Pride in John Updike’s During the Jurassic

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Pride in John Updike’s During the Jurassic

Though John Updike focuses on the Mesozoic in his short story During the Jurassic, the commentary he intertwines with the plot is undoubtedly drawn out of our modern society. Rather than phrasing broad societal concepts in mundane modern terms, however, Updike carefully constructs a Jurassic world in which mankind's sin of pride, as well as our inevitable fall, are reflected through the dinosaur's passion for immensity and their rapidly approaching extinction.

The first key to unlocking Updike's rather carefully hidden commentary is to understand the relationship of the story to our society. Though the Jurassic world has seemingly few corollaries with the modern world, Updike uses one of the most mundane facets of modernity -- the dinner party --to fuse both genres into a somewhat humorous, but ultimately disturbing, juxtaposition. Infused into the volcanic landscape of the Jurassic world are the themes of jealousy, adultery, hatred, and falsity -- hallmarks of the 20th century -- which are made even more disturbing by their placement against the primitive world of the dinosaurs.

The Jurassic environment that Updike constructs in his short tale invites interpretation. First, the majority of the dinosaurs described were found, as one would expect, in the middle to late Jurassic period. By the Cretaceous period, the era that followed the Jurassic, these species had largely faded into obscurity, replaced by huge sauropods. Indeed, the only species in Updike's tale that falls into this class of Cretaceous sauropods are the brontosaurus and the diplodocus, both of which are held in high regard by the narrator. One can clearly infer from this evidence that, though Updike titles hi...

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...reason, arrogance over nature, and the blind desire for superiority. Throughout the tale progress is presented both as a trophy and as a curse; the iguanodon desires the progress embodied by the brontosaurus, but he refuses to accept the repercussions of such progression. Mankind, likewise, has focused so blindly on progress that the costs of our achievements have gone unnoticed; humanity's eyes have been so fixed on achieving something larger and greater that it has forgotten the meanings of the words "overextended" and "bloat." This arrogance, this sin of pride, is truly the great crime being presented by Updike's story. As surely as the dinosaurs fell through extinction, Updike insinuates that humanity, should it continue to progress without reason, will likewise fall.

Works Cited

Updike, John. Museums and Women, and other stories. New York: Knopf, 1972.

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