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Critical analysis of his coy mistress by andrew marvell
Critical analysis of his coy mistress by andrew marvell
Essay on john donne as a poet
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Persuading their Mistresses in The Flea and To His Coy Mistress
Examine the ways in which the poets in The Flea and To His Coy
Mistress try to persuade their mistresses.
Both "The Flea" by John Donne and "To His Coy Mistress" by Andrew
Marvell are seduction poems, written by the poets to seduce their
mistresses. Both have three stanzas and a basic couplet rhyming
structure. Donne and Marvell are metaphysical poets from the 17th
century. They have taken simple ideas and stretched them far - for
example, using a flea as a symbol of union. They have made
philosophical poems about simple facts of life - for example, the fear
of death seen in "To His Coy Mistress". The similarity seen between
these poems is quite surprising - the use of imagery, enjambement and
variation in rhythm and rhyme to relate their ideas, and the way they
put forward their arguments to seduce their mistresses.
In "The Flea", the flea is used as a symbol of their love, or his love
for her. The word 'flea' has many connotations and denotations, but
interestingly, when spoken sounds the same as the verb, to 'flee'. In
addition to perhaps suggesting the fleeting nature of love, the word
also connotes danger: "to run away as from danger; to take flight; to
try to escape", is the Oxford English Dictionaries definition. It can
also connote an abrupt ending "to run away from, hasten away from; to
quite abruptly, forsake (a person or a place, etc.)". This insight
would give an added dimension to Donne's use of a flea in his poem.
The OED also provides us with the definition "a small wingless insect
well known for its biting propensities and its agility leaping." The
finding that fleas do not have wings could be quite significant,
because ...
... middle of paper ...
...blood, and that sex with him will
take no more from than the flea did. Marvell's first persuasion tactic
is a romantic one - that he loves her so much she should have sex with
him, the second persuasive argument is that if she doesn't have sex
with him, time will pass and she will die a virgin. His last is again
one of time - that they should take hold of time how they can, and
make "him [Marvell personifies time in his poem] run". The imagery in
"To His Coy Mistress" is very effective, and the use of a flea as a
symbol in a love poem holds together quite well, even if it is a
rather surprising choice. The enjambment in both poems really gives
the poems meaning, creating a tone in each of them, and whether the
mistresses they were trying to persuade were every actually persuaded
or not, it is clear that the poets went to great lengths in their
attempts.
...use she needs [him]; it’s knowing [he] and she will still care about each other when sex and daydreams, fights and futures—when all that’s on the shelf and done with." (243)
of his true intentions and that he does not plan to 'keep her long' we
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
During the 17th century, certain poets wrote poems with the specific purpose of persuading a woman to have sexual intercourse with them. Three of these seduction poems utilize several strategies to do this: Andrew Marvell’s “To His Coy Mistress,” and Donne’s “A Valediction: Forbidden Mourning” and “The Flea.” Some of the reasoning used by both poets is similar to the reasoning used today by men to convince women to have sexual intercourse with them. These gimmicks vary from poem to poem but coincide with modern day rationalization. The tactics used in 17th century seduction poems are relevant and similar to the seduction tactics used in the 21st century.
use as his personal sex toy. There sex life fired into action and the two were
Andrew Marvell’s “To His Coy Mistress” is another attempting at seducing an unwilling woman. “Had we but world enough and time, This coyness, lady, were no crime” (Marvell 1-2). Its emphases by Dr. Michael William that in the first two lines of the first stanza Marvell played a game with irony and specified
life makes it hard for him to give her up to Charles Darnay. After the wedding
Comparing Tone in To the Virgins, to Make Much of Time and To His Coy Mistress
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.
Andrew Marvell's "To His Coy Mistress is a sieze the moment kind of poem in which an anonomyous young man tries to woo the hand of his mistress. This kind of poem gives the reader the idea that time is not only precious, but scarce. The speaker uses many smooth tatics to persuade the young girl, starting with compliments and ending with a more forceful, morbid appraoch. "To His Coy Mistress" is not only witty but imgagistic, full of wordplay, and percieved differently by both males and females.
Marvell's piece is structured as a poem but flows as a classical argument. He uses the three stanzas to address the issues of time, love, and sex. In doing so, he creates his own standpoint and satirizes his audience in the process. Using appeals to ethos, pathos, and logos; logical reasoning; and even a hint of the Rogerian technique - Marvell proves that acting now is essential. The logical argument for the "carpe diem" theme is built up from beginning to end.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.
a prostitute she has power over him as he thirsts to make love to her.