Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character development introduction
Symbolism as a literary tool essay
Everyday life examples of rhetoric
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In The Scarlet Letter, Nathaniel Hawthorne uses a lengthy writing style and rhetoric to express meaning and emotions in his novel. In one specific passage in Chapter 23 of the novel, he uses pathos, homily, hyperbole, anaphora, and parallelism to connect rhetoric and meaning, and further advance the plot. In the beginning of the passage selected, Dimmesdale begins his journey into confession. As he gathers the attention of the town’s citizens, his voice is described as “high, solemn, and majestic- yet had always a tremor through it, and sometimes a shriek, struggling up out of a fathomless depth of remorse and woe” (237). Hawthorne’s description of Dimmesdale’s unsteady, shaking voice, and his deep internal conflict induce pathos in the reader, in order to make the scene more identifiable with the audience. Dimmesdale’s emotions that are appealing to the reader also assists in putting the current …show more content…
He addresses the crowd with “ye, that have loved me!- ye, that have deemed me holy!- behold me here, the one sinner of the world!” (237). In this phrase, Dimmesdale uses hyperbole to express his repentance. In this society, he is idolized as a man who can do no wrong, and he is what every citizen and their children aspire to be in life. In a previous chapter, it is stated that “if Mr. Dimmesdale were really going to die, it was cause enough that the world was not worthy to be any longer trodden by his feet” (119). With this exaggeration, implying he is the only true sinner in the entire world, he is shattering this perfect image he has created, thus truly confronting and introducing the real person he has become over the past few years. He later continues to shame himself by explaining how he should have been there with Hester as she was being ridiculed and outcasted seven years prior, and that he is so weak in comparison to the woman she has
Lastly Nathaniel Hawthorne brings out that we absolutely must accept responsibility for our actions or suffer the consequences come with them. Hester is the prime example for this here because she was smart and freed herself of this great weight quickly so that it wouldn’t drag her down. This theme was not as applicable to Dimmesdale, however, who decided to hide his wrongful actions and was bearing this secret upon his heart and mind at all times.
In The Scarlet Letter, author Nathaniel Hawthorne efficiently conveys his purpose to the audience through the use of numerous rhetorical devices in his novel. Two such rhetorical strategies Hawthorne establishes to convey his purpose of informing the audience of valuable life lessons in The Scarlet Letter are characterization and the theme of duality.
Beginning with the very first words of The Scarlet Letter the reader is thrust into a bleak and unforgiving setting. “A thong of bearded men, in sad-colored garments,” that are said to be “intermixed with women,” come off as overpowering and all-encompassing; Hawthorne quickly and clearly establishes who will be holding the power in this story: the males (Hawthorne 45). And he goes even further with his use of imagery, painting an even more vivid picture in the reader’s mind. One imagines a sea of drab grays and browns, further reinforcing the unwelcoming feeling this atmosphere seems to inheren...
I chose this word because the tone of the first chapter seems rather dark. We hear stories of the hopes with which the Puritans arrived in the new world; however, these hopes quickly turned dark because the Purtains found that the first buildings they needed to create were a prison, which alludes to the sins they committed; and a cemetery, which contradicts the new life they hoped to create for themselves.
... of truth. At the end of the novel Hawthorne draws a conclusion from the story that “Among many morals which press upon us from the poor minister’s miserable experience, we put only this into a sentence-- Be true! Be true! Be true!” (Hawthorne 246). Hawthorne uses Dimmesdale to represent the consequences of treachery and living in lies. He shows the reader that deceiving ourselves and others can only bring harm and agony and the best way to do things is to always be true to ourselves and others.
4. The Scarlet Letter was written and published in 1850. The novel was a product of the Transcendentalist and Romantic period.
Early in the novel, Dimmesdale exclaims, goes on how “What can thy silence do for him, except to tempt him---yea, compel him, as it were---to add hypocrisy to sin?” in regardsing to his own sin (63). He knows what will happen to him if he endures his sin in private, but he is too weak at this point in the book to admit it. Dimmesdale knows how the parishioners will interpret these confessions: he is not blind to their looks of adoration. Dimmesdale enjoys being viewed as a saint, even though he knows he is a truly a sinner. The years of torture the minister receives are brought about by his own doing. If his supposed commitment to the community had stopped him from admitting his sin, he would have not been tortured. When Hester and Pearl stand with him during one of his nightly vigils on the scaffold, Pearl asks “Wilt thou stand here with mother and me, to-morrow noontide?”(139), to which Dimmesdale replies that he will not on account of his fear of being publicly exposed. Now Not only does the reader not onlynow understands that Dimmesdale is’s a coward, but he’s also a hypocritehipocrite as he refuses to admit to his sin when he knows that’s the only way he can fully get rid of
...scourse” (77). Dimmesdale as well, was greatly affected by the environment and by what was going on around him. Dimmesdale was accepted by society, but because he was greatly praised for being a “miracle of holiness” (125) he became greatly burdened and guilty. He was in a dilemma of wanting to tell all the townspeople about what he had done, yet he could not due to the fear that was inside of him. This pushed him to punishments in which he inflicted upon himself and always thinking about the incident pushed him to his limits mentally-seeing visions of his dead parents and Hester as they point a condemning finger at him along with judgmental looks in their eyes (127).
