The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
In conclusion, despite this shortcoming, Selma of the North is a solid pathway into the very large bookshelf on civil rights activism in the North. The marches shifted public opinion about the Civil Rights movement. The images of police beating the protesters were shown all over the country by television networks and newspapers. The visuals of such brutality being carried out by the state of Alabama helped shift the image of the segregationist movement from one of a movement trying to preserve the social order of the South to a system of state-endorsed terrorism against non-whites. It offers what Jones correctly calls “another tile to the mosaic” of studies about the struggle for racial justice in the twentieth century.
Selma was a perfect destination to start the March because its citizens had been trying to get voting rights for so long, so the two organizations, SNCC and the Southern Christian Leadership Conference (SCLC) decided to team up to help them accomplish this while in the process sending a message to the federal government through the march (Dunn). Selma, Alabama was the starting point of the march but the message of need for equal voting rights was heard all the way in the Capitol in Washington D.C. thanks to the success of the march because of Dr. King. Dr. King's March from Selma to Montgomery wasn't violent so the town's mayor decided to respond with nonviolence because he didn’t want to cause trouble (“Selma”). The march was a nonviolent way of protesting for equal voting rights for African Americans in Alabama. The participants in the Selma March were met at Marion with lots of attackers, these people killed them and beat them. Under Dr. King's leadership the march still made a huge impact on the movement (“Selma”). Even though the marchers were attacked and some of them even killed the march continued on with more power than ever because of how Dr. King raised their spirits and inspired them to continue on. The march continued but the Alabama senator, George Wallace was not too fond of the idea. The sheriff, Jim Clark attacked the marchers with lots of other people with teargas while they were crossing the Edmund Pettus Bridge (“Selma”).
Aretha, David. Selma And The Voting Rights Act. Greensboro, North Carolina: Morgan Reynolds Publishing, 2008. Print.
In the film 12 Years a Slave by Steve McQueen, the storyline follows the kidnapping and enslavement of a free black man (1841-1853) from Saratoga, NY: Solomon Northrup. Solomon is stripped down physically and emotionally, being forced to identify himself as another person – “Platt.” Solomon fights to survive as he fights for his freedom back. The film attempts to shed light on how humans, especially African Americans, were treated not only during the time of slavery, but also currently through their systematic mass incarceration.
Bodroghkozy opens up her analysis on the subject by painting the portrait of Dr. Martin Luther King Jr. and the black voting rights campaign in Selma, Alabama in March of 1965, when their march was interrupted by “a sheriff’s posse on horseback” who were well armed with weapons used to beat the protestors, only ten days after the events of Bloody Sunday on the Edmund Pettus bridge. The following day, King declared to the protestors and members of the media: “We no longer will let them use clubs on us in the dark corners. We’re going to make them do it in the glaring light of television.” Although this was a blatant acknowledgment of the way in which Civil Rights leaders intended to utilize the media to their advantage, the events in Selma on the way to Montgomery and those following were not exclusive in their intentional nature regarding the news media. In fact, many events through the course of the Civil Rights movement benefitted from the presence of the news media and the portrayals of events they presented to the broader public. In the case of non-violent direct action, the preferred ideology of Dr. King and organizations like the Southern Christian Leadership Conference (SCLC), it was particularly useful in demonstrating the uneven balance of societal
“Selma” is an interesting documentary film that conveys the unforgettable, real story of the 1960s’ Civil Rights Movement in the United States. The 2014 film captures the riotous three-month protest in 1965 when Dr. Martin Luther King Jr. spearheaded a daring clamor for equal suffrage rights in an environment accompanied by violent opposition from agents of the status quo. The heroic protest from Selma to Alabama’s capital, Montgomery, prompted President Lyndon Johnson’s assent to the Voting Rights Act of 1965. The Act is believed to be among the most imperative gains for the agents of civil rights and freedoms in the 20th century America. Director Ava DuVernay ensured that "Selma" chronicles how Dr. King Jr, his family and supporters under the egis of the Civil Rights Movement brought about social change that has since then improved the American society by granting previously discriminated communities a political voice.
