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Questioning the Value of Literary Realism in Slaughterhouse Five, Cat's Cradle, and Mother Night
In questioning the value of literary realism, Flannery O'Connor has written, "I am interested in making a good case for distortion because it is the only way to make people see."
Kurt Vonnegut writes pessimistic novels, or at least he did back in the sixties. Between Slaughterhouse Five, Mother Night, and Cat's Cradle, Vonnegut paints a cynical and satirical picture of the degradation of society using distortion as the primary means to express himself. In Cat's Cradle, the reader is confronted with the story of the narrator, John, as he attempts to gather material to write a book on the human aspect of the day Japan was bombed. As the story progresses, he finds that becomes increasingly difficult to distinguish reality from illusion. He meets up with a midget, a dictator, and a nation's object of lust as his journey progresses, and he eventually ends up the sole leader of a remote island and witnesses the end of the world. Using implausible stories and unbelievable characters and situations to convey his message, Vonnegut's utilization of literary distortion allows him to move the reader and prove his point in a far greater way than he could by just blatantly shouting his opinions. "Anyone unable to understand how useful a religion can be founded on lies will not understand this book either"(16), states the narrator, concerning Cat's Cradle. Throughout the text, Vonnegut uses the religion of Bokononism, which is a fictitious faith founded on the basis of deception, to establish that people can prosper and be happy under false beliefs. When two men founded the island nation of San Lorenzo, Cat's Cradle's model for society, it was...
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...hurchgoers, it is Vonnegut's way of saying that we may be taking our concept of religion too far. Only MAN is sacred in Bokononism, and that may be an aspect left out of organized faith. We may only live once, and wasting our lives preparing for the one hereafter may be a phenomenal waste of time. In conclusion, while some of the events and ideas present in Cat's Cradle may register as ridiculous and just plain "weird," it is with these feelings that Vonnegut wished his readers to experience his novel. Only by creating extreme situations and extraordinary theories was Vonnegut able to reproduce the level of absurdity he felt towards society. When a novel simply denouncing God, America, and progress may have been shunned and ignored by the masses, the humorous and witty, yet bitter account of the end of the world present in Cat's Cradle was able to make an impact.
I think that the satire alone in Cat's Cradle is enough to encourage humanity to make a better world. Vonnegut makes things seem funny in the book that really are not funny in real life, such as an atom bomb, a father who ignores his child and everyone else, and an island where people are hung for practicing a certain religion. The book is amusing, but it made me think about what the world would be like if it really was that way. It would be horrible, and definitely nothing to laugh at.
I think one thing that Vonnegut is trying to show us is that man too easily accepts things as valid without questioning. Refering to this, Newt, another character, says, "No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebody's hands, and little kids look and look and look at all those X's…No damn cat, and no damn cradle" (114).
Vonnegut and Jackson, through the use of well written short stories, have managed to address concerning issues in today’s societies. Through the use of Harrison Bergeron Kurt Vonnegut was able to address the growing issue of equality, this is a very important issue as many people in modern societies view the idea of equality to be incredible. Shirley Jackson through The Lottery addressed the concerning issue of societies blindly following religions and traditions due to superstitions and the unwillingness to change. These dystopian texts demonstrate the inevitable outcome these problems will eventually cause.
