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Analysis of no country for old men the movie
Analysis of no country for old men the movie
Analysis of no country for old men the movie
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“No Country for Old Men” No Country for Old Men is an Academy Award winning film directed, edited, and written by Joel and Ethan Coen and is based on the Cormac McCarthy novel No Country for Old Men. The film characters include a Vietnam vet, who is now a blue collar welder, a violent contract killer, and a confident but weary sheriff. The film takes place in West Texas in 1980 and is centered around the chaos of questionable decision making and killing without a purpose or at the very least, killing without ethics. This film is a thrilling suspense filled film from the opening scene to the closing credits. The film opens with an establishing shot of the Texas landscape of the wide open emptiness and the vast plains. A narration breaks the silence by informing you about the way things used to be. Tommy Lee Jones’ character, an experienced lawman, named Sheriff Ed Tom Bell. The sheriff pontificates on the easy, breezy times of lawfulness in the past, while …show more content…
Three characters are virtually in a chase without ever really being in any scenes together. The editing, done by the Coen brothers and Roderick Jaynes, is done in a way where you do not want the scenes to end because they leave you so emotionally charged. In one of the scenes were Anton gets close to finding Llewelyn, the money transmitter beeps at the same pace that you heart would beat. The scenes cut back and forth from where you know Llewelyn is preparing for his expected visitor to Anton’s discovery that he has made it to where the money and the man are. In another flawless edited scene, Anton kills the bounty hunter, played by Woody Harrelson, off screen. In an effort to show that death means nothing, Anton is calm beyond comfort when the camera pans away when he shoots Harrelson and cuts to the ringing phone on the table. He answers while you see blood oozing across the room toward Anton’s feet as he raises them onto the bed and continues his
The plot of this movie is about the struggle between the farmers and the cowboys. The farmers all want to start up crops, but the cowboys want to run their cattle through the open space so they can feed. Obviously, the two sides don’t agree. The cowboys end up attempting to use strong-arm tactics to get their way. They even try to scare the farmers off the land by burning down one of the homes of the farmers. Eventually, Shane, a former gunfight, realizes what he must do. He rides into town and kills all of the cowboys, including Wilson, the hired gun.
At the start of the film we are set in the year 1836 in the Mexican State of Coahuila and Tejas town of San Antonio de Bexar, the site of the Alamo. We can see massive amounts of fallen Texan Defenders and the Mexican Army invaders dispersed around the battle site. The film then flashes back to the year 1835 where we see Dennis Quaid, Sam Houston, attending a party where he is trying to persuade others at the party to migrate to Texas. Houston meets David Crockett, Billy Bob Thornton, and discusses what Crockett will receive if he moves to Texas. We are later presented with a shot of a group of people having a meeting discussing the matter of what action to take after
...uggles between the savagery and civility, he and Liberty Valance (Lee Marvin), are men threatening, as well as standing, in the way of the progress and later the stability of the soon to be established “recognized territory.” There are two very different characteristics of these men though, Tom is full aware what is happing to in the New West and eventually succumbs. Meanwhile Liberty knows this is happing too, but he will do, as he must to keep the frontier open, for purely selfish reasons. This is the swan song of the boots, the gun belt and the spurs, the inevitable end of freedom that was once known since its inception at the establishment of the United States of America, but the Western was and still is today, a vast frontier of compelling stories, classic American narratives and themes that will continue to capture the imagination of all freedom loving people.
“When the legend becomes fact, print the legend,” this single quote by the newspaper editor Maxwell Scott (Carlton Young), utters throughout the whole film on what Ford is trying to get across. The whole film tells of a lively era that is so deep in the roots of American history, but we seem to lose sight of that in the here and now. The standard critical approach to Liberty Valance has been to emphasize the contrasts between its two worlds, the old and the new, and to characterize it as celebrating the mythic western frontier and remember its passing by the industrialized times it had to give in to. John Ford brought back that view in his westerns, and although it was the last film with the duo of Ford and Wayne, it can now be referred to as a classical tale of fact and legend.
Cormac McCarthy’s No Country for Old Men follows three very different men in a tense cat and mouse chase through several border towns. It begins with a drug smuggling deal gone very wrong in the middle of the desert that leaves behind a truck bed full of cocaine and a sack with 1.4 million dollars left for someone to discover. When on a hunting endeavor, Llewelyn Moss discovers the scene and the million dollars. When he takes the money, he seals his fate with a brutal killer named Anton Chiguhr, and the old Sheriff, Ed Tom Bell. These men display three different personalities and mannerisms. The three main characters in Cormac McCarthy’s No Country for Old Men represent three different generations.
