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Elizabeth barrett browning poetic style
Critically analyse Robert Browning's poetry
Critically analyse Robert Browning's poetry
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Both the narrators in "How Do I Love Thee?" (786-787) by Elizabeth Barrett Browning, and in "Stop all the clocks, cut off the telephone" (787-788) by W.H. Auden express the deepest love for the subjects portrayed in the poems but diverge over the effect that death has on that love. Browning's poem shows an innocent side to love, while Auden portrays what might be considered the harsh realities of love. Both delve into delusions of grandeur concerning the poems' subjects. Yet, Browning's poem is decidedly dramatic and Auden's tends to be everyday with his metaphors. In death, the narrators opposing views become more evident as Browning's puts her faith in God, while Auden's mourns her lover. Both poems are about the love each narrator feels, and both strive to express how intense this love is. Yet, each author comes from a different angle with the hope of explaining this love. Browning uses soft imagery with terms like, "ideal grace", "Most quiet need", and "purely" to show her narrator's love. These soft, feminine terms give the reader images of a pure, untainted love. Conversely, Auden's poem uses much darker, modern language, and instead of mentioning death only at the end of the poem, all but three lines concern death. This use of language and focus causes Auden's poem to be very negative, while Browning's remains positive, even in light of death. Both narrators are deeply in love with the men that the poems are about. The narrator in Auden's poem conveys what this man means to her by comparing him to impossible things, such as "my North, my South, my East and West" (line 9). Browning's narrator also expresses this sentiment by saying "I love thee to the depth and breadth and height / My soul can reach" (lines 2-3). Here the authors part in their use of language. Auden's narrator continues to compare her love to natural, everyday things, i.e. "My working week and my Sunday rest, / My noon, my midnight, my talk, my song" (10-11). Browning's narrator goes on to compare her love to the idealism of government, "I love thee freely, as men strive for right." and to religion, "I love thee with a love I seemed to lose / With my lost saints" (7, 11-12). While Browning's comparisons are obviously positive, Auden's lend themselves more to interpretation.
The major similarities between these two poems ranging from the same jealously to the same amount of craziness, to the difference of being rich and poor or the murder being premeditated or meditated can be seen in the two poems of “My Last Duchess” and “Porphyria’s Lover”. These two poems by Robert Browning exhibit horrid tales of men murdering their wives or lovers for simple reasons. No one ever should be deprived of life; however, these men find the simplest ways to take the lives away from their wives. These qualities that we women posses would be wonderful qualities for a man to seek, happiness and caring; however, these two jealous men can see past these qualities and be able to have the nerve to take the live of what it seems two wonderful women.
Dorthy Parker discussed love based on the cliche rose with Elizabeth Barrett Browning discussed love based on feelings. “One Perfect Rose” poses the question of why is it always a rose that represents love? Why does she always find cliché love instead of a unique love? Even though she knows the rose may contain love it is what everyone is expecting. She wants someone who is willing to take risks, rent a limousine instead of buying a rose. The rose is described as perfect because the rose is supposed to represent a perfect love. But roses wilt and die unlike limousines that cannot die making the limousines longer lasting and proving how love can withstand all time. On the opposite side of the spectrum “How Do I Love Thee? Let Me Count the Ways” states that love is everlasting. When you are truly in love, your love extends to all corners of the world. There should not have to be any material items that prove a love, but instead it should be clearly visible. When someone is in love they should be willing to go to the ends of the Earth for the person they love. A simple rose should not detour them, their love should instead be unconditional. Browning discusses this by repeating, I love thee, throughout the poem. She is professing all her love to someone. Instead of critiquing love she talks about how she loves her love. She loves with all she has even a love she thought she lost.
Both authors use figurative language to help develop sensory details. In the poem It states, “And I sunned it with my smiles, And with soft deceitful wiles.” As the author explains how the character is feeling, the reader can create a specific image in there head based on the details that is given throughout the poem. Specifically this piece of evidence shows the narrator growing more angry and having more rage. In the short story ” it states, “We are below the river's bed. The drops of moisture trickle among bones.” From this piece of text evidence the reader can sense the cold dark emotion that is trying to be formed. Also this excerpt shows the conflict that is about to become and the revenge that is about to take place. By the story and the poem using sensory details, they both share many comparisons.
While the suggested insanity of the speaker would traditionally indicate the narrator's unreliability in a moral sense, Browning constructs the isolated scene such that the lover's emotional internalization is not only understandable, but divinely justified. The musings and actions of this unreliable narrator serve to illustrate the consequence of society's confines in a shockingly violent release. Through naturally flowing language, this poetic account of burning emotion within a setting of tranquil domesticity presents the all-consuming power of human sensuality in its bleakest attempt to override social structures.
Browning’s use of thirty six stanzas, each about roughly seven lines, instills breaks into the poem. These breaks combined with the tone of the poem exude how the narrator feels about the turn of events in her life. “About our souls in care and cark/ Our blackness shuts like prison-bars…”calls the bleak view that she has on the life of a slave (E. Browning 1131). In the beginning, with the discovery of a new, budding love, her voice is hopeful. “I sang his name instead of a song, / Over and over I sang his name, / … I sang it low, that the slave-girls near / Might never guess, from aught they could hear …” reflects her quiet but joyful outlook of life (E. Browning 1133). Afterward, when he is taken and killed, the narrator loses her chance for true love; while grieving, her...
The purpose of the sorrowful imagery in "The Garden of Love" was to create a negative mood and the purpose of the love-filled diction was to create a positive mood, but to take it one step further one must ask what the purpose of establishing these contrasting moods in each poem? "The Garden of Love" contains depressing images and has a gloomy mood to portray hell as the epitome of depression and negativity whereas "The Shepherd" contrasts this setting by using friendly diction to create a joyful mood to portray heaven as the quintessence of joy and peace.