The pastor in Nathaniel Hawthorne’s The Scarlet Letter, Arthur Dimmesdale, struggles to come to terms with his morality after committing adultery, a trial similar to those faced by other sinners in literature but dramatized by Dimmesdale’s status. Through Dimmesdale’s journey to reconcile differing views of his morality, Hawthorne subtly introduces his message that forgiveness must first be found within before it may be accepted externally from others. In the twelfth chapter, the author portrays Dimmesdale’s agonizing introspection by following the pastor’s train of thought as he ascends the scaffold at night and attempts to confess to the air, a step toward public confession. Hawthorne describes Dimmesdale as torn between wanting truth or
Fast forward to chapter twelve and Dimmesdale is up on the scaffold again, this time by his own accord. This instance is the only time in the marketplace, before the final chapters, that he expresses his guilt and repentance. The marketplace setting, in general, is very dark and full of gloom with no real shed of light or happiness. However, Dimmesdale’s demeanor in the forest is quite different. For the first time in the novel, Dimmesdale is able to express how he truly feels about his sin with another human being. He has a meaningful encounter with Hester as he openly elaborates on his inner guilt and shame. This is also the first time in the novel in which he feels some form of relief by being able to look into the eyes of someone who knows his sin. “Had I one friend, —or were it my worst enemy! —to whom, when sickened with the praises of all other men, I could daily betake myself, and be known as the vilest of all sinners, methinks my soul might keep itself alive thereby. Even thus much of truth would save me!” (Hawthorne
The town does not know it yet, but Mr. Dimmesdale is Hester Prynne’s fellow sinner.
Dimmesdale is described at the beginning of the book as,”simple and childlike, … with a freshness, and fragrance, and dewy purity of thought, which, as many people said, affected them like the speech of an angel."(#). Dimmesdale is an ordained puritan minister with the voice of an angel, a heart dedicated to serving the lord, and a puritan celebrity. Of course, this is how the public sees him, but deep down inside he is engulfed in his own sin and the psychological torture from Chillingsworth. Unlike Hester, Dimmesdale attempted to give himself the punishment for sin he had partaken in, in private and because of this it was only appropriate that his A was kept on his chest in secret. The longer Dimmesdale waits to confess his sin in public the longer and more severe his self induced sickness gets. Dimmesdale's physical changes in the work reflect his state of being, as it goes from pure to sickly and tainted,”His form grew emaciated; his voice, though still rich and sweet, had a certain melancholy prophecy of decay in it; he was often observed, on any slight alarm or other sudden accident, to put his hand over his heart, with first a flush and then a paleness, indicative of pain”(#). The last moments of his life was the most prominent point in life as he confessed his sin. As soon as he acknowledges his sin and exposes his engraved A, he turns to Pearl and asks,”’Will you kiss me now?’”(#) and she does.
Dimmesdale fulminates his disinclination to divulge his sins. The message derived is it is better to have secrets exposed rather than keeping them confidential and buried in the heart of a remorseful person. Dimmesdale envies Hester for living with a open heart rather than an intricate black heart of private sin. In like manner, Dimmesdale admits he feels consolation while glaring into the eyes of another, perhaps even an enemy. Correspondingly, this illustrative example with Hester shows how Dimmesdale feels liberated from his tantalizing sins after confessing. His candor saved him but then he realized his hypocritical ways, seeing a world overcome by fiction and
To begin the novel, Hawthorne provides evidence to why Dimmesdale is a sinner when Arthur begs Hester to tell him who the father of her child may be. "Hester Prynne," said he, leaning over the balcony, and looking down steadfastly into her eyes, "thou hearest what this good man says, and seest the accountability under which I labor. If thou feelest it to be for thy soul’s peace, and that thy earthly punishment will thereby be made more effectual to salvation, I charge thee to speak out the name of they fellow-sinner and fellow sufferer! Be not silent from any mistaken pity and tenderness for him; for, believe me, Hester, though he were to step down from a high place, and stand there beside thee, on thy pedestal of shame, yet better were it so, than to hide a guilty heart through life. What can thy silence do for him, except it tempt him-granted thee an open ignominy, that hereby thou mayest work out an open triumph over the evil within thee, and the sorrow without. Take heed how thou deniest to him-who, perchance, hath not the courage to grasp it for himself-the bitter, but wholesome, cup that is now presented to thy lips!" (pg 46-47). Dimmesdale himself is a hypocrite. He asks Hester to bring her fellow sinner on the scaffold with her, but the sinner is already there. He knows that if he publicly admits to his sin, the city of Salem will begin in a downward spiral because he represents the puritan church and all its beliefs.
D.H. Lawrence, writer of the essay, The Scarlet Letter, expresses his perspective on Hester Prynne by emphasizing her pretentious behavior and analyzing her sin. Lawrence incorporates literary techniques to degrade Hester with his use of strong diction to promote her sin, an assertive tone, and including an organized syntax to clearly explain his argument.