The theatrical plays of “Angels in America” and “August: Osage County” both of the playwrights create a heart wrenching, tear jerking, and amazing work. Each character is developed to have its own sets of values, beliefs, and attitudes towards life and so there are no two characters alike. With each character having its own identity, it brings a sense of excitement and unpredictability in the plays. Tracy Letts the writer for “August: Osage County” establishes a sense of reality in his play by developing characters that everyone can relate too. His play is about family, the use of drugs, cancer, and suicide, subjects that people go through during their lifetime. Tony Kushner the playwright of “Angels in America” provides the same feeling of realism in his play, by having his characters deal with prescription drug addiction, terminal illness, and relationship tribulations. There are many similarities between these two plays such as the use of realism, having the characters be part of unhealthy relationships, and experiencing life threatening illnesses. There are not that many differences between these two plays, but one in particular is that in “August: Osage County” the entire play’s location is at a home- upstairs, kitchen, patio, or in a living room while “Angels in America” have some scenes taken place in the hospital, office, and the bedroom. As one can see both of these plays are more similar than they are different and equally incorporate realism into the production.
For a play to be considered realism, Janie Jones implies it [the play] must hold the idea of the stage as an environment, rather than as an acting platform (Jones). Actors are trained never to give their backs to the audience. This is apparent when the chara...
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... Prior will die because of this disease. Prior has accepted his condition and knows that death is inevitable, but will keep pushing to the end. This type of strength by Prior portrays what every terminal ill person goes through, their courage of not giving up and knowing that time is not on their side. Tony Kushner allows the reader to follow Prior and Roy who is a successful New York lawyer battle their way with AIDS and seeing them suffer from this dreadful disease. The realistic nature of this play is unbelievable and as a reader you become dedicated to these characters and the need to know what their future entails for them becomes necessary.
Works Cited
"Black Comedy." 2011. eNotes. 13 May 2011 .
Jones, Janie. The Modern Theatre: Realism. n.d. 13 May 2011 .
In Tony Kushner’s play “Angels in America” the strong concept of “identity” is explored through each character. Factors such as religion, sexuality, and social class play a role in assigning the play’s characters with their own sense of individuality. Living in such an unaccepting world, at times it can be hard to find your true self. Throughout Tony Kushner’s play “Angels in America”, there are quite a few characters who have trouble accepting themselves for who they really are. Whether it is striving for a new identity, or being limited by one according to social standards.
The play that we read for this unit is Too Much Punch For Judy, by Mark Wheeller. It is a form of Verbatim Theatre, meaning that it is based on the spoken words of real people. This play is about the story of a young woman who kills her sister in an alcohol related accident. When I first read the play I couldn’t empathize with the story as I haven’t experienced such a shocking event before. In this essay I will describe, analyse and evaluate both my work and the work of other actors in my group, focusing on the mediums, elements and explorative strategies of Drama.
Tony Kushner, in his play Angels in America, explores a multitude of issues pertaining to modern American society including, but not limited to, race, religion, and sexual orientation. Through his diverse character selection, he is able to compare and contrast the many varied experiences that Americans might face today. Through it all, the characters’ lives are all linked together through a common thread: progress, both personal and public. Kushner offers insight on this topic by allowing his characters to discuss what it means to make progress and allowing them to change in their own ways. Careful observation of certain patterns reveals that, in the scope of the play, progress is cyclical in that it follows a sequential process of rootlessness, desire, and sacrifice, which repeats itself.
...onnects his audience to the characters and although the play is written for the Elizabethan era, it remains pertinent by invoking the notion of human nature. He implements themes of love, anger, and impulsiveness and demonstrates the influence these emotions have on human behavior. It is evident that because human nature is constant, people have and will continue to be affected by these emotions.
