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This is the Diary of William Stacy if found they've arrested me or I am dead. My mind like a broken record tries to remember the last time I felt happiness. Something besides the numbness that breaks me every day.
I don’t even remember my middle name. John maybe. Or that could've been the guy that introduced me to oxycodone. Either way it doesn't matter.
I stare into the mirror, I can't recognize the person i’ve become.
I had a steady job once. White collar. I was a psychologist, I wonder what I would think about myself. I wonder if I would even care about myself now.
I need coke. I’ve sold almost all of my possessions, but not hers, if I did that I really could not live with myself. Not for blow she deserves better that that she always
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Her voices is beginning to fade.
I tell her I love her.
She tells me she hates me, she tells me her baby hates me.
I can no longer control my sobbing.
I am losing her but there is no more blow.
Words cannot accurately describe the feeling of watching her go again. Watching her nose and mouth begin to bleed as she chokes on blood and grabs onto the sink for support.
I can't to anything I can't move I can't talk I can't breath all I can do is cry and gasp for air.
Her stomach flattens. Our baby, my little baby bleeds out from her legs and is left in a puddle onto the floor.
Panic.
Seeing and not being able to react, freezing in the moment and wanting to help her and so desperately to run away to get out of the room with this smell being unable to stop events from occurring because they are taking place in your own mind. If that isn’t the definition of hell I don’t know what is.
Sarah begins to decay. Her rotting skin falls in chunks. Maggots fall with it.
Her pink lips gone. Golden hair is now thinned and clings to her scalp.
Her bones fall to the floor the same time I do. The smell.
The smell. Something is dead. Sarah. My nose burns with that smell. My skin crawls with that smell. I can't get it off of me it's all around
The main character in this story is a Jewish girl named Alicia. When the book
You're in your hotel room.You're banged up, numb and alone. You don't want to go downstairs to the bar or restaurant. The walls are breathing. You don't want to talk. Panic sets in and you start weeping. It's something all of us go through.(Behind Fun Façade…)
losing her life when all of the blood has gone down the plug hole so
It has finally happened, one of the most dreadful days of my life. My sister and I have both been seized by two men and a woman. They climbed right over our wall and took us before we could even begin to understand what was happening. They think they are so smart but they have no idea that I have been tracking the way they walk. I have been watching the way the sun rises and sets to know how to find my way home. My sister is so scared; it is extremely hard to calm her down when I myself am terrified about the outcome here. I am hiding this diary in hopes that I may put information on how to escape and return to my hometown.
In the play No Exit, by Jean Sartre, the author attempts to describe his vision of what Hell is, a subject that many have pondered, but none really know. Sartre was under the impression that Hell had nothing to do with the fire and brimstone, as many people before him believed. He instead voiced his thoughts through the characters of No Exit. “Obviously there aren’t any physical torments…and yet we’re in hell. And no one else will come here. We’ll stay in this room together, the three of us, forever and ever…in short there’s someone absent here, the official torturer…each of us shall act as the torturer of the two others.” (No Exit, p. 22) The three main characters in this play, Inez, Garcin, and Estelle create the hell they were banished to, but not by using the “racks and red-hot pincers” of the past, but by hurting each other in a disturbed form of a “love triangle”, where the love really doesn’t exist.
Hell threatens a peaceful life after death, it is abnormal where it is not tangible, and has horrifying views associated when referenced by the grotesque nature of punishment that some believe Hell provides. Naturally, humans fear the unknown; due to the uncertainty of what happens after one dies, the afterlife becomes one of the most pondered human questions. While each version of Hell has a slightly different background, all share common threads throughout. Religion, mythology, and folklore, help to make sense of answers that are not concrete.
Alcorn, John. "Suffering In Hell." Pedagogy 13.1 (2013): 77-85. Academic Search Complete.Web. 11 June 2014.
“Could you go get your mom?” I cried, “I can’t handle this anymore, we need to go to the hospital.”
“My mind was so dull, my nerves so worn from waiting, that only an emotionless vacuum remained” (213). Gerda Weissman Klein was one of the few fortunate Jews to survive the Holocaust and tell her story. She explains her tragic story through her own her memoir called “All But My Life”. Gerda made it through the Holocaust because of her loving family, loyal friends, and intuition of her own.
The smell over whelming in the air. The brunt flesh cast a shadow with the dark smoke
“No Braden, she’s not dead,” a deep voice, belonging to my dad, reassures my six-year-old little brother. I try to pull my hands toward my ribs in an attempt to sit up, but in return: an excruciating pain shoots through my left arm; a shrill sound comes out of my mouth; and tears start flowing down my face.
As I lay there in the pool floating along with the floating device watching the
Judith Wright's poem `The Killer' explores the relationship between Humans and Nature, and provides an insight into the primitive instincts which characterize both the speaker and the subject. These aspects of the poem find expression in the irony of the title and are also underlined by the various technical devices employed by the poet.
OUCH! My leg crippled with pain. I tried to shuffle my way to the window, but it was excruciating. As my senses kicked back in, I felt pains shooting up and down my body. Peering down at my hands I screamed. My hands were covered in cold, congealed blood.