Society has always been influential to fads that are displaced throughout media; the public witnesses a direct mirror of themselves and current culture portrayed on movie screens, musical lyrics, and televisions scripts. During the 1990s, African-American filmmakers depicted stereotypical black youth and culture in films such as Do the Right Thing (1989) and Menace II Society (1993), otherwise known as the “hood” films. However, as much to the popularity and success of the hood films, there was great opposition to it. Historical movies like Daughters of the Dust (1991) and Devil in a Blue Dress (1995) were created to argue against hood films to portray a different African-American community that is not racialized. I am going to compare and contrast both the hood and historical films Edward Guerrero and Paula Massood both believed that the hood film was created for the benefit of portraying reality in African-American communities. Yet, Mark Berrettini, Joel Brouwer, Roger Berger, and Marilyn Wesley argue that the hood films are counterfactual to society and historical films are necessary to show a positive African-American culture.
It is a very educative film which students in both middle school and college should use in understanding what happened in the past. By adequately giving explicit scenes in the Selma campaign, the author marks the success of the civil rights movement because it was the catalyst behind the voting rights act passage in 1965. This helps the audience to broaden their perspectives on the understanding the mechanism and process behind the abolishment of racial segregation in the US.
Therefore, instead of showing so of King many flaws and oppositions, they focus more on the coercive and uplifting moments. Even at the end of the film, the movie labels King as the “ Leader of the Civil Rights for 13 years ”. Nevertheless, this serves to discredited everybody else’s work in the Selma March. Andrew Young, John Lewis, Hosea Williams, and much other are minimized to non important figures in the fight for civil rights. Once again, this is the way of society glorifying one man while minimizing others impacts in a positive event. Furthermore, the movie ends with an aura of everything is fixed in society. The ending of Selma creates a false hope that all is well in society and this was the beginning of post racial society- no more harm done to people. However, we all know this is a false ideology. The March to Selma wasn’t the end of racial aggressions and problems in America. If anything, it was just another small victory in a race to hopefully ending race issues in
Over 400 hundred years there has been slavery, racism, and discrimination in America with blacks, and other minorities. A famous man once said “I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality... I believe that unarmed truth and unconditional love will have the final word” – Martin Luther King Jr (brain quote). The movies ‘Miracle at St. Anna’ directed by Spike Lee, and ’12 Years a Slave’ directed by Steve McQueen both show the struggle African Americans went through during a tough racial period in American history. Even today in Modern society African Americans still deal with racism. Spike Lee and Steve McQueen movies both give the viewer a real life look of how blacks were treated in a tough racial climate, while fighting for respect in America.
This movie portrayed the racial injustices that were taking place in the early 1990s within California and throughout the world. The riots that were occurring in 1992 in California continued to increase the racial divide in schools and in the community. The acquittal of a police officer in the Rodney King trial caused an uprise of racial tension. In addition to racial tension gang violence continued to be on the rise and seemed to continually widen the racial divide. Public school systems were a major part of educational injustice for various students, but majorly for the students who were a part of integration programs. Parents chose integration programs as a way to get their children a better
The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun. Progressions in the industry were hindered by blaxploitation films such as Shaft, but these too were overcome with the 1970's movies like Song. The true creativity and experiences of African Americans started to be shown in the 1980's with directors like Robert Townsend and Spike Lee. These directors helped enable black cinema to expand in the 90's with the creation of works ranging in brutal but honest portrayal of urban life to that of comedy. By analyzing Spike Lee's film Bamboozled, director John Singleton's Boyz in The Hood, and movies like Coming to America and House Party indicate that the experiences of African Americans and the way that they are depicted in cinema directly impacts the way mainstream society perceives them to be, while showing that African Americans are a major driving force behind creativity and ingenious inspiration behind many aspects of American life.
Garrow, David. Protest at Selma: Martin Luther King, Jr., and the Voting rights act of 1965. New Haven, Conn.: Yale University Press, 1978. 135-147. Print.√
Garrow, David J. Protest at Selma: Martin Luther King Jr. and the Voting Rights Act of 1965. New York: New Haven and London Yale University Press. 1978