Kurt Vonnegut was born November 11, 1922 in Indianapolis Indiana. His parents were Kurt Vonnegut Sr. and Edith Leiber. He graduated from Shortridge High School in Indianapolis where he was editor of the school newspaper. After graduation in 1940, he moved on to Cornell University in Ithaca, New York where he took classes for biochemistry. In 1942, he enlisted in the army as an Infantry Battalion Scout. Later he was trained by Carnegie Institute and University of Tennessee to become a mechanical engineer. In 1944, Kurt’s mother committed suicide on May 14. He returns home briefly, then was captured in the Battle of the Bulge. While working in a factory in Dresden, Germany, Vonnegut picked up his materials for Slaughterhouse Five. After this he married Jane Mary Cox on September 1, 1945. Working as a police reporter, he studied Anthropology at the University of Chicago, but his thesis was rejected. In 1947, his son Mark was born, later, in 1949 his daughter Edith. He then became a publicist for General Electric in Schenectady, New York, but in 1950 he quit GE, and moved to Cape Cod to write. He published Player Piano in 1952. His third child, Nanette was born in 1954. Between 1954 and 1956 he taught English at Hopefield school, worked for an ad agency, and opened the very first Saab dealership in the great United States. Next, Kurt was rocked with a number of close deaths. His father passed away in 1957 on October 1, his sister and his brother-in-law die in 1958. He then adopted his three oldest nieces and nephews. Kurt still found time to write and Cat’s Cradle was published in 1962. From 1965 to 1967, he took up a residency at University of Iowa Writer’s Workshop and published Pearls Before Swine. Vonnegut wanted a closer look in Dresden before he wrote the novel Slaughterhouse Five, to he went back to Dresden on a Guggenheim Fellowship. He finished the novel in 1969. His education was furthered after he taught creative writing at Harvard and received his master’s degree from University of Chicago for Cat’s Cradle.
Slaughterhouse-Five is a story of Billy Pilgrim 's capture by the Nazi Germans during the last years of World War II. Throughout the narrative, excerpts of Billy’s life are portrayed from his pre-war self to his post-war insanity. Billy is able to move both forward and backwards through his life in a random cycle of events. Living the dull life of a 1950s optometrist in Ilium, New York, he is the lover of a provocative woman on the planet Tralfamadore, and simultaneously an American prisoner of war in Nazi Germany. While I agree with Christopher Lehmann-Haupt that Slaughterhouse-Five effectively combines fact and fiction, I argue that the book is more centralized around coping.
Vonnegut deals a lot with fantasy in his book, Cat's Cradle. From the beginning, he talks about the religion that he follows: Bokonism. This is not a real religion, however he has rules, songs, scriptures, and opinions of a person that practices this fantasy religion. Within his description of this religion however is black humor as well. I think that by him making up this whole religion and an entire island of people who follow it, is in a way mocking today's religion and the way that people are dedicated to their beliefs.
Kurt Vonnegut expresses the theme of pacifism by using humor to depict technology in a negative light. Kurt Vonnegut expresses the theme of pacifism by using humor to depict technology in a negative light through the dehumanization of technology. He shows he horrors of technology in his book Cat’s Cradle, where John, the main character, wants to write a book about the day the Atomic Bomb was dropped on Hiroshima. The book ended in the usual dark humor that Vonnegut uses when the book ended with the end of the world and when another character, Bokonon, suggests that someone should write a book on the history of human stupidity. Most of the book is about the development of the Atomic technology that was used on the day in Hiroshima. Vonnegut
Oscar Wilde, an acclaimed Irish Poet, novelist, dramatist and critic once aptly commented, “Men become old, but they never become good”. The philosophical aspect of this quote relies on the basis that human beings are inherently malevolent. Through his pessimistic perspective, Wilde clearly captures the ill-disposed mindset of mankind. Moreover, there are various deductive arguments that discredit the optimistic depiction of human nature. One of the prime examples can be found in Kurt Vonnegut’s literature. In Kurt Vonnegut’s Cat's Cradle, through the illustration of his characters, the author symbolizes the four elements of human fallibility.
Bleikstan, Andre. “The Heresy of Flannery O’Connor”. Critical Essays on Flannery O’Connor. Ed. Melvin J. Friedman and Beverly Lyon Clark. Boston: G. K. Hall & Co., 1985.
Raiger, Michael. “’’Large and Startling Figures’: The Grotesque and the Sublime in the Short Stories of Flannery O’Connor.’” Seeing into the Life of Things: Essays on Literature and Religious Experience (1998): 242-70. Rpt. in Short Story Criticism. Ed. Janet Witalec.
