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Phantom of the opera analysis paper
Phantom of the opera analysis paper
Phantom of the opera analysis paper
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Behind the Mask
The 2004 film Phantom of the Opera has many qualities that make it one of the most memorable musical film to this day. Andrew Lloyd Webber had a difficult task creating this music and theatrics to enhance the story of the Phantom. Having watched the films created in 1925,1943,1962,1989, and then 2004 the audience can see a definite adaptation between each film. Each director had to develop a sense of film instead of an on stage performing musical. Unlike the ones created before, Lloyd Webber wanted to focus on the romance triangle of the story instead of the horror. This musical film will be known as one of the greatest created because how much work the directors put into the music, set, and the talented actors for each part.
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They call him the Phantom of the Opera or Opera Ghost. His only companion is his singing protégé, a soprano singer named Christine Daaé. Christine remembers hearing stories of an Angel of Music from her late father. She is drawn to and yet also terrified by her Angel of Music, whose voice carries through walls while she sleeps and whispers to her through the day. With the Phantom’s help Christine goes from being a chorus girl to the lead act. The Phantom has fallen for the young Christine, yet he is not the only one, a childhood friend Victome Raoul de Changy has also fallen for Christine. The Phantom is outraged by the love connection between the two. He kidnaps Christine and takes her to his lair, unaware of the length that Raoul will go to get her
The film soundtrack was an important element in creating the juxtaposed world that Taymor desired. Taymor selected Elliot Goldenfall, a veteran composer for the stage and screen whom she had known for twenty years, to head the scoring. Their long association served them well in this endeavor - the final film score was both stunning and effective in combining ancient and modern musical elements. Goldenfall manipulated four main musical styles to score the film (symphonic, jazz, hard rock, and aria), and each style represented particular emotions.
... He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.” The characters in Twelfth Night each play an important and specific role, especially when it comes to interfering or setting fate for romantic interests.
The reason I attained this belief is that it is one of the most celebrated films of all time.People who watch it today still enjoy it and talk many things about it with other people. They used methods that the present audience would consider low-level today but were ahead of their time, especially with the special effects that were put in place. The performances done by the actors were so excellent that they are still remembered today for their work on this movie. Even, today, official reviews from organizations like Rotten Tomatoes gives very positive films. The film puts the present audience into awe over the effects in the aspects that are musical, graphics, and a plot that is made before the present audience was even
because it made me became very curious about what is going to happen next. The play’s beginning was no as interesting as the movie’s. I also liked the acting in the movie.
The protagonist of Twelfth Night is Viola, the central character in the play, a likeable, resourceful and attractive young woman. At the beginning of the story, Viola is shipwrecked with her brother Sabatian. Fearing that Sebastian is dead, she decides to dress like a man in order to get a job with Duke Orsino. Viola, in love with Orsino, is asked by Orsino to court a woman for him. She finds herself in an unusual love triangle.
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
Looking around the world today makes me wonder if the people around are really who they seem to be. Shakespeare adds this aspect to many of his plays. In his two famous works, Macbeth and Hamlet, many themes are repeated throughout the plays. The most important one is appearance versus reality. In Macbeth only certain characters represent this theme, while in Hamlet it is every character.
Love equals power in this case. The Phantom seeks the love of a young girl, Christine who's cast into the opera from a dancer to a lead role when the original vocalist bails last minute. If he is able to obtain this love, he can have her sing all of his musicals that he has composed while hidden in the dark anterooms of the opera house, which then will give him the power he is so eager to finally have. Christine's love for music and singing makes her extremely vulnerable to The Phantom. As the audience patiently watches the film, one can see that The Phantoms love for Christine and his music slowly grows into an uncontrollable obsession that will ultimately lead to Christine's death. But, before that the audience is taken on a ride through all of loves games. Christine must choose between the hot male; who returns from somewhere along her past (Raoul); and the ugly man who seemingly just wants to be loved (The Phantom). Everyone wants to love and/or be loved, but not everyone gets what they want. Because of this films emphasis on love and all that it entails, the spectator; consciously or subconsciously; is taken on an emotional ride that allows them to relate to and learn from the experiences being acted out throughout the entire film. Everyone knows what it feels like to give and receive love, as well as to not be loved and not give love. So, through the film, The Phantom of the Opera, the viewers can relate to the characters making the film more personable than ever imagined.
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
The start of the new century was marked with the emergence of ‘opera seria,’ a “serious” opera that soon became the standard Italian style. The operas were characterized by a lack of chorus and consistency, as the individuals who performed possessed separate and distinct styles and the order of the subjects of which they were interpreting seemed sporadic and haphazard. Nevertheless, with its dramatic interpretations of various historical and mythological themes, opera seria was thought of as possessing content fitting only for royalty and quickly became a favorite of the nobles and aristocrats. As such, it served to be the main attraction during the ever-popular carnival season. In less than a century, however, as opera seria was thought to be too rigid, extravagant, and expensive, fewer and fewer of the required sopranos, of whom possessed the vocal range necessary for the dramatic works, came out as opera singers as their employment moved to the church for the last decade of the century. Their talents had previously earned them the highest salaries out of any musicians, allowing those on top to live lavishly and comfortably, but the decline of opera seria in Italy forced them to change their paths and career choices.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
...director did not limit the film to its historical context but extended the same to romance and fantasy. From a different angle of view, the director made use of the theme to communicate with the viewers and the fictional characters can be considered as his tools. Besides, ample importance is given to historical and fictional characters. In short, the amalgamation of history, fantasy and romance constituted much to the film’s importance as a historical/fictional masterpiece.
The Phantom of the Opera centers on the Paris Opera House which has over time become the Phantom’s domain. Upon the news that the opera house has been bought and is under new ownership, the Phantom demands that the new owners honor the “agreement” he has established with the previous owners and that the fifth opera box is kept empty for his use and that his salary of 20,000 francs per month is honored. The Phantom also demands that Christine, whom he has secretly been giving singing lessons to, replace Carlotta Giudicelli, the opera company’s prima donna. He also warns that if his demands are not met, that the opera house and the opera company will need to pay the consequences. Though the origins of the Phantom are unknown to the general population of the opera house, Madame Giry knows more about the Phantom than she lets on. It is later discovered that Madame Giry helped the Phantom escape a life of abuse from a freak show and that she hid him at the opera house where she was studying ballet. It was during Christine’s and the Phantom’s singing lessons that he began to fall in love with her and came to be obsessed and protective of her. The return of Christine’s first love, Raoul, threatens to tear Christine an...
My experience watching a live theatre performance on stage was a fascinating one, most especially since it was my first time. I attended a staged performance of “The History Boys” in a small theatre called “The Little Theatre of Alexandria” at 8:00 pm on Wednesday June 8, 2016 in Alexandria, Virginia. The overall production of the play was a resounding experience for me particularly the performance of the actors and the design of the scene made the play seem real.