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Analysis of women in film
Analysis of women in film
Analysis of women in film
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As a society we value and admire heroes who represent the idealized version of ourselves whom we stride every day to become. This is why they are sometimes scrutinized, unless they are an anti-hero, of course. The anti-hero is also admired by some even if he utilizes unlawful methods to achieve his goal, because he represents the good in a corrupt world. But this is not always the case as it is seen in some Noir stories. In Noir stories, the anti-hero is supposed to be a modern knight. Transgressing society's corrupt rules in order to reaffirm for its male audience the need to act justly do rightly; however, the anti-hero through this false nobility and sexism reinforces the social problems that plague contemporary society. The Noir elements in the film Brick allow the director to cut out some of the …show more content…
Because of this, and one of Noir’s essential characteristics of a convoluted plot, some of the elements that make up the story might be missed by the audience. For example, in Brick Brendan is embellished by the script focusing on his noble and heroic acts that resulted from him trying to save his girlfriend and afterwards, figuring out what happened to her. However, a significant event is hidden in one of the films’ flashback moments. According to the movies’ shooting script written by Rian Johnson, “when Brendan and Emily were still an item she started hanging out with Jerr, a small time dealer. Brendan didn’t approve, so he partnered up with Jerr then ratted him out to Trueman. Emily found out, and that led to their breakup on the field, which we see in a flashback” (Johnson 8). Brendan is the sole reason all the disorder in the story happened and it reflects some of the anti-hero’s heinous traits of jealousy, control and sexism. One of the key identifiers of an anti-hero consists of him acting against a crime for noble reasons. However, Brendan did not act he was simply because he believed it was the right
A person with a chainsaw and no face is about to attack someone because they ran into a dead end and have nowhere to escape. Based on the first thought of the previous line, do you imagine the person with a chainsaw to be male or female? You most likely though male. What about the victim, were they male or female? You most likely thought female. In a different scenario, you would probably think the roles to be reversed. For example, a possessed person clothed in all black is attacking a couple, and this possessed person is eventually killed by one of the couple after they kill the other. Did you think the possessed person in black clothing to be male or female? What about the victim that died at the hands of the possessed person, were they
Do you think the traditional limitations of gender been challenged in this film? In this film the traditional gender limitations have been overcome. The gender conventions have been manipulated as the main character changes roles from a female to a male to prove a point. What I really wanted to show was how individuals, males and females are socially accepted by society through the stereotypes, in between identity and gender identity.
The Representation of Women in Some Like It Hot and Alien 3 This essay will be about how women are and have been represented in films in the past and how they are represented nowadays. I will be looking at the roles and representations of women in 'Some Like It Hot and Alien 3. Some Like It Hot was made in 1958. Marilyn Monroe starts in the comedy as Sugar Cane, a very feminine musician.
The much praised and Oscar winning film Crash presents an uncompromising insight into what is considered to be a modern and sophisticated society. The film challenges viewers to examine the issues of race, gender and ethnicity and to which extent they plague society even now, thirteen years after it’s theatrical release.
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
seen more as a sex object. In the 50's this was seen as normal as
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
Women were represented in different ways throughout the movie Metropolis, but the underlying theme was women were seen as purely sexual. Maria was seen as the nurturer in the film, but also as a sexual object. She was the one who preached for peace and harmony down in the catacombs to the workers. Maria was also the nurturing maternal figure that was seen walking into the garden with all of the poor children. The vamp, on the other hand, was portrayed blatantly as a sexual object. This whole movie was seen through the eyes of the male perspective, which usually portrays women as sexual objects, and robs them of any identity. Lang shows Frederson as having fear of femininity which involves women's emotion and nurturing.
My argument is that an increased understanding in the human psyche has enabled us to see through our preconceived moral standards to accept and, in many cases, admire these anti-heros. Under the right circumstances, almost any action is permissible (albeit not necessarily right or wrong). The readers, however, must undergo a process of exposure to the anti-hero and the world she inhabits before they permit her actions. This process of “disengagement” (presented by Daniel Shafer and Arthur Raney) is what enables the reader to change his preconceived moral standards, at least in the anti-hero’s universe, to actually enjoy the story. Before explaining the big picture, however, I think it is important to understand how the enjoyment of stories can be weighted.
Some of them use violence to get their ways and ask questions last while some of them have to be bribed to get the job done for their own greedy ways. Every anti-hero will mostly likely have a tragedy in their back story. For example: Dead Pool with his tragic origin, the wolverine with a scientific experiment gone wrong and mutated him, Bruce Banner getting infected by gamma rays, and Bruce Wayne with the death of his parents. Some anti-heroes set out their own journeys and do certain task to do in order to find their own goals in life and to discover who they are and to learn certain lessons about their own personal lives or just to learn the meaning of their lives. A great anti-hero that goes well with all of these traits is Batman. Batman is a DC hero with a dark and tragic past but turns that tragedy by making himself a hero to Gotham city. Batman’s main goal is to give all the criminals justice with his violent ways but he is doing it for the good of the city and to himself. However, Batman on the other hand is a well-known
...es the villain from the hero. The villain decides to act in a machiavellian way to gain personal benefit, but the hero turns to this as a last resort to fulfil a promise that he or she has made to revenge someone. The difference therefore is a matter of honour. The hero becomes compromised, though is simultaneously redeemed by the decision to interact with a corrupt and vile society. The hero is confronted with the choice to act and be damned or to remain idle and be damned. The more difficult, and therefore more heroic option is to take revenge, as suicide is very much seen as taking the "soft" way out.
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...
This is an industry where female centered stories mean stories where a woman is a police officer, who beats goons and does all the badass super hero stuff that an average male lead does, Just look at the irony, The individuality of a woman is only appreciated if she acts like a typical man. Sigh. Yes, most of the world cinema suffers from the issues of sexism at a great level, but they have some rather great exceptions. And better ones too. In the movies where the girls are not desperate, the hero chases, irritates, stalks, and irritates the woman to woo and win her heart over and she is shown to fall for all that. This instills a feeling in the crowds that this is okay and cool to harass a Woman until she agrees. It isn 't. If you see someone behaving in that manner, call the police. No, really.
Indian cinema has contributed a lot to the media and the entertainment industry over the years now and moulded the image of cinema in India in the eyes of the world. In the Generation we live in today, India has arrived at a stage where woman and men are treated equally; well almost equally. But there are still people, still industries and certain areas that do look down upon woman till date. And have we ever wondered why? There are many industries and reasons why woman are still looked down upon on. One of the industries being Cinema, The cinema over the years has only portrayed the image of woman as being in the house doing the chores or being dominated by