R.C. Sherriff's "Journey's End" 'Journey's End' was written in 1928, ten years after the end of the First World War. The author, R. C. Sherriff, was injured during action in World War 1 and therefore got a ticket home. Sherriff was trying to raise money for a new boat club and so decided to write this play and perform it. The other club members refused to act out this play because it was too like the World War. There had been a tendency for men returning from the front not to discuss their experiences as they were too horrific and they did not wish their womenfolk to know the truth. So Sherriff went to the 'Incorporated Stage Society'. They agreed, after a while of asking, to have one Sunday performance at the Savoy Theatre in London. They were to judge the play and see if it was successful. It was very successful and then ran for another 600 shows. Sherriff then became a full time writer and died in November 1975. After 'Journey's End', many other books and plays were written and performed about World War 1, but Journey's End had been the first. In the play Sherriff uses many ways to portray the horrors of war and because it is set in a dugout the audience is brought right to the front line for the entire play. The conditions are conveyed in great detail and they are introduced at the very beginning of the play with Hardy trying to dry his sock out over a candle in a dugout. Sometimes the men could not get dry for days and the condition known as trench foot took its name from an infection of the feet resulting from being constantly wet. Lice affected the soldiers very badly in the trenches. The soldiers were on duty at the front for six days and then got time off to rest and be de-loused. The lice would be everywhere and even if the soldiers were clean they would be re-infested very quickly. Stanhope said the dugout 'reeked of candle-grease, and rats - and whisky' and like 'cess-pits'. During the play it was said by Hardy that there probably is over two million rats in and around No man's land. Hardy advised Osbourne not to sleep with his legs hanging too low 'or the rats gnaw your boots'. During the six days at the front the soldiers very rarely took their uniform off, not even for bed, except their shoes and wet items of clothing. They slept on beds sometimes with no bottoms, in the dugouts. They were bunk beds and had a frame and a few cross bars.
“The Boat”, narrated by a Mid-western university professor, Alistar MacLeod, is a short story concerning a family and their different perspectives on freedom vs. tradition. The mother pushes the son to embrace more of a traditional lifestyle by taking over the fathers fishing business, while on the other hand the father pushes the son to live more autonomously in an unconstrained manner. “The Boat” focuses on the father and how his personality influences the son’s choice on how to live and how to make decisions that will ultimately affect his life. In Alistair MacLeod’s, “The Boat”, MacLeod suggest that although dreams and desires give people purpose, the nobility of accepting a life of discontentment out weighs the selfishness of following ones own true desires. In the story, the father is obligated to provide for his family as well as to continue the fishing tradition that was inherited from his own father. The mother emphasizes the boat and it’s significance when she consistently asked the father “ How did things go in the boat today” since tradition was paramount to the mother. H...
The following book of Peter Kreeft’s work, The Journey, will include a summary along with mine and the authors’ critique. As you read the book it is a very pleasant, symbolic story of always-existing wisdom as you go along the pathway of what knowledge really is. It talks about Socrates, someone who thinks a lot about how people think, from Athens, is a huge part in this book. This book is like a roadmap for modern travelers walking the very old pathway in search of reality. It will not only show us the pathway they took, but the pathway that we should take as well.
Based on a true story, this biographical drama centered around Antwone “Fish” Fisher. In the beginning of the story, he was a sailor prone to violent outbursts. On the verge of being kicked out of the Navy for repeated fighting, he is sent to a naval psychiatrist for help. Refusing to open up, Dr. Davenport slyly slips his way into getting Antwone to talk. Antwone eventually breaks down and reveals a horrific childhood with neglect and abuse. With the help of Dr. Davenport, he is able to face his past and strive for success to find the family he has never met. At the same time, he is able to turn his life around and change it dramatically. In the end, he is reunited with both his father’s side of the family and his mother who has abandoned him.
