Throughout history, civilizations have evolved in many different facets. One of these components would be communication and in a narrower aspect, entertainment. We will delve in how entertainment has evolved, enlightened, and transformed throughout time. Each era beginning with Thespis in 6th century BC to present will be discussed and detailed to show the impact that entertainment has made upon generations and how it continues to advance: from men being the only performers allowed on stage to women’s entrance into entertainment; performances once held in amphitheaters to now transmitted via satellites and broadcasted live in our homes are only a few of the many topics that will be examined in what you are about to read.
Thespis was a Greek poet who is given credit for being the inventor of tragedy plays. He introduced an “actor” into choral performances, which had been exclusively for the chorus before Thespis. This had many effects such as: the singers were given breaks, and with actors the presentation became more heightened and dramatic. Thespis has written plays such as Contest of Pelias, Phorbas, Hiereis, Hitheoi, and Pentheus. The word Thespians, who are English speaking actors, comes from Thespis.
Around 700 BC the Greeks had festivals that honored the gods; one of these festivals was called City Dionysian. People would sing and dance while tribes would compete against eachother to see who was the greatest of them all. In the early Greek festivals, the actors, directors, and dramatists were all the same person. Only three actors were allowed to be in a play and all had to be male. Later on, non-speaking roles as well as the chorus evolved in theatre to keep citizens more entertained. Well-known play wrights ...
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Theorists and scholars have often examined when the art of theatre first came into existence. There is a great amount of emphasis on the idea that the act of mimesis or an imitating impulse first came to be in a ritual setting dating way back to the beginning of mankind. However, the first civilization that shows evidence of a fully formed and functional theater is found during the ancient Greek civilization.
Elizabethan Theatre was so popular that everyone enjoyed it; even Queen Elizabeth. She influenced some of the plays performed in that time and people were honored to perform plays for her. Plays were very important back then and were a part of life. Theatre in the Elizabethan Era was very prominent, including Coriolanus, a tragedy by William Shakespeare, and could be attended by anybody.
...r Lady”, the Gershwin brothers returned to Broadway, and wrote more creative works that brought Broadway to higher success then ever before.
came about because of the “problematic relationship that Greeks believed existed between gods and humans” (Perseus Digital Library). Greek theater, however, is different from our business enterprise theater. The Athenian theater was financed by the Athenian state. It was an essential part of the Athenian religious festival: the City Dionysia (AbleMedia LLC). During this festival, three tragic playwrights were chosen to present a tetralogy. A tetralogy is a group of four dramas: three tragedies and one satyr play that are performed consecutively (Dictionary.com). The three tragic poets competed with one another while their efforts were ranked by a panel of judges (AbleMedia LLC). This fundamental part of Greek culture brought ...
Tragedies in the Greek theater when compared to tragedies in the Renaissance theater varied in similarities and differences. Greek theater encouraged the use of religious figures while Renaissance theater was supposed to be strictly pagan in its ideologies. Theater was most dominantly used to depict the social and religious constraints of the time period. For example, Shakespeare’s Hamlet and Sophocles’ Oedipus Rex are both portrayals of deceit, murder, and revenge all of which lead to the demise of its leading characters. Hamlet is depicted as a young man who is seeking revenge for his fathers death. Oedipus is a king who means to free the people of Thebes from a disease that has been plaguing them. They share similarities in that each of their love interest are conduits of their pain and anguish, further pushing the protagonists over the precipice. The voice of reason that they share is Creon in Oedipus Rex and Horatio in Hamlet. Their tragic flaw is that they are both ultimately and utterly doomed and no amount of guidance will steer them away from what has been predestined by fate. They are ultimately doomed to be their own Achilles heel.
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
In the first part of the 20th century, musical theatre consisted of vaudeville and minstrel shows....
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
“History exists only when it is “made” by the historian.” (Vince, 65). According to R.W. Vince, it is very easy for researchers to get lost between “fact” and “interpretation” when documenting theatre history. Even when scholars uncover identical pieces of information, they may each have their own personal explanations as to why these facts exist. In turn, readers must exercise critical analysis when studying scholar’s research and not fall into the trap of viewing history from the author’s perspective. Personally, I believe Leslie Read’s chapter on the “Beginnings of Theatre in Africa and the Americas” is both fact-oriented and assumption-oriented, and must be scrutinized from many angles.
For as long as humankind exists, theatre will always take on an important function within its cultures. Through theatre, a culture expresses itself, reflects its society, and displays its individuality. It invites people to experience other cultures.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern
During the golden age of Greece, city-states were developed, the most prominent being Athens with a population of at least 150,000. Here is where the rites of Dionysus created what we now call theater. We have the leader, the chorus, the dancers, and the orchestra. So where did actors come from? Around 525 BC a man from Attica named Thespis, added an actor into the dithyramb to interact with the chorus. The actor was called the protagonist and means “the main character of a drama.” This addition turned the chorus into theater. Thespis went down in history and is where “thespians” got there name.
My experience watching a live theatre performance on stage was a fascinating one, most especially since it was my first time. I attended a staged performance of “The History Boys” in a small theatre called “The Little Theatre of Alexandria” at 8:00 pm on Wednesday June 8, 2016 in Alexandria, Virginia. The overall production of the play was a resounding experience for me particularly the performance of the actors and the design of the scene made the play seem real.