"In Slaughterhouse Five, -- Or the Children's Crusade, Vonnegut delivers a complete treatise on the World War II bombing of Dresden. The main character, Billy Pilgrim, is a very young infantry scout* who is captured in the Battle of the Bulge and quartered in a Dresden slaughterhouse where he and other prisoners are employed in the production of a vitamin supplement for pregnant women. During the February 13, 1945, firebombing by Allied aircraft, the prisoners take shelter in an underground meat locker. When they emerge, the city has been levelled and they are forced to dig corpses out of the rubble. The story of Billy Pilgrim is the story of Kurt Vonnegut who was captured and survived the firestorm in which 135,000 German civilians perished, more than the number of deaths in the bombings of Hiroshima and Nagasaki combined. Robert Scholes sums up the theme of Slaughterhouse Five in the New York Times Book Review, writing: 'Be kind. Don't hurt. Death is coming for all of us anyway, and it is better to be Lot's wife looking back through salty eyes than the Deity that destroyed those cities of the plain in order to save them.' The reviewer concludes that 'Slaughterhouse Five is an extraordinary success. It is a book we need to read, and to reread.' "The popularity of Slaughterhouse Five is due, in part, to its timeliness; it deals with many issues that were vital to the late sixties: war, ecology, overpopulation, and consumerism. Klinkowitz, writing in Literary Subversions.New American Fiction and the Practice of Criticism, sees larger reasons for the book's success: 'Kurt Vonnegut's fiction of the 1960s is the popular artifact which may be the fairest example of American cultural change. . . . Shunned as distastefully low-brow . . . and insufficiently commercial to suit the exploitative tastes of high-power publishers, Vonnegut's fiction limped along for years on the genuinely democratic basis of family magazine and pulp paperback circulation. Then in the late 1960s, as the culture as a whole exploded, Vonnegut was able to write and publish a novel, Slaughterhouse Five, which so perfectly caught America's transformative mood that its story and structure became best-selling metaphors for the new age. '"Writing in Critique, Wayne D. McGinnis comments that in Slaughterhouse Five, Vonnegut 'avoids framing his story in linear narration, choosing a circular structure.
In reality, her writing is filled with meaning and symbolism, hidden in plain sight beneath a seamless narrative style that breathes not a word of agenda, of dogma, or of personal belief. In this way, her writing is intrinsically esoteric, in that it contains knowledge that is hidden to all but those who have been instructed as to how and where to look for it, i.e. the initiated. Flannery O'Connor is a Christian writer, and her work is message-oriented, yet she is far too brilliant a stylist to tip her hand; like all good writers, crass didacticism is abhorrent to her. Nevertheless, she achieves what no Christian writer has ever achieved: a type of writing that stands up on both literary and the religious grounds, and succeeds in doing justice to both.
One of the most prevalent themes in Vonnegut’s works is religion. In the early pages of Cat’s Cradle, Vonnegut submits his contention that "a useful religion can be founded on lies (Vonnegut, Cats Cradle 16)," meaning that, fundamentally, religion is about people, not about faith or God. Reminiscent of Karl Marx’s description of religion as the "opiate of the masses," he describes all religions as mere collections of "harmless untruths" that help people cope with their lives. The Book of Bokonon in Cat's Cradle represents this portrait of religion at both its dreariest and its most uplifting, Bokononism is contradictory, paradoxical, and founded on lies; its followers are aware of this...
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
Gavin argues, “During the seventeenth and eighteenth centuries, empirical philosophy recognized a perilous disconnect between knowledge and the actual existence of things in the world” (Gavin 301-325). These ideas of knowledge, and those of the real world, were shaped by Descartes’ theory that reality is perceived by the individual and is not attached to previous ideas of reality. Unlike the novels before, realistic novels appealed to middle-class readers who wanted to read about ordinary people; they could see themselves as main characters in the story (Mario). With the influence of Descartes, novels and the genre of realism came together forming realistic novels. Realism is the attempt to depict all characteristics of human life with such attention to detail that the events seem as realistic as possible, as if readers could perhaps know the characters personally or even be them. Regarding Crusoe, he faces many realistic chall...