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The theme of racism in othello
The theme of racism in othello
Analysis of the character of Othello
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William Shakespeare’s Othello, The Moor of Venice is a captivating tragedy that not only keeps the audience entertained by the drama and scandal, but also sheds new light on the perspective of the Europeans during the Elizabethan era and Othello’s role as an Englishman. Othello, based off of the controversial representation of blacks, was written in a manner that perfectly displays the true nature of the Europeans during this time period. Shakespeare opens the first act with Iago, the antagonist, yelling to Brabantio a visually graphic description of his “daughter covered with a Barbary horse” and racial inferences of Othello as “an old black ram/ Is tupping your white ewe” (I.1.87-110). This prevailing imagery of racism gives us a glimpse into the stereotypes and prejudices that have been happening for centuries and that continue to persist in the present. The use of the word ‘black’ throughout Othello had multiple meanings that the audience would understand in connotation, but this also included the larger scale audience of Elizabethan England. Othello portrays the Moor; although contradictory in context of this play, it shows how the Elizabethan society treated the minority or “difference” race during this time period.
Europeans were extremely naïve when it came to “ANYONE exotic enough to startle a European” based off the differences “in terms of culture, religion, ‘color’ etc.” They thought that most Moors were from the African or Ethiopian decent, believing that they were uneducated and uncivilized. The Europeans failed to distinguish between the “Moors [who] were natives of Morocco,” and were “mainly Arabic and Berber, settled in North America, invaded Spain in the 8th century and were driven out in the 15t...
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...e of the racist of a world we live in but immediately retreats back to what society has taught him.
Othello is a great representation of racism and how the racial tension in public was accepted it in the 17th century. Shakespeare would have no pressure from society against presenting people of color as “savages.” From the first act Othello is talked badly upon by Iago, he later turns out that Othello is actually a decent man despite his skin color. Although Othello is not portrayed as inferior, Iago controls the entire situation based off his impressions of Othello being a Moor. Through this control the audience and reader are able to get an accurate representation of the self-absorbed Elizabethan society that controlled the racism during this era.
Works Cited
Shakespeare, William, and Jane Coles. Othello. Cambridge, England: Cambridge UP, 1992. Print.
The motif of black is a big theme the characters are always mentioning. Othello is a black character in a white dominated society. “What full fortune does the thick lips owe”(1.1.62). At the beginning of the play, Roderigo and Iago only refer to Othello in a racist way, such as the Moor and thick lips. The characters are certainly trying to get the point
F. R. Leavis discusses the breakdown of sympathy for Othello, arguing that ‘Othello is too stupid to be regarded as a tragic hero’. Other critics also argue that Shakespeare ‘fully exploits the unique cultural opportunity to develop a more complex and sympathetic representation of black experience’ [The Noble Moor – Othello and Race in Elizabethan London, Roger Lees], implying that the sympathy that a contemporary audience would have felt for Othello was based oncultural context, given that the audience were predominantly white. However, it could be argued that it cannot just be the cultural context to Shakespeare’s audiences that has allowed Othello to become one of his most renowned tragedies; if this were the case, the play would have lost all critical interest by the 18th Century. It is Shakespeare’s use of the conventions of tragedy in attributing Othello with hubris that, although making it hard to empathise with at times, in the...
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Orkin, Martin. “Othello and the “plain face” Of Racism.” 2nd ed. Vol. 38. N.p.: n.p., n.d. 166-88. Shakespeare Quarterly. Folger Shakespeare Library in Association with George Washington University, Summer 1987. Web. 12 Mar. 2014. .
The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for his insecurity about his marriage. However, Othello is not wholly the tragedy of racism. The theme of jealousy is also extremely important in Othello. Racism may play a large part in the tragedy, Othello, but it certainly does not adequately explain the entire play.
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
Racism is just one of the many problems that we have here in the United States today. Racism isn’t as bad as it used to be but it’s still here. In Othello, written by the one and only William Shakespeare, racism is the main theme and focus. England became involved in the slave trade during the late sixteenth and seventeenth centuries (Slights 377). Racism started in the twentieth century after this was written but the way the Elizabethan era viewed black people was similar to how racism is today (Bartels 433). Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “Old black ram,” “Barbary horse,” and “Thick lips.”
