Salvation Through Human Suffering in Crime and Punishment
“All men must suffer, and salvation can not be obtained unless this suffering is present” (Boland, p.4). All of the characters in the novel experience some sort of internal or external suffering. The main character, Raskolnikov, must grow and realize this in order to overcome his conflicts and reach the salvation of peace within. Dostoevsky’s concentration and focus is on why suffering must exist and how this suffering can be conquered. This is found to be true because in the six sections of the novel, only one is focused on the crime, and the remaining five are concentrated on Raskolnikov’s journey to overcome his suffering. This is the beginning of the punishment.
By pinpointing the punishment, the internal and external conflicts that happen within the novel show Raskolnikov’s own philosophy of his quest for salvation. Raskolnikov, or Rodya, justifies his actions with his extraordinary man theory. His theory states that, “a suggestion that there are certain persons who can”… “that is, not precisely are able to, but have a perfect right to commit breaches of morality and crimes, and that the law is not for them” (p. 254). Rodya wanted to prove that he was extraordinary, that he could commit a crime such as murder, but since he did it for the betterment of society, he would feel no sympathy or regret for his crime.
Rodya killed Alyona Ivanonva because she represented evil in society, and he believed he was doing the world a favor. Rodya overhears a student talking, “Of course she doesn’t deserve to live. But that’s nature isn’t it? Won’t one little crime be wiped out by thousands of good deeds?” (p. 69). These comments make the crime seem even more justifiable. Rodya...
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...ecause they allow us to identify with the two different personalities.
After Rodya confesses his crimes he is sentenced to eight years at a Siberian prison. In prison he then starts to find his salvation. While he is in prison his mother dies and she never knows of her son’s fate this being her salvation from the suffering of worrying about her son. Also in prison Rodya is attacked by another inmate and is hospitalized. When Rodya wakes Sonia is there. He finds his salvation in Sonia. She has stayed by his side and proved she loved him. Rodya had to suffer because of his actions of murder and through his suffering he found love and support through Sonia who was his salvation. All the characters in the novel went through some type of human suffering and most found their salvation. The salvation was not always something glorious but it always came and ended a story.
It was both this interesting plot and the philosophical nature of Dostoyevsky's writing, which initially attracted me to this book. It also features many themes and characters, as well as an effective setting. As a result, I will examine the literary techniques used in "Crime and Punishment" by Fyodor Dostoyevsky to convey the downfall and subsequent rise of the main character, Raskolnikov. I will begin by looking at how the setting formed Raskolnikov's character, and then discuss the structure and other characters of the novel. The setting plays a primary role in forming Raskolnikov's character.
Raskolnikov commits his initial crime out of arrogance. "The old hag is nothing.... I killed not a human being," he says. (245) Raskolnikov feels that he has justification for killing the pawn broker. He thinks that the woman has no reason to live. He believes that the woman is less than a human, and that he is a superior being. Raskolnikov thinks that he has a right to kill.
The character’s suffering is thrown in the readers face right from the beginning. Raskolnikov’s suffering has two apparent layers, “he was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him” (1). It seems that the suffering caused from his current state of mind is so great that he does not even feel the suffering caused by his poverty. Throughout Crime and Punishment Raskolnikov’s main point of suffering is caused by his inability to let others know of the crime he has committed and as a result he alienates himself from those who show him compassion (156). As the novel progresses he decides to tell Sonia because expressing his crimes would alleviate some of the suffering, however, her morals encompass the idea that it is inconceivable to “go on living” without suffering and “expiation” (416). At this confession, the reader is presented with a righteous character (probably the most) that does not judge Raskolnikov for what he has done but instead sympathizes and tells him that turning himself in and bearing the consequences will relieve him of the suffering caused mentally.
