Raymond Scott Research Paper

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Raymond Scott was a musician who made music for movies in Hollywood in the 1930’s with his “Raymond Scott Quintette,” and then with a larger band. His most recognizable song, “Powerhouse,” was used often in Looney Toons and other Warner Bros. cartoons. He rose to fame and fortune, but became bored with popular music. His true passion was analog electronic music. In 1946, he founded Manhattan Research Inc., which was "More than a think factory–a dream center where the excitement of tomorrow is made available today." He filled all four stories of his house with equipment and synthesizers he had built. His magnum opus was “The Electronium,” an artificially intelligent electronic music composer. Scott released multiple experimental albums and T.V. and radio commercials. These albums were a new, strange, and eerie electronic sound.

The public did not take to Scott’s new music. He continued to spend eleven years and almost a million dollars on The Electronium. By 1980 his royalties had slowed and he had several strokes, rendering him unable to work or even converse. The Electronium fell into disrepair. Scott died of pneumonia in 1994, his genius all but forgotten by …show more content…

Mothersbaugh is an American musician and visual artist who makes music for cartoons and movies, but he’s most widely known as the frontman of the band DEVO. DEVO is short for de-evolution, a satirical commentary on the regression rather than evolution of the human race. It started as a joke but became real after the Kent State shootings of 1970. They demonstrated their message by creating something completely different from the “regressing” music of the time: strange electronic music, oddly modified instruments, and weird costumes. One instrument consisted of a tennis racket with a Donald Duck head and a modified calculator attached to

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