REDNECK your typical vampire tragedy. The vampires in this comic don’t live in a castle in the Carpathian Mountains. They don’t wear long, black cloaks and hang from the ceiling. These nightwalkers wear custom made cowboy boots, watch NASCAR, eat at Food Trailers, and smoke ribs for the hell of it. Redneck is a story about bloodsuckers that wear trucker hats and listen to bluegrass. You’ve never dreamed of vampires of the likes that Donny Cates and Lisandro Estherren are fixin’ for you. The Bowman's a family of ancient vampires from a (sneeze and you miss it) strange part of East Texas. They have been in The Lone Star state before Texas declared its independence, and when still spelled it with a “J.” Hell, they were at the Alamo but were too …show more content…
Uncle Bartlett promises his brother that he will follow them to the gentleman’s club, bring the boys back in one piece, and make sure they don’t kill anyone. The whole night goes to shit when Bartlett and the boys come face to face with their sworn enemies, The Bradbury family. The families have been at each other’s throats (no pun intended) for generations. Their relationship mirrored the Mexican-American tension in 1836. Someone’s waiting for someone to fire the first shot. Leave it to Cates to make Texas the perfect place for a horror story. If you’re loving GOD COUNTRY then you don’t want to miss Redneck-ville. The introductory banter between Uncle Bartlett and Percy is intelligent and perfectly showcases the creative team. Cate’s uncanny ability to write authentic Texan characters pair with Lisandro’s art like a backwoods, mountain boy strumming his banjo. Dee Cunniffe’s colors give the story a bone-chilling mood. It’s hard to ignore how Cunnifee depicted the humid Texas sunset go into the bloodcurdling night. The first four pages are perfect examples as to why Joe Caramanga is one of the most sought after letters in
At the start of the film we are set in the year 1836 in the Mexican State of Coahuila and Tejas town of San Antonio de Bexar, the site of the Alamo. We can see massive amounts of fallen Texan Defenders and the Mexican Army invaders dispersed around the battle site. The film then flashes back to the year 1835 where we see Dennis Quaid, Sam Houston, attending a party where he is trying to persuade others at the party to migrate to Texas. Houston meets David Crockett, Billy Bob Thornton, and discusses what Crockett will receive if he moves to Texas. We are later presented with a shot of a group of people having a meeting discussing the matter of what action to take after
While I was watching the documentary William Faulkner, a Life on Paper I found it striking how the different people that were interviewed talked about two different sides of the author William Faulkner. His daughters, Jill Faulkner Sommers and his stepdaughter, spoke mainly about his alcohol abuse and his moodiness whereas Faulkner’s contemporaries from Oxford underlined Faulkner’s generosity and kindness. The documentary shows Faulkner not only as father of Jill and his stepdaughter but also as a father figure for many others. He had to take care of several families at once. At one point Faulkner had seventeen dependents to provide for. Many of the people that were interviewed describe Faulkner as being very generous and always willing to help others even when he had almost nothing himself. One special example is his brother Dean who died in an airplane accident and because Faulkner had bought the plane he apparently felt guilty about the death of his brother for the rest of his life as his sister-in-law says in the interview.
(p 31). It was this social order that influenced iconography of many 'B' westerns. Such iconography would create the ideal of the crooked banker, or the shoot em' up outlaw and even a brothel prostitute, all of which are found in Ford's Stagecoach. The social classes that each character can generally be categorized as an upper, middle and lower class.
...he years from a classic plot to including aliens, but the basic recipe is the same. A lone cowboy on the edge of society, placed in some predicament that causes him to have to use the violence he has the capability to use, but doesn’t like using to get himself or others out of the predicament.
True Grit, the 2010 remake of a classical western directed by Henry Hathaway, is a film that fits the category of genre of order as outlined in Thomas Schatz’s “Film Genres and the Genre Film.” Being directed by Joel and Ethan Coen, the modern western depicts the contested environment of the Arkansas in the 1800’s. The western accurately portrays society as still a largely segregated version of the United States, as blacks are still slaves, and Native Americans are treated as second rate citizens. The genre of order is both upheld and interrogated by the Coen brothers, as their film has an unconventional hero, but the conflict, setting, and resolution all fit within the characteristics of the genre of order.
“What race you?” You and i, as ignorant as this question may seem, have probably been asked that question more times than we can imagine. However it’s until recently that i’ve learned that is the wrong question to ask. According to John J. Macionis, race is “a socially constructed category of people who share biologically transmitted traits that members of a society consider important.” So one should ask, “what is your ethnicity?” since ethnicity refers to a shared cultural heritage (Macionis 340). It wasn’t until more than a century ago did scientists invent “race” to try to organize the world’s physical diversity into three racial types. Now the fact of the matter is that their are far more than just three “races”
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
Recently, there is a spike of historical films being released lately. One of the films is an Academy Award nominee for “Best Picture,” Selma. The film, Selma, is based on the 1965 Selma to Montgomery voting rights marches. The film shows the struggles of the black community face with the blockage of their voting rights and the racial inequality during the civil rights movement. Selma is about civil rights activist Martin Luther King Jr. heading to the rural Alabama City, Selma, to secure the voting rights for the African American community by having a march to Montgomery. It shows the struggles from what the African American community had to endured during the 1960s. Selma shows a social significance to today’s current events, specifically
Imagine the happy and sugar coated world of a Disney movie. Multiply that times ten during a time of deep racial turmoil in the South. “Song of the South”, directed by Wilfred Jackson and Harve Foster, is an almost painfully sweet story of friendship between a white little boy and his old colored friend, Uncle Remus. Full of forced heartwarming and sensitive moments, it’s difficult to get through this movie without wanting to close your eyes and take a nap. It is not, in fact, "mighty satisfactual.
Do you like funny things? Well then if you do, you would love the movie the Beverly Hillbillies. I believe people should watch Beverly Hillbillies because it is very good for family time, it’s funny, it’s age appropriate.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
The Linton family – especially Edgar and Isabella – possess traits similar to those of vampires. Vampires are described
The Big Short, a movie based on true events, is about the people in the financial sector that figured out that there would be collapse in the housing market within the next few years and how they capitalized on this information for their own personal gain. The movie reflects on how financiers exploited the rights ethic of people by not disclosing the actual value and returns to the consumer, if the ends justified the means, ignoring professional responsibility and intuition ethic for financial gain. Michael Burry, a specialist in wall street and good in numbers, foresaw that the home loans sector was on the verge of failure within a few years when homeowners would start defaulting and since he had the rights to use the funds of his company, he started betting against the housing market by suing more than $1 billion of his investors money into credit default swaps. Burry, along with other investors cashed in on the investments when the financial crisis hit the economic sector in the United States.
Stupid in America is documentary based on the United States education system, its teachers and most importantly its students. This film shows all the flaw there is in our schools throughout the country. Even though this documentary seem to have some unexplainable alternative motive behind it, the film itself shows everything going on in the inside of our public school system.
The comedy movie, Driving Miss Daisy made its debut in 1989. It follows the story of Daisy, a wealthy Jewish white woman who is also a widowed school teacher. The film focuses on the home life, family, friends, concerns and fears of Daisy over a period of twenty-five years (Canby). Through viewing the system of associations and emotions elicited by Miss Daisy we develop a great sense of the love and patience evoked. This film brings out several sociological issues that plague the society. Different cultures and people have diverse perceptions about issues they are going through. A concern viewed as normal by some individuals may be a social issue of significance to another individual. Sociological theories help us understand these concerns and how to deal with them (Dillon 377).