This play revolves around racism, this would have been entirely different if Othello was of white European descent. It probably would have been a play about a valiant hero who gets the fairest woman in Venice, but instead it’s a tragedy because people can’t stand that a person of color has power. Shakespeare used racism as a key theme to tell the story of Othello, and there was a lot of racially geared terminology used but it probably wasn’t too controversially at the time. However over time it has gathered much interest because of its racist undertones. It’s hard to tell if Shakespeare actually held prejudice against people of color or if he just used the societal norms at the time to his advantage to carry the weight of a story he wanted to tell. Intentional or not, the racism in this play played a large part in how the characters interacted and how the play
Othello: The Moor of Venice is probably Shakespeare's most controversial play. Throughout this work, there is a clear theme of racism, a racism that has become commonplace in Venetian society which rejects the marriage of Othello and Desdemona as anathema. The text expresses racism throughout the play within the language transaction of the dialogue to question the societal ethos established by Othello, thereby making him nothing less than a cultural "other." Furthermore, the character of Desdemona is displayed as mad, or out of her wits, for marrying such an "other," and the audience sees her slip from an angelic state of purity to that of a tainted character. Also, the menacing Iago, a mastermind of deviant rhetoric, is able to play Othello and Desdemona against one another until their marriage fails, while at the same time destroying his adversary and friend, Cassio. Thus Iago has a specific agenda, not only to get back at Othello for choosing Cassio instead of him, but also to make Cassio the victim of his plan to destroy the forbidden marriage referred to by Brabantio as a "treason of the blood" (1.2.166-167). Essentially, Iago is a representative of the white race, a pre-Nazi figure who tries to inform the public of the impurity of Othello and Desdemona's marriage. He demonstrates how this miscegenation is threatening to the existing social order. Thus, through analysis of racism, the play represents the hatred possessed by mankind -- a hate so strong that society sees the mixing with an "other" to be a curse to humanity and a terrible threat to Aryan culture.
In the tragedy Othello, Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism, sexism, love, hate, jealously, pride, and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones, in 1600 just three years before Othello was written, Queen Elizabeth proclaimed an Edict for the Transportation of all "negars and blackmoores" out of the country ("Othello- An Interpretation" Critical Essays 39). It is in this atmosphere that Shakespeare began the masterpiece of Othello, a drama about a noble black Arab general, Othello, who falls in love with and marries, Desdemona, a young white daughter of a senator. From the above knowledge one may conclude that Shakespeare wrote Othello to express that all people, of all ethnicity, are basically the same in human nature. Shakespeare borrowed the idea of Othello from an Italian love story by Giraldi Cinthio. However, Shakespeare focuses more on the differences in color and age between Othello and Desdemona than Cinthio. Shakespeare does this to escalate Othello’s isolation from the rest of Venetian society and to display Othello’s vulnerability due to his color. In the tragedy not only is Othello susceptible to weaknesses but so is every major character . The tragedy reminds humans that even one’s good nature can be taken advantage of for the worse. The drama Othello expresses, through relationships and emotional attitudes, a theme that all humans are vulnerable to destruction even if they are in positions of power and glory.
Othello: the moor of Venice In society today, racism still exists as depicted in the media. In William Shakespeare’s Othello, Othello experienced racism because of his race and his background. Othello is treated differently because Iago thinks he is better then him and deserves a promotion, Brabantio thinks Othello is not good enough for his daughter, and Roderigo has a hatred towards Othello due to him thinking Othello does not deserve Desdemona.
Othello is a play that was written around the year 1603 by William Shakespeare. The play focuses on four main characters: Othello, the Moor, who is a general in the Venetian army; his wife Desdemona; his lieutenant Cassio; and his ensign (lowest ranked flag bearer of the army) Iago. The play has been criticized because of the racism that it so boldly expresses. The goal of this paper is to analyze the racism shown in the play in contrast to the racism in today’s modern era.
"Othello's color had no connotations of the enslavable inferiority. There were many great Negroes in those days like that Antonio de Vunth, who was King of Congo's ambassador to the Holy See."(Shakespeare, pp.200)
Racism has always been a negative part in society and is one of the most important social issues in the modern day world. It affects millions of people and is one of the deepest social problems in history. In William Shakespeare’s’ Othello, the notion of racism is featured throughout the play revealing many racial slurs and actions that are displayed in today's society. Set in c. 1500-1750, Venice is a growing Italian city that is a symbol of power, law and civilization. With that in mind it is also filled with white people which makes Othello, a black moor, stand out among the people of Venice and is discriminated in everything he does.