Authors use poetry to creatively present attitudes and opinions. “A Man’s Requirements,” by Elizabeth Barrett Browning, and “A Letter to Her Husband, Absent upon Public Employment” are two poems with distinct attitudes about love that contain different literary approaches. In both of the poems, love is addressed from a different perspective, producing the difference in expectation and presentation, but both suggest the women are subservient in the relationships.
Through the use of a spatial metaphor ‘Depth and Breath’ and polysyndeton to represent the scope of her love, we see the change in EBB’s voice as being confident and self-assured. This relates to her context as she is overcoming the social expectations of Victorian women in the 19th century. Professor Eric Robertson stated that “no woman’s heart indeed was ever laid barer to us, but no heart could ever have laid itself bare more purely”, from this we can recognize the astonishing bravery of EBB as she overcame the difficult social expectations laid upon women in the Victorian era. To continue, EBB’s poetic feminine voice is furthered with a parallelism “I love thee freely…I love thee purely…I love thee with the passion” suggesting and abolishing movement of women speaking out about their love. However this was criticized as it didn’t cohere with the values of the Patriarchal society. Furthermore, Browning was so captivated with the social expectations of her time to the extent that her silence made her lose the faith with her youth, nonetheless through the combination of asyndeton and synecdoche in the line “Smiles with tears, of all my life! – and, if God chose” suggests that the wiser and less conserved she has become the more she has been able to tap into her youth. The progression of EBB’s feminie voice is contrasted from sonnet (I) as her now jubilant tone and growth of her persona correlates to the eventual rise of women rights. The parallelism “I shall but love thee better after my death” acts as a balance to the sombre beginning and it also signifies the transformation of her persona as she now undermines the possibility of
In conclusion, both poems are very similar on many subjects, but there are also some very strong differences. In both poems, a similar structure, rhyme scheme and meter play pivotal roles in their respective poems. In both poems, differences in the settings, the characters and the tone help us understand what message Robert Browning was trying to convey to us in his poems, ‘Porphyria’s Lover’ and ‘My Last Duchess.’
These poems both tell a story of their own. I feel as though they are the same because they are talking about the same situation, but during different periods of her life. The speaker used “Before I got my eye put out” and “We grow accustomed to the dark” to make us find a deeper understanding of what they were really trying to say. I also feel as though, they wrote this all out of pain. They couldn't keep the pain in her head anymore, so they wrote it down on paper in the dark. Wrote it down on paper, but yet was still trying to find the light to stop all of this pain and suffering. Trying to find the light, but was in the dark so much, it was hard to adjust to the light. It was worth a try though, wasn't
More than a physical attraction, Browning’s poems seem to put a greater focus on an emotional and spiritual romantic connection between lovers. According to E. D. H. Johnson, a professor at Princeton University, “Ideal love is for Browning the consummation of an intuitive process in which the lovers transcend the barriers of their separate individualities and achieve spiritual union... Browning’s men and women, then, are always seeking to pierce the barrier which...separates two isolated souls reaching toward each other” (Johnson). Love is not simply the physical connection between two people, but even more so one of the soul. Browning’s own romance with his wife Elizabeth Barrett Browning showed some of this ideology; before he had ever met her, he first fell in love with some of her poetry. Only after months of correspondence through letters and poems to each other did the two meet, and eventually marry, but by this time he was already deeply in love with her. Contained in Browning’s collection of works Men and Women, dedicated to Elizabeth, is the poem “In a Year” which, although talking of a love lost, through its delicate word choice, portrays a love that was greater than the pull of a handsome
Love can defined as many things. In the work “My mistress’ eyes are nothing like the sun” by William Shakespeare, he shows the rarity that is love has. Telling how there is no other love like his. In another work, “Digging” by Seamus Heaney is about his father digging for potatoes. Each piece showed the love in the words. Whether it was towards their love, or for their job. In William Shakespeare poem, he compares is woman to the others. He compared her to the fairest of them all. He showed the other men why he picked her. In Seamus Heaney poem, he writes about his father and grandfather work. The love they put into it. How both of them work. Making them the reason why he wrote about them in this poem. Both writers write about love. In each work, how they defined love. Love in each work is shown differently, but they still are displayed the same. The work and reason for the thing they love. Each work had a concept of love. In “Digging” is about work, and in “My mistress’ eyes are nothing like the sun” it is about his woman.
Both poems where written in the Anglo-Saxton era in Old English and later translated into English. As well as both poems being written in the same time period, they are both elegiac poems, meaning they are poignant and mournful.
In the poem "How do I Love Thee", Elizabeth Barret Browning expresses her everlasting nature of love and its power to overcome all, including death. In the introduction of the poem Line 1 starts off and captures the reader’s attention. It asks the simple question, "How do I Love Thee?" Throughout the rest of the poem repetition occurs. Repetition of how she would love thee is a constant reminder in her poem. However, the reader will quickly realize it is not the quantity of love, but its quality of love; this is what gives the poem its power. For example she says, “I love thee with the breath, smiles, tears, of all my life; and, if God choose, I shall but love thee better after death.” She is expressing how and what she would love with, and after death her love only grows stronger. Metaphors that the poet use spreads throughout the poem expressing the poets love for her significant other.
It is important to realize the biographical context of this poem. Browning had been forbidden to marry. She went against her father's wishes, which caused him to never speak to her again. She gave up her father for this man. Her love is not merely printed on the page, but is a true emotion she believed enough in to leave her home and family over. She believes in God, and believes her love for Robert is true, pure, and