In the short story “ The Open Boat,” by Stephen Crane, Crane does an outstanding job creating descriptive images throughout the entire story. With saying this, Crane uses symbolism along with strong imagery to provide the reader with a fun and exciting story about four guys who 's fight was against nature and themselves. Starting early in the book, Crane creates a story line that has four men in a great amount of trouble in the open waters of the ocean. Going into great detail about natures fierce and powerful body of water, Crane makes it obvious that nature has no empathy for the human race. In this story, Crane shows the continuous fight that the four men have to endure in able to beat natures strongest body of water. It 's not just nature the men have to worry about though, its the ability to work together in order to win this fight against nature. Ultimately, Crane is able to use this story, along with its vast imagery and symbolism to compare the struggle between the human race and all of natures uncertainties.
We’re given short or no descriptions of the crewmembers. All we know is that the cook has fat forearms and the captain is injured. These descriptions leave it up to the reader to create these characters in their mind, in doing so they are creating a personal connection. In many ways the reader can relate to the crewmembers. The correspondent (also the narrator) says," If I am going to be drowned, why…was I allowed to come thus far...” Its descriptive and forceful and relatable so its makes people start thinking about their own situations. People usually try their best but they don’t always succeed. If anything we do is never going to be good enough, then why try? At this point people begin to claim and demand an explanation from whatever god they worship. Current situations often trigger thoughts of our past. The correspondent relates this to his childhood when he saw a dying soldier and felt as if it was not important but now when he’s in the situation he realizes how “stern, mournful, and fine” it really was. The only thing that is given specific descriptions constantly is the boat and the water. Crane personifies non-living things and gives them more importance than the main characters! The crewmember’s perspective/descriptions of the boat and water change throughout the story. The water is chaotic, bumpy, and dangerously high in the beginning but as the men begin to loose hope and challenge the gods, the water is no longer mentioned and if it is its calm. Also, the seagulls are flying around and the weather does not change regardless of the men’s situation. Therefore enforcing the idea that nature is indifferent to man. The crewmembers desperately use confirmation bias, the tendency to search for or
Interpersonal relationships are a potent entity that wildly flutter, like a liberated pigeon, through the miserable docks of Elia Kazan’s 1954 film ‘On the Waterfront,’ shaping the moral metamorphosis of protagonist Terry Malloy – from an analysts perspective, the ‘power’ source of the film. Terry’s voyage from an inarticulate and diminished “bum” to a gallant “contender,” is the pedestal that the film gyrates around, however, it is palpable that Terry – a man branded with his primitive mores - is not equipped of emancipating himself from the self-preservative cycle of “D and D” singlehandedly. Therefore, the catalytic, moral facilitation of inspirational outsiders - Edie Doyle and Father Barry – are essential to the rewiring of Terry’s conscience and his propulsion into “testifying what is right against what is wrong.” However, rapports do not simply remain ‘strong’ and stable for the entire duration of the film – they fluctuate. Terry shuffles closer to the side of morality each scene, portrayed by the simultaneous deterioration of Terry’s intertwinement with Johnny Friendly and “the mob” and intensification of his romantic involvement with Edie and confidence in Father Barry. Relationships fuel and glorify Terry’s powerful, audience-enthralling journey to morality.
In “The Open Boat,” the author, Stephen Crane, uses symbols and events to emphasize the fact that we are all alone in life, even if there are people around us. Nobody knows what is going through our minds. Each experience is different, even if they all are looking at the same thing. Just like with the blind men and the elephant, the cook, the correspondent, the captain, and the oiler all are in the boat together, but each one has their own experiences.
He designed a beautiful child-size yacht that came in first. Ever since his first build he was in love and worked diligently to create bigger and better ships and he continued to win. As Bill sits inside Ruby’s diner enjoying a nice bowl of clam chowder he recalls the many races he won and the long journey he had taken to start building luxury ships as well as utilitarian ships to carry large amounts of cargo. He loved to reminisce about the long ago days of beautiful sailboats that would be built by hand with his team of master carpenters. Back then everything was so simple but also so detailed. Nowadays everything is fast paced and rushed. Everyone is looking for those fast speed boats to zip around the harbor and local
In chapter seventeen Hendrick teaches us how to read telescopically. Hendrick introduce the his lecture with four methods that can help us improve our telescopically reading. The first method involves searching for connectives. Connectives are very crucial because they symbolize a change in context. Some of the most know connectives are, therefore, and, and but. Likewise, Hendrick also mentions that we should pay attention to context. Hendrick states that when examining a verse we should read the verse before and after the verse you're reading. Additionally, Hendricks third method is evaluating the book as a whole. It would be like standing on top of a mountain and looking down to observe all the land beneath it. By establishing this method into our reading Hendrick writes that it would help us grasp the big picture. Sometimes we get so involved in the small things that we often miss the main point. Lastly, we should analyze our reading through a historical lense. Hendrick say we should ask ourselves
When the boat was initially found by the girls the boys didn’t see it at first, after they find it they become closer friends and this newfound friendship takes the teenagers on an adventure. They not only find a boat and fix it but they also use this boat to guide them into a new territory with the opposite sex. This boat gives them the freedom to do that.
