Sibyl lay cold and defeated on the floor, where Dorian had abandoned her. The room was utterly silent, with only the harsh and unforgiving sound of the wind outside; the curtains of the windows pulled across, which heightened the sense of eeriness within the room as the wind pushed on them, causing them to ripple, similar to a flag in a breeze, inducing the faint light from the outside to flicker. Sibyl imagined what life would give to her if she was to be with her Prince Charming; the utmost joyfulness it would grant. However, she had been released from Dorian’s grip.
She slowly, tentatively rose from her knees, moping, unsure what to proceed with next. She looked downwards in despair. ‘You were right Jim. He doesn’t love me. But why would he? I am no use for him.’
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She looked at herself through her cracked, old and brown wooden mirror. It looked as though someone had struck it with their fist as her reflection was partially obscured by the slightly dented glass. She pondered for a moment, and then looked down. ‘Dorian, my Prince Charming, my one and only, left me because I chose love instead of art. Is it my fault because of this? I realise now he only loved me because of my talent, not for who I am. I’m not that incompetent. This means I should be the one who is angry, not him.’ Dorian’s betrayal resembles Jason’s betrayal of Medea. She perused her small, ageing, rickety desk, which was destined to fall apart any moment, struggling to locate her cloth to remove her powdery, cheap, white makeup. She searched through the drawers which creaked loudly as she pulled aggressively on them. ‘Where is the putrid thing!’, Sibyl violently exclaimed. She surely couldn’t be so aggravated over her misplaced cloth. She reached below her desk, where her immense collection of shoes lay. There were slippers, tap shoes and leather shoes, all used for acting
“Take me to the next town. I don’t care where it is. Just take me there.” The girl whispered, shivering and sopping wet from the rain.
Sammy was a girl that she was shy. She had her group of friends that she trusted and said everything. But in the school was a girl that she was mean and thinks she can judge everyone. One night Sammy was about to sleep but in a moment to another she was restless. Because she gets scar and she didn’t even know. She saw an ugly monster, she was cold she was like a cold corpse. Sammy says“ It’s nothing, go to sleep”. But she hears a voice telling her“You know that’s not true”. When she hears that, she starts shaking like a little Chihuahua.
In Medea, by Euripides, the two main characters Jason and Media are forced to leave Lolkos and have taken refuge in Corinth. Jason has the possibility of establishing a position of standing in the community by marrying King Creon’s daughter. Medea is enraged by Jason’s betrayal of her and their two children and she vows to stop the marriage and exact revenge. In the play, Medea and Jason are set up as foils. Medea is completely dependent on the dominance of passion over reason. She is depicted as conniving, brilliant and powerful. In contrast, Jason is portrayed as a a character of little feeling; he is passionless, obtuse, witless, and weak.
Even though Medea’s crime are despicable, Jason is also a despisable character. When he encounters Medea for the first time in the play, he says, “Even if [Medea] hates me / I could never think badly of [Medea]” (Euripides 462-463). It is easy for Jason to say these kind words because he is not the one being abandoned for another spouse. He also undermines Medea again after she recites how she helped him in on the Ship Argo. Instead of giving her any credit or appreciation, Jason confesses, “since you make such a mountain of it, I think that Kypris, god of love, was the savior” (Euripides 525-526). It is not enough to leave Medea for another woman while allowing her and her children to be exiled, but Jason also felt the need to discredit her contribution to his
The play Medea opens with the revelation that Jason, a Greek explorer, has left his wife Medea for another woman. This infidelity is the primary example of Jason’s distorted principles and symbolizes the strong influence aesthetic standards have over his life. One needs only to read Jason’s debate with Medea to understand Jason’s blindness. While on his quest for the golden fleece, an event that occurred prior to the play, Jason sought Medea’s help to vanquish obstacles that impeded his wanted goal. When Medea mentions this incident during their dispute, Jason replies: “My view is that Cyprus was alone responsible of men and gods for preserving my life. You are clever enough-…but on this question of saving me, I can prove you have certainly got more from me than you gave” (Euripides 17). Jason is so overcome by his own emotions that he stoically believes a lie to ...
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
Medea’s love for Jason made her forget to think ahead and plan steps for her own future. I have never been in love to understand how and why it would make Medea to go as far to betray her country and family who did nothing to deserve the harm she brought their way. She had no right to betray her people for a man she knew nothing about. I know and understand that Medea is a powerful, smart, and analytical women but the fact that she let love change who she is lets me know that I can no longer view her as that, but as a weak woman who puts herself
When the Tutor enters the scene, he expresses a much more cynical view regarding Jason's decision to leave his wife. He asks the nurse, 'Have you only just discovered / That everyone loves himself more than his neighbor? / Some have good reason, others get something out of it. / So Jason neglects his children for the new bride'; (85-88). The Tutor feels that Jason's leaving Medea is only a part of life, as 'Old ties give place to new ones';. Jason "No longer has a feeling'; for his family with Medea, so he leaves her to marry the princess who will bring him greater power (76-77).
Even in today’s society, gender roles play a part in how people view the world. Although more important than the gender roles are the emotions that antagonize the psyche of the human. Medea shows how jealousy can lead to revenge and influence bad decisions and ruin or even end lives. Ironically, the decisions she makes to kill her children, leaves Jason helpless much like a Greek wife during this time. She removes the opportunity for him to voice his opinions, needs, and desires. This flip of traditional gender roles shows how gender roles are not a reliable way to view a society.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
The narrator was incapable of understanding how much devotion he had for the girl. He was powerless to her. She owned his thoughts, and his desires. The setting was dark and gloomy. Through his descriptive writing, the reader could feel the gloom and even the obscurity of the environment of story.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...