Sandra Cisneros Woman Hollering Creek

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Expectations are natural to have when events in our lives are left up to chance. It can give us hope and build our passion, but that is not always the case. In “Woman Hollering Creek” by Sandra Cisneros, the Mexican protagonist, Cleófilas, is excited to move to Seguin, Texas with her husband in order to find passion and love similar to that in the books, songs, and telenovelas she obsesses over. However, she was kept from becoming the dimensional woman she dreamed of because of the patriarchal figures in her life, particularly her husband; she instead followed traditional cultural values that taught her men were more dominant than women in society, a woman was meant to become a mother and a housewife, and a woman’s dream is far from reality. …show more content…

She strives to be a good housewife and mother, but why does she have to settle and put her dreams of finding a true love on hold? Cleófilas does not want to let her life pass her by, and so she takes action. A river was nicknamed La Gritona, which means “loud-mouthed” or “barker”, because a woman hollers in anger or pain. Her personality was quite the opposite of the creek, “so pretty and full of happily ever after” (Cisneros, 222). When Cleófilas and her husband enter the ice house, she “sits mute” (Cisneros, 223) and remains respectful, two accurate words to describe the protagonist. The world of fictional glamour is farther away because traditional expectations presume woman will exhibit such proper behavior. It was not until the end of the excerpt where Cleófilas took her life into her own hands and directed her own telenovela. She took her baby and decided to go back home to safety and happiness with the help of a woman named Felice. When crossing La Gritona, Felice “let out a yell as loud as the mariachi” (Cisneros, 227), something that can be heard from a distance. The driver is loud and vivacious and freely herself. Cleófilas received her happy ending, which involved her and her laughter that “gurgled out of her own throat, a long ribbon of laughter, like water” (Cisneros, 228). Water moves freely, and vast amounts could dominate. Cleófilas left her marriage and refused to settle for her

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