Caden Cotard is a theater director who is fresh off his last successful production of Death of a Salesman. He was presented a grant and was determined to create a brutally honest play. He gathers together a cast into a warehouse in Manhattan’s theater. He leads them into a celebration of the ordinary, telling them to live out their lives in a small replica of the city outside. As this city inside the warehouse begins to grow, Caden’s life begins to swerve off the tracks. His wife, Adele, who is a famous painter and the mother of his child Olive, left him years ago and traveled to Germany’s art scene. Caden is driving his current marriage to an actress named Claire directly into the ground. The actor Caden has hired to play himself within the play is a little too perfect for the part is making it harder for Caden to revitalize his relationship with Hazel. Caden’s condition is one by one shutting down all of his autonomic functions. Years go by and Caden is concealing himself deeper into this magnum opus. The line between the world of his play and what is reality soon becomes a little blurry. The rehearsal for the play will go on for decades making it unclear if the production will ever launch.
...list style, gives the audience so little to work with plot-wise that the viewer cannot help but search for deeper meaning. Kushner, whose focus on topical social issues laced with elements of fantasy forces the audience to consider the juxtaposition of the reality on stage against the reality in the real world, and subtly invites the viewer to participate emotionally with the on stage action. Rather than allowing the fantastical to distance the audience from the emotional core of both plays, Kushner and Beckett respectively eschew traditional elements of bourgeois realism in order to enhance the audience’s emotional comprehension of both productions.
The scenes, which cover thirty years of the characters’ lives from eight to thirty-eight, each revolve around an injury that Doug has acquired through his accident prone life. The play progresses in five year intervals, jumping backwards and forwards, in a nonlinear progression. As they travel and run into each other’s lives, the two characters face new injuries. As the play progresses every five years, a new injury is added to one or both characters. Their lives intersect through these injuries, leading them to compare their wounds, both physical (Doug) and emotional (Kayleen), and drawing them closer together. With each new scene, old injuries and problems may have gotten better or resolved, but some became permanent. Yet, through these experiences, they are bonded together through bloodstains, cuts, and bandages.
In summation, the interconnection of people and events that one might ordinarily see as disconnected or unrelated is successfully applied in Angels of America. The use of dual roles, in correlation with dialogue and character interaction allow Kushner’s to interconnect four of the major characters established persona and communities, all the while fulfilling the requirements of other characters to further the play. Consequently, Kushner is able to expand or sustain, rather than renegotiate, his characters for the audience so that the messages, triumphs and struggles of one character may be evolved even while an actor is represented in another character.
This play shows the importance of the staging, gestures, and props making the atmosphere of a play. Without the development of these things through directions from the author, the whole point of the play will be missed. The dialog in this play only complements the unspoken. Words definitely do not tell the whole story.
The ‘Modern’ era began, approximately, in the mid-1800s (Worthen), following its predecessor the Romantic period, which was an era that was emotionally charged ad focused on the physical relationships between characters and being one-with-nature, rather than the focus of the modernist period which was to bring social and political issues or statements into the storyline of a script whilst still keeping the stage, characters and overall performance aesthetically pleasing for the audience of the particular period. Modernism in the theatre is the act of bringing the stage and the forms of modern life, at one time, to a critical relationship. As stated by Worthen, the modernist period or the modern world we live in today began in the mid-1800s
When you read this play, take special care to remember the difference between the work of a playwright and that of a novelist. Novelists may imagine their audience as an individual with book in band, but a playwright writes with a theater full of people in mind. Playwrights know that the script is just the blueprint from which actors, producers, stagehands, musicians, scenic designers, make-up artists, and costumers begin. You will need to use an extra measure of imagination to evaluate this play before you see the Goodman production.
Tony Kushner’s play, Angels in America, comments on a number of social issues of its time; ranging from political to societal. Additionally, it incorporates many concepts discussed in the Modern Condition courses. Thinkers such as Nietzsche, Borges, and DeBeauvoir are specifically represented in the play through the characters presented. Kushner uses his characters to convey the ideas of these thinkers in the context of the culture the play takes place in.
...h other or from their situation in general. The optimistic view of the play shows a range of human emotion and the need to share experiences alongside the suffering of finite existence; governed by the past, acting in the present and uncertain of the future.
Theatre will always survive in our changing society. It provides us with a mirror of the society within which we live, and where conflicts we experience are acted out on stage before us. It provides us with characters with which we identify with. The audience observes the emotions and actions as they happen and share the experience with the characters in real time.
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.