed into the courtly culture of the Middle Ages. In medieval courts, “there were… courtiers who had no formal claim to power but who for various reasons nonetheless wielded informal power: relatives and friends of the lord, clerics and mistresses, poets and physicians, and coterie of servants.” As a poet and writer, Chrétien de Troyes occupied a position of informal power, subject to change dependent upon his popularity. Those who held informal power, like Chrétien de Troyes, often clashed with those possessing formal power. For informal and formal courtiers alike, magic proved to be a way to impress patrons as well as a accusation that could tear down the another’s reputation. Chrétien de Troyes was steeped in a constant battle to win the affections of his patrons. His desire to remain prominent at court, lead to him writing about subjects he did not particularly care for: love and magic. Chrétien de Troyes even left certain stories unfinished because he weary of the lies, schemes, and adultery courtly lovers
Thomas Malory’s Le Morte D’arthur, T.H. White’s Once and Future King, and George Romero’s Knightriders encompass the evolution of the Arthurian tale from Malory’s time to the 1980s. Through this time many things have changed and these changes can be seen within the differences between each work. While there are many prominent differences chivalry or the knightly code is one of the main forces that tie these tales together. Malory reworks many of his sources to bring attention to the grand fellowship of Arthur’s Round Table and the chivalry that holds the knights together. Malory idealizes the power of chivalry and gives a great importance to it throughout his text. Unlike Malory, White does not idealize chivalry, but he does see the good and honorable aspects of chivalry. From Sprague Kurth’s article, “Conclusion,” it is clear to see that White gives his text an anti-war stance and shows chivalry and the controlling moral compass of Arthur’s knights. Chivalry is once again idealized in George Romero’s Knightriders the situations within the film are modernized but the emotions and illusions remain the same. T.H. White is directly referenced within the film and Malory’s idealization of the glory of chivalry can once again be seen. In my essay, I will show how chivalry is used in all the texts above as a bonding agent between all Arthurian knights. As Arthur’s knights honor and respect chivalry they remain as one cohesive group, but once they begin to abandon chivalry the Round Table begins to crumble and chaos ensues.
The evolution of human society consists mainly of ineffective ruling regimes and oppressed peasants. Medieval Europe falls into this same pervasive cycle. Social and political hierarchies intertwine which creates a grossly inefficient system. Hereditary lineage determines nobility. Commoners possess no hope of social mobility. Every aspect of life is virtually preordained. These circumstances revolve around the figure Lanval by Mari de France. Mari de France introduces Lanval as a courteous and distinguished knight of King Arthur’s court. Lanval possesses the most moral nature of all of King Arthur’s knights, yet even so, the other knights of King Arthur’s round table despise him. The many knights neglect acknowledgment of his nature as does
In Malory’s famous account of the King Arthur legend, the most notable example of woman as destructive sexual temptation is, of course, Queen Guinevere. Sir Lancelot’s affair wi...
In the novel, later, Mme. de Clèves asks for further explanation for the love between a woman and the king with “several other lovers” (1039). This passion forms the “political and social effects” (1039) that change the norms in the court. The court mixes this false “event into its own structure, so that the implausible now becomes the norm for the entire court” (1039). This incident drives to the extent of passions, “political ambitions and social events”, that utilize M. de Clève’s passion. Hence, the power of Duchesse de Valentinois doubles “the power of the monarch” (1039).
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
civility. The court of King Arthur as described in the tale of Lanval by Marie de France shows to
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
In the Renaissance, some aspects of medicine and doctors were still in a Dark Age. Outbreaks of disease were common, doctors were poor, medicine was primitive and many times doctors would kill a patient with a severe treatment for a minor disease! But, there were other sections where medicine and the use of medications improved greatly. This paper is written to illustrate the "light and dark" sides of medicine in the Renaissance.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
In modern medicine when an ailment arises it can be quickly diagnosed, attributed to a precise bacteria, virus, or body system, and treated with medication, surgery or therapy. During the time before rational medical thought, this streamlined system of treatment was unheard of, and all complaints were attributed to the will of the multitude of commonly worshiped Greek gods (Greek Medicine 1). It was during the period of Greek rationalism that a perceptible change in thought was manifested in the attitudes towards treating disease. Ancient Greece is often associated with its many brilliant philosophers, and these great thinkers were some of the first innovators to make major developments in astrology, physics, math and even medicine. Among these academics was Hippocrates, one of the first e...
The tales of King Arthur and many of their numerous characters are well known in literature. The Arthurian world is one of the great myths of modern times. Those great pieces of literature have many common themes, one of them being courtly love “L’amour Courtois”. This paper talks of courtly love as seen in King Arthur’s world especially examining “Yvain or the Knight with the Lion” and “Lancelot: or the Knight of the Cart”. Furthermore, one of the goals is to show how that courtly love could be seen in today in our world.
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
When Maurice Keen set out to write a book on the components and development of chivalry, he did not know it would be “the last word on a seductive subject,” as stated by one Washington Post reviewer. Instead, Keen was merely satisfying a curiosity that derived from a childhood fascination of stories filled with “knights in shining armour.” This juvenile captivation was then transformed into a serious scholarly interest by Keen’s teachers, the product of which is a work based upon literary, artifactual, and academic evidence. Keen’s Chivalry strives to prove that chivalry existed not as a fantastical distraction, as erroneously portrayed by romances, but instead as an integral and functional feature of medieval politics, religion, and society. The thirteen chapters use an exposition format to quietly champion Keen’s opinion of chivalry as being an element of an essentially secular code of “honour” derived from military practices.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.