In this novel Jane Austen uses the title of the book itself as a metaphor to illustrate the differences between the two main characters, with Elinor to represent the sense and Marianne to represent the sensibility. Sense and sensibility also indicates a split division, polar opposites, and how these opposites compliment each other, as can be seen throughout the novel. The dominant theme in this novel is sense prevailing over sensibility. It is a theme which can be seen in most of the characters;
Structuralist Reading of Austen's Sense and Sensibility The fundamental structural dynamic underlying the whole manifested universe, much less literature, is duality; therefore, Jane Austen's Sense and Sensibility is easily analyzed from the structuralist perspective. Each of us is a complex mixture of polar opposites, the most primary of which being the division between right brain and left brain, or, more commonly, "heart and mind." Austen's technique in this novel is that of eliminating
Tom’s Cabin, Miss Ophelia is a realistic adaptation of the ideal woman that Harriet Beecher Stowe proposes with the images of the other perfect women. She is educated, single, independent, ambitious, and motivated by a certain sense of duty. Unlike the other women in the novel, she is the one with the most masculine mannerisms: she relies on her thoughts rather than her emotions to make decisions about her life and political beliefs. However Miss Ophelia also appears to be the audience that Stowe is
In Ian McEwan's Enduring Love, Joe Rose's psychological state understates his insanity. Throughout the novel, Joe Rose, the main character, misinterprets the events occurring right in front of his eyes to make his account more interesting. His tone reveals that he faces difficulty expressing himself in social situations. Although Rose's different view may be the result of a personal problem, his narration leave the reader wondering if his unreliability was caused by a deeper mental illness. Through
parent, knowing that I am strong in not being so, and yet flailing loudly but vacuously against that fact as if it were not good enough. I do not like Louise because she is a female reflection of me whose wounds are mine. Early in the novel, the roots of Louise’s issues are easy to trace to her resentment of her sister and the attention she commanded, resulting in my initial disregard for her as, to use a colloquialism, a whiner. Indeed, I did not at all identify with this other than
Describes Erotics of Place in her Novel, A Lost Lady To discover an erotics of place in Willa Cather's A Lost Lady, takes little preparation. One begins by simply allowing Sweet Water marsh to seep into one's consciousness through Cather's exquisite prose. Two paragraphs from the middle of the novel beckon us to follow Neil Herbert, now 20 years old, into the marsh that lies on the Forrester property. This passage, rich in pastoral beauty, embraces the heart of the novel-appearing not only at the novel's
sound the depths of their work and fully appreciate it. This semester was my first real exposure to Whitman, as well. The best analogy for my new outlook is an image of the universe as a yin-yang; it is a complete, unbroken whole within which two polar opposites are constantly in conflict. But more significantly I have taken to heart the doctrine of "Self-Reliance," which is one shared by all three authors. Emerson presents a different system of learning than I had ever encountered. Throughout my