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Holden in between childhood and adulthood
What is Holden's general view on childhood
Holden's adolescence
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In many ways The Catcher in the Rye by J.D. Salinger and “The Perks of being a Wallflower” movie face similar circumstances coping with the loss of innocence. Protagonists Holden and Charlie both emerge the hardship of dealing with maturity. However, with unlike perspectives, disparate relationships with the society, and different processes of moving from ignorance to knowledge. Holden changes by seeing not only darkness but beauty in the world, while Charlie has been enlightened to be himself and sees the world as a new opportunity. Before any recognitions with innocence loss, both protagonists have unlike personal perspectives. With only an age of sixteen, Holden and Charlie both interact with sexuality. In The Catcher in the Rye, …show more content…
In the Catcher in the Rye, Holden express his hope of protecting innocence by trying to erase the swear word on the wall but this time, with failure. He notes: “ I went down by a different staircase, and I saw another “fuck you” on the wall. I tried to rub it off with my hand again, but this one was scratched on, with a knife or something.” (Catcher in the rye, 202) The word “Fuck you” is strongly symbolic of the loss of innocence, which reminds Holden the impossibility to erase all phoniness from the world, and forces him to face maturity. Holden hints his hope of blocking children from adulthood, which implies his hatred with the society. However his growth begins with realizing his imaginary role of being the “Catcher in the Rye” is unrealistic. While Charlie, who blends into a circle of friends and switches his role of being innocent to impurity. Charlie cherishes his friends to the extent of losing himself. He uses alcohol and drugs in order to fit in. In the movie he often repeats: “I just want you to be happy” indicating his voluntary supports for his friends, but forgetting to follow himself. He believes that satisfying others is important. However, he continually to be a follower rather than a believer in
Catcher in the Rye, by J.D Salinger is about a boy named Holden Caulfield who struggles with the codes of conduct his upper class lifestyle follows. For Holden, loss of innocence is not about smoking a cigarette as much as it is about his realization that the rules placed on him by society are phony. Holden distracts himself by focusing on his feelings of alienation because he does not want to face his own deep sadness over his own loss of innocence.
“That's the whole trouble. When you're feeling very depressed, you can't even think.” (Salinger) In both the novels, Catcher in the Rye by J.D. Salinger and The Perks of Being a Wallflower by Stephen Chbosky, the main characters Holden Caulfield and Charlie are depressed and troubled teens. Although both teenagers grow up in different time periods they share many similar teenage difficulties. Both novels portray a male protagonist growing up while trying to find his identity, yet constantly loathing their lives.
Holden Caulfield, portrayed in the J.D. Salinger novel Catcher in the Rye as an adolescent struggling to find his own identity, possesses many characteristics that easily link him to the typical teenager living today. The fact that the book was written many years ago clearly exemplifies the timeless nature of this work. Holden's actions are those that any teenager can clearly relate with. The desire for independence, the sexually related encounters, and the questioning of ones religion are issues that almost all teens have had or will have to deal with in their adolescent years. The novel and its main character's experiences can easily be related to and will forever link Holden with every member of society, because everyone in the world was or will be a teen sometime in their life.
First off, he is a teenager, which is on average, most of the people who has read and is reading The Catcher in the Rye. Young teenagers can relate to Holden quite easily, mainly due to his speech and actions. Holden Caulfield is a young lad, who swears in just about every other sentence. An example of Holden 's usage of swear words would be, “It was a funny thing to say. It sounded like a real kid. You 'd think a prostitute and all would say "Like hell you are" or "Cut the crap" instead of "Like fun you are” (Salinger 51). Instead of speaking politely, Holden uses his own normal vocabulary, or instead, most of the teenagers ' vocabulary. It is so common to just walk into a high school and hear people use swear words left and right. Salinger’s purpose is to create a chain of connection between Holden and the reader, so that way, the reader can feel in place when reading the novel. Another way Holden connects with the reader is through his actions. Holden dropped out of high school, and occasionally got into fights. According to a quotation on page 5 of The Catcher in the Rye, it states, “Well. . . they 'll be pretty irritated about it," I said. "They really will. This is about the fourth school I 've gone to." I shook my head. I shake my head quite a lot. "Boy!" I said. I also say "Boy!" quite a lot” (Salinger). Now, before we all criticize Holden for
When Phoebe asks Holden what he wants to do with his life he replied. This reveals Holden’s fantasy of an idealistic childhood and his role as the guardian of innocence. Preventing children from “going over the cliff” and losing their innocence is his way of vicariously protecting himself from growing up as well. Holden acknowledges that this is “crazy,” yet he cannot come up with a different lifestyle because he struggles to see the world for how it truly is, and fears not knowing what might happen next. Holden’s “catcher in the rye” fantasy reflects his innocence, his belief in a pure, uncorrupted youth, and his desire to protect it. This fantasy also represents his disconnection from reality, as he thinks he can stop the process of growing up, yet he
The Catcher in the Rye by J.D. Salinger is a classical coming of age novel that deals with a youth’s mental adjustment to a modern world. Holden Caulfield, Salinger’s troubled protagonist, has a flawed view of the world where youth and integrity fights maturity and corruption. Salinger explores this dichotomy using a variety of motifs and symbols.