Daniel has always dreamed of going to sea. He?s always wanted to sail across it and be in it's vast blue. So when he hears of her fathers plan to go sailing to England on a ship, to go pearl hunting, he just has to go. At first he was reluctant to let him go, considering he was a new time sailor to the family he would be the only young child aboard. Eventually they were talked into letting him come a long. The ship was fairly old and needed to have a lot of work done on it before it could head out to sea. They stop at Block Island, Long Island, Martha's Vineyard, and a little place close to Cape Cod before they finally head out to sea. Their relationships and patients ate tested out on the ocean. Organized as can be, Ramon and his father once started pearl hunting when they were younger. He works hard on it then sells them in the near my market.
During all of the attempts their spirits and moods went up and down like the waves of the ocean. Through their selfless actions, the undertone of the entire story should now become clearer. Concern for others before oneself is the first element. Staying hopeful for a better future is the second. The last and most import element, the will or determination to survive even in the toughest part of life. Now readers should see how the combination of these tones compassion, hope, and willing to survive creates the mysterious tone of the story. For courage to appear everyone at some particular time or other needs to have compassion for another person, hopeful whenever there is doubt, and always striving to survive even in the severest of times. Courage is the tone not seen until any reader looks deep into oneself. Those four men had courage from the start till the end. Even though Billie died trying to reach the shore he had concern for the rest of them, stayed hopeful, and tried his hardest until the very end. Stephen Crane was the youngest child of his family dropout several colleges yet, “his time had not been wasted” (Stephen), combined each and every tone into a special short story. “The Open Boat” is not only one of his best short stories; “The Open Boat” contains a treasure map. The treasure is not gold, silver, or precious gems. The treasure is Courage. Courage to tackle any and
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
A leader and a fatherly figure, the Captain serves as the men's compass and keeper of order. His firm navigational commands and calm demeanor make the men a “ready-to-obey ship's company” regardless of their lack of practical experience. Ironically, the Captain is also the most physically useless man on board. Injured from the sinking, the Captain is filled with a quiet despair over his own ability to survive. A hardened seaman, he believes in the idea that a captain should perish with his ship -- to live at sea and to die at sea. The Captain even clings to the dinghy upon being rescued as if he feels a sense of obligation to remain with his boat in the briny deep. Though distraught over the fate of his ship and crewman, the Captain takes solace in providing for the dinghy’s survivors. Occupied with the well-being of others, the Captain does not contemplate his purpose or circumstances in life; he uses his energy to protect his crew and vessel, finding a renewed sense of meaning in this lesser form of leadership. Even when a callous seagull attempts to nip his open wounds, the Captain gently waves the bird away, respecting its life. The Cook on the other hand, attempts to swat it with an
In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain decides that they must try to take the lifeboat as close to shore as possible and then be ready to swim when the surf inevitably turns the boat over and throws the men into the cold sea. As they get closer to land a big wave comes and all the men are thrown into the sea. The lifeboat turns over and the four men must swim into shore. There are rescuers waiting on shore who help the men out of the water. Strangely, as the cook, captain and correspondent reach the shore safely and are helped out of the water, they discover that, somehow, the oiler has drowned after being smashed in the surf by a huge wave. (255-270) “The Open Boat’s” main theme deals with a character’s seemingly insignificant life struggle against nature’s indifference. Crane expresses this theme through a suspenseful tone, creative point of view, and a mix of irony.