Dostoevsky was made aware of the problems with Nihilistic ideas while he was exiled in Siberia. Crime and Punishment was Dostoevsky’s first attempt at a psychological analysis of a person’s inner struggles to rationalize this radicalism. Raskolnikov represents that intelligentsia and is being used by Dostoevsky to portray and warn against succumbing to these ideals. Dostoevsky uses Raskolnikov’s life to illustrate the implications and applications of this Nihilist to the public and then expands upon it in Demons.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Svidrigailov is one of the most unfathomable characters in Crime and Punishment. As the novel goes on, Svidrigailov’s pursuit of Dunya progresses into sheer harassment. After eavesdropping on Raskolnikov’s confession to Sonya, he uses his newly acquired information to lure Dunya into his room. Svidrigailov proceeds to promise help to Raskolnikov if she will give him her hand in marriage. He then threatens to rape her when she tries to run away. Right when Svidrigailov appears to be purely evil, he surprises us all when his rational side kicks in and allows Dunya to leave. Although he may seem to be the cold-hearted villain of the book, his good deeds cannot go unnoticed. It cannot be forgotten that he is willing to give Dunya the three thousand rubbles in his wife’s will and offers ten thousand rubbles to help Dunya because he thinks her marriage will be a disadvantage to her in the end. Once Katerina Ivanonva dies, Svidrigailov also promises to pay for the funeral arrangements and to provide for the children, who will be sent to an orphanage. Although...
Although the novel begins by focusing on the crime itself, the majority of the book discusses Raskolnikov's struggle through denial and redemption after the murder has been committed. His own "greatness" leads to his denial of God, and his attempt to suppress his conscience causes insanity and sickness. However these negative consequences force him to acknowledge his rectitude and realize his need for confession.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
Torn between his sense of morality and his belief in nihilism, Raskolnikov becomes estranged from society. Nihilism is the rejection of all moral and religious principles and even that life is meaningless. Throughout the novel, Raskolnikov is trying to relieve the tensions between these two extremes. In the beginning, Raskolnikov has hit a low point within his life. He feels helpless because his sister is marrying for money to help his family, he is beyond poverty and cannot even afford to pay rent, and he has no job. Raskolnikov feels at the mercy of the world and completely and utterly helpless. He hates having to rely upon the Pawnbroker for help and even money. When the idea first pops into his head to murder the pawnbroker, it starts to become a potential reality. The ideology of murder is masked behind Raskolnikov’s belief that it would be for the greater good to eliminate the pawnbroker because of her mean spirited nature. Driven mad by the possibility of a choice, which Raskolnikov convinces himself exists because of nihilism. Raskolnikov because of his torn morality goes between extreme submissiveness to over powering those around him. Overall, Raskolnikov decides to commit the murder in an attempt to see if he can transcend his morality. This is what Terras refers to in the context of The Brothers Karamazov, where tensions between Raskolnikov’s façade and his true self are creating an external and internal struggle that causes him to have a
The main character in Crime and Punishment, Raskolnikov, has nihilistic ideas, which ultimately lead to his own suffering. Raskolnikov, an impoverished student, conceives of himself as being an extraordinary man who has the right to commit any crime. He believes that as an extraordinary man that he is beyond good and evil. Since he does not believe in God, he cannot accept any moral laws. To prove his theory, he murders an old pawnbroker and her step sister. Besides, he rationalizes that he has done society a favor by getting rid of the evil pawnbroker who would cheat people. Immediately after the murders, he begins to suffer emotionally. Raskolnikiv “[feels] a terrible disorder within himself. He [is] afraid of losing his control…” (Dostoevsky 95). He becomes ill and lies in his room in a semi-conscious state. As soon as he is well and can walk again, he goes out and reads about the crime in all the newspapers of the last few days. The sheer mention of the murder...
Crime and Punishment takes us in the puzzle centered on Raskolnikov, a young man in old Russia who commits murder and then after a lot of lies and deceit finally pays for his wrongdoings.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
In Crime and Punishment, we see Raskolnikov caught between reason and will, the human needs for personal freedom and the need to submit to authority. He spends most of the first two parts stuck between wanting to act and wanting to observe. After he acts and murders the old woman, he spends much time contemplating confession. Raskolnikov seems trapped in his world although there is really nothing holding him back; he chooses not to flee and not to confess, but still acts as though he's suffocation (perhaps guilt?)In both novels defeat seems inevitable. Both characters believe that normal man is stupid, unsatisfied and confused. Perhaps they are right, but both characters fail to see the positive aspects of humans; the closest was the scene between the narrator of Notes from the Underground and Liza. In this scene he almost lets the human side show, rather than the insecure, closed off person he normally is.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.