As Ethan rides towards his brother’s homestead, he is greeted by awestruck stares. He rides with the brutal desert behind him, sun glaring at his eyes while his brother’s family is framed in shadow of their own home. A hopeful tune plays in the background as he approaches. In this opening scene of The Searchers John Ford establishes Ethan—played by none other than John Wayne—as the rugged individualist, the one who tames the wilderness. This cowboy is integral to the “Myth of the United States,” he is the one who tames the savage wilderness its residents (Durham). However as the film unfolds, Ford explores Ethan’s tortured psyche, his motivations, his neuroticism, even the Indians and their motivations in order to deconstruct deconstructing the myth in order to show that the cowboy is a relic of the Old West.
No Country for Old Men is a novel written by Cormac McCarthy. This novel is about three main characters: Moss, Chigurh, and Bell. It takes place in south Texas, along the border of the U.S and Mexico in the early 1980's. Llewellyn Moss, while out hunting happens to come across the aftermath of a drug deal. What is left is a number of dead bodies, heroin, and a suitcase with over $2 million in cash, which Moss gets a hold of. Anton Chigurh is a hired psychopathic hit man in charge of recovering the money. Sheriff Bell is a local Texas sheriff committed to save Moss's life but is unsuccessful. This novel should be considered an important piece of American literature because we see the effects of greed, violence, and corruption. McCarthy really brings these characteristics to life in this novel.
The fictional serial killer that I have chosen to do write about for this profiling paper in on Anton Chigurh. Anton Chigurh is a killer in the movie “No Country for Old Men.” There is a book and a movie for “No Country for Old Men.” The movie was released in 2008. I remember attaching the movie many years ago. I proceed to find the movie. I bought “No Country for Old Men.” on YouTube and watched it twice till I felt I had the information needed to complete the paper. When I think about what to write the paper I decided the movie would be the perfect fit to do a profiling paper on. The movie takes place in the 1980s in towns right on the Mexican and Texas border. Anton Chigurh works for drug runners who job is to find Llewelyn Moss an
The film is portraying bits of everyday life of several eccentric people in Austin, Texas.
Western movies such as Rio Bravo and El Dorado illustrate America’s rugged and picturesque scenery explaining life as it was in the wide open country, at a time when few laws were in place to safeguard the public. These two films tell the story of four men who arrest and
As the state becomes more violent and brutal, some characters are able to prosper, while others are defeated by the lack of law and humanity. Anton Chigurh is the epitome of the what Texas is evolving into. His lack of authority and humanity allow him to adopt the new ways and accomplish his prospects without struggle. On the other hand, Sheriff Bell’s reliance on the old ways ultimately prove to be inefficient in handling this society. Between these two ultimatums is Llewelyn Moss, whose ignorance of what society has transformed into eventually leads to his demise. Ultimately, those that were able to conform to such a brutal society were able to thrive, whereas those that relied on the old ways of law and ethics were eradicated as they could not keep up with
The use of several jump cuts and the use of close ups quickly present the characters’ fear and acknowledgment of death and allows them to share one last gaze into each other’s eyes before they're gunned down. This technique allowed the emotion to sink in, in relation to Carl Plantiga's scene of empathy theory, we're made to feel somewhat sad for the criminal couple because their adventure has come to an end, even though they're criminals, they are relatable due to them wanting a bit of excitement during the great
John Ford’s classic American Western film, Stagecoach (1939) shows many examples of political life and social behavior during it’s time. The plot is about nine travelers onboard a stagecoach from Tonto, Arizona to Lordsburg, New Mexico Territory. In the beginning, the passengers of the Stagecoach are unfamiliar with each other. However, their relationships grow as they get to know each other during their journey. Each character claims a different social position.
No Country for Old Men is a dark cynical film directed by brothers Joel and Ethan Coen. Based on the 2003 novel by Cormac McCarthy, the movie unravels in a Texas borderline town where Llewelyn Moss (Josh Brolin) discovers the remnants of a drug deal gone bad, and a case filled with 2 million dollars. Giving into his temptations, Moss takes off with the money. This sends hit man Anton Chigurh (Javier Bardem) hot on his case to retrieve the money, all along the way leaving a blood trail of innocent by standards. Anton is a vicious killer whose weapon of choice is a cattle stungun that propels a cylinder into their heads and whips it back again. The plot switches back and forth between the game of cat and mouse being played
The pace was enjoyable, and within the first few minutes of the film, viewers become immediately hooked to the story. A narrator in the movie helps to keep the viewer from getting lost in the film and not knowing what is happening. For example, at the beginning of the film, the narrator begins explaining who Adaline is. The first scene of the movie, Adaline is buying a fake identification. Following this scene shortly after, explains why she had to do this. Therefore, the script is like a beautiful written novel, and since the film is set at a good pace, viewers are not falling asleep with unnecessary