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How could the things in the Elizabethan era impact shakespeares writing
How is the character of beatrice presented in much ado about nothing essay
Shakespeare's influence on Elizabethan era
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Shakespeare uses many different ways to portray the character Beatrice throughout the play ‘Much ado’. Beatrice is an extrovert character and shows that she is not afraid to express her feelings to other characters and the audience.
Shakespeare portrays Beatrice as a lady how subverts from the stereotypical behaviour that is expected of her. In act one, scene one you see what and outgoing, self-assured and vociferous character Beatrice really is. When introduced, you see the relationship between Benedick and Beatrice is fierce and entertaining to the audience. When Beatrice insults Benedick with ‘scratching could not make it worse an ‘twere such a face as yours were’ suggests that Beatrice is an opinionated character that does not allow
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Beatrice has a very sharp tone to her insults and says them with pride. She shows signs of not being scared of the male characters making her appear robust to what anyone would say. Women who were outspoken in would face ‘public humiliation and shame’ . For a punishment women would have to face a mask that would be put onto their face to punish them for gossiping or being too outspoken, called a ‘brank’ or ‘bridle’ . This punishment was used up until the 1800’s and was a painful and humiliating experience for them. Realistically, if Beatrice was in the real world, she would have had to experience this because she is disrespectful to Benedick. This creates comedy because Benedick is portrayed as a man who will take insults and not punish Beatrice for what she said when realistically he should of suggesting that perhaps Benedick is portrayed as the stereotypical woman and Beatrice as the stereotypical man that was expected in that era. During Shakespearian times, Beatrice would have been played by a male actor and when she says ‘Oh, that I was a man!’ it makes the portrayal of Beatrice ironic because a man would have said it. …show more content…
When Benedick hushes her with a kiss, you begin to see that perhaps Beatrice acted the way she did throughout the play because she craved male attention and affection. We understand that her behavior towards the male characters is so that she gains more attention for being independent but can being interpreted that she was just lonely. However, it could also be suggested that Beatrice’s aim of is go subvert from the stereotype to get Benedick’s attention and that she always loved him. When Beatrice says ‘I would not deny you’ we as an audience could interpret that as a way of her saying that she has always wanted husband. We could believe that Beatrice is a mirror image of the character Benedick because they both say that they do not wish to marry but when they express their love for each other, they are very convincing characters. In the end of the play, it could be insinuated that the comedic value of them getting together is very high because you see Beatrice lose her individualism that she sticks to throughout the play. We could believe that she actually uses her individual behavior to get
Feminist critics of Much Ado About Nothing, like Sylvia Townsend Warner, praise Beatrice for being "free and uninhibited" ("Women as Writers," Warner, 272). Beatrice is a strong female character who marries only after asserting her disapproval for the traditionally voiceless role of women in marriage and courtship relationships of the 16th and 17th c. Beatrice is a fearless verbal warrior, and Benedick is her greatest challenger. Their verbal bantering allow for each of their strengths and opinions to show, and together they glory in the challenge of their next duel.
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
Telling her gentlewomen that Benedick loves Beatrice is her secret and it just so happens that Beatrice overhears, because it was. all planned that she should overhear. In this scene, Hero is dominant. in the conversation and says whole paragraphs instead of a few words that she says sporadically throughout the play, like in Act 1 scene 1. where she only says one line in the whole scene, "My cousin means Signor Benedick of Padua. " Page 5, line 27.This is because she needs.
Whedon's production of Much Ado About Nothing is a modern, black and white retelling of the famous Shakespeare play of the same name which tells the story of love and deceit between two couples: Hero and Claudio, and Beatrice and Benedick. While Hero and Claudio court and prepare to marry each other, Beatrice and Benedick steal the show away with their wit, humor, and constant bickering. Though they both insist that they hate each other, the flashback presented at the start of the film suggests that there is far more to the story than meets the eye. While the style of the film certainly enhances the story being told, making it a timeless classic entangled with modern society, it is the ensemble cast that work both individually and as a unit which make the film a true masterpiece, as well as the genius idea of a change in scenery that propels a sense of realism not often found in your average Shakespeare adaptation.