The Catcher in the Rye, a contemporary novel by J.D. Salinger, is a thought-provoking, fascinating look at society’s values and issues in the 1950’s. This book would make an excellent transition to film because it is full of both action and implication. It focuses on a four-day period of time in the life of a sixteen-year-old cynic with emotional problems. The book follows Holden Caulfield as he struggles with others and himself to find his way through the “phoniness” and disillusionment involved in his adolescent life. These struggles essentially make up the novel, occurring during a long “flashback” of the four days as he relates them to a psychoanalyst. It would make a brilliant movie because it is written with so much detail, so many pictures that would be beautifully expressed through visual representation. Not only that, but the novel possesses substance, providing a subjective view of the superficiality of modern life, which is represented by the world Salinger creates around Holden.
Innocence lies within everyone in at least one point in their lives, but as reality consumes them, that purity begins to vanish slowly as they learn new experiences. In the coming of age novel set in the nineteen-forties, J.D Salinger writes about a sixteen-year-old boy named Holden Caulfield who stands between a road that separates childhood from adulthood and is confused about which path to take. On a three-day trip in New York away from his family and fellow peers at school, Holden encounters many situations in which lead him to think twice about who he wants to become and how he wants to guide others who are in the same situation he is in. In The Catcher in the Rye, J.D Salinger utilizes symbolism, vivid imagery, and slangy diction to expose Holden’s struggle to preserve the innocence of the people that he loves while alienating himself from the adult world he calls “phony.”
The Catcher in the Rye by J.D Salinger is a coming-of-age novel set in New York during the 1940’s. Holden Caulfield, the protagonist of the story, is a detached seventeen-year old boy harboring feelings of isolation and disillusionment. He emphasizes a general dislike for society, referring to people as “phonies.” His lack of will to socialize prompts him to find nearly everything depressing. He’s alone most of the time and it’s apparent that he is very reclusive. This often leads him to pondering about his own death and other personal issues that plague him without immediate resolution. Holden possesses a strong deficit of affection – platonic and sexual – that hinders and cripples his views toward people, his attitude, and his ability to progressively solve his problems without inflicting pain on himself. The absence of significant figures in his life revert him to a childlike dependency and initiate his morbid fascination with sexuality. In this novel, Salinger uses Sunny, Sally Hayes, and Carl Luce to incorporate the hardships of discovering sexual identity and how these events affect adolescents as they try to understand their own sexuality.
... is trying to catch Holden in the midst of a “fall.” But Mr. Antolini “fall” describes is very different from the one Holden had imagined. Holden desires an idyllic world of childhood innocence; But Mr. Antolini describes that Holden is giving up or disengaging himself from the real world, or that he would fall in a void that removes life around him. In both these cases, we see that Holden envisions himself as the protector rather than the one to be protected. Holden is the one who really needs to be “caught”. But Mr. Antolini thinks that Holden feels disconnected from his environment, and, his assessment is accurate. Holden wants to attempt to be his own saviour, but Mr. Antolini’s imagines Holden’s falling presents in a more accurate image of what awaits Holden on the other side of the “cliff.” This thus reveals the weaknesses of Holden’s romantic outlook.
Throughout the history of literature, a great deal of authors has tried to reveal a clear understanding of the American Dream. Whether it is possible to achieve lies all in the character the author portrays. The Great Gatsby and The Catcher in the Rye stand as prime examples of this. F. Scott Fitzgerald and J.D. Salinger, the authors of these titles, respectively, fashion flawed characters, Jay Gatsby and Holden Caulfield, with one vital desire: the longing to gain what they can’t have; acceptance and the feeling of belonging. Each retaining characteristics that shows their differences and similarities in opinion of the world around them.
Being a teenager is quite an awkward time in a person’s life, it is like being a mutation, half-child and half-adult, losing innocence along the way. Around the age of 14 people hit high school and life begins to change for both males and females. Girls and boys officially start their journey into women and men, hitting many bumps and hurdles on the road to discover themselves. In the novels, Perks of Being a Wallflower by Stephen Chbosky and The Catcher in the Rye by J.D. Salinger, two very different boys begin the voyage into adulthood both making mistakes and facing obstacles along their way. Within these two stories the reader delves into the secrets of what exactly is ailing the minds of american males. In both novels, the boys face a
“Catcher in the Rye”, written by J.D Salinger, is a coming-of-age novel. Narrated by the main character, Holden Caulfield, he recounts the days following his expulsion from his school. This novel feels like the unedited thoughts and feelings of a teenage boy, as Holden narrates as if he is talking directly to readers like me.
The trope “parent-child relationships,” encompassing both parental and mentor relationships, appears in many stories or texts. Not surprisingly, parent-child and mentor relationships run throughout all of the books examined this year in English class, most obviously in Khaled Hosseini’s The Kite Runner and J.D. Salinger’s The Catcher in the Rye. The two protagonists in these novels, both of whom are boys struggling to find their place in the world, have significant adult figures who try to guide them in their journeys to maturity.
While societal attitudes attitudes may change over time, the challenges associated with the transition from childhood to adulthood remain constant. The ideas of individuality, alienation and loss of innocence fortify the theme of coming of age across the texts The Catcher in the Rye and The Perks of Being a Wallflower. The Catcher in the Rye, a bildungsroman novel written by J.D. Salinger in 1951, focuses on teenager Holden Caulfield’s transition from childhood to adulthood in 1950’s America, whereas the film The Perks of Being a Wallflower directed by Stephen Chbosky in 2012 follows teenager Charlie experiencing a similar transition in 1990’s America. Despite their varying contexts, these ideas are presented in both texts through the use the