Beatrice and Benedick seem to have had some relationship before the beginning of the book that ended badly. This suggests that the initial situation between Beatrice and Benedick was one of mutual attraction, not of the overt hate they seem to flaunt at the beginning of the play. Scorn of this magnitude is rare among people who dislike each other from the start, and seems very unlikely in a broken up couple. In addition, both Beatrice and Benedick turned out to be very willing to abandon their smear campaigns as soon as they are convinced the other is aching for them. It is ridiculous that one would abandon one's own principals to bail out a hated enemy in trouble. This makes clear that their attitude toward each other is an act. If this is so, what is the purpose of the act...
...e down by weeping. Shakespeare shows us that Beatrice is the only character despite some of these positive attributes of Beatrice’s character, she is very rude about men. She says ‘but manhood is melted into curtsies’ showing Benedick her lack of respect towards men. However it is possibly her refreshing honesty that leads her to be a positive role model.
Set in the sixteenth century, Much Ado About Nothing is revolved around the thought of love and marriage. Primarily, this is prevalent in the two main characters, Beatrice and Benedick. They have once been courted which suggests more maturity than the majority of couples in Shakespeare’s various plays. In the duration of the play, the violent language between Benedick and Beatrice is most evident through their ridicule. Both characters always speak critically regardless of whether they are talking to each other or out loud about one another. This is highlighted when Beatrice exclaims, “What should I do with him—dress him in my apparel / and make him my waiting gentlewoman? He that hath a / beard is more than / a youth, and he that hath no beard is less than a/ man; and he that is more than a youth is not for me, and he that is less than a/ man, I am not for him...
Shakespeare makes sure that Beatrice comes off as a woman who is not afraid to speak her mind to anyone. This is portrayed in the beginning of act one, when the mail messenger comes to announce that the soldiers are on their way to Messina. They start a conversation about Benedick and he tells Beatrice that Benedick is a "lord to a lord, a ...
The first scene gives good insight to Beatrice’s character. Benedict is telling Beatrice how he will never marry a woman, and he will be a bachelor forever. To this Beatrice responds: “A dear happiness to women. They would else
At the beginning, Benedick’s attitude is negative towards women in general. He swears he will never marry, as he is very critical of women and does not trust any of them not to cheat on him. He seems to oppose with Beatrice in a competition to outwit, outsmart, and out-insult each other. Obviously he has been in some sort of past relationship with Beatrice because when he meets her at the masked ball, she describes him as a selfish pig. We can infer that Benedick has some kind of deep feelings for her because after she insults him he is hurt and says, “Will your grace command me any service to the world’s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpick from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” (II.i.229–235). This blatantly means that he does not wish to talk to her.
Shakespeare's works were fictional so even though he portrayed women in a positive way, society wished to oppress women and portray the kind of independence that Beatrice shows as being a negative thing. Shakespeare used his characters as a subtle way of empowering women by casting strong women in a positive light.
This is part of her “merry war” with Benedick. Beatrice appears to loathe Benedick and vice versa; they engage in many “skirmishes of wit.” However, although Beatrice appears hardened and sharp, she is vu...
Beatrice is, without a doubt, one of the strongest female characters that Shakespeare ever came up with in his time of writing. Shakespeare shows, through Beatrice, how every woman should act in an era where only the men were even able to have control. In this era, or the renaissance time, no woman had free will; they were always told what they could and could not do, as well as, who they were to marry. In the play “Much Ado About Nothing” Beatrice has many qualities but the ones that stand out the most in the play are: her independence, her feistiness, and of course her openness to defy male subjection.
Through personality, Beatrice is seen as a woman with a colourful palette, as shown in her reference to Benedick as ‘Signor Mountanto’ (Act 1.1.28). The Latin derivative, mispronounced deliberately as ‘Mountanto’ (Signor Mountanto, N.D. Available from https://www.digitaltheatreplus.com/study-guides/much-ado-about-nothing/keywords-and-questions/signior-mountanto¬ [Accessed 12 Dec. 2015]), served as a ‘bawdy’ (ibid) euphemistic pun. The pun