Some people house two distinctly opposing personalities, one moral and upstanding, and the other evil and heartless. Most of the time, one personality prevails over the other. Perry from In Cold Blood exemplifies someone who houses both of these personalities. When Perry talks to Dick about the murder of the Clutter family, he says “there’s got to be something wrong with somebody who’d do a thing like that” (Capote 108). Perry clearly feels strongly repulsed by the murder, as any person would. His morally upstanding personality comes out when he really thinks about what he had done but, still eludes his mind. Although his moral personality has shown slightly, his heartless personality is more prevalent because, in the end, he still committed
In Cold Blood is the true story of a multiple murder that rocked the small town of Holcomb, Kansas and neighboring communities in 1959. It begins by introducing the reader to an ideal, all-American family, the Clutters; Herb (the father), Bonnie (the mother), Nancy (the teenage daughter), and Kenyon (the teenage son). The Clutters were prominent members of their community who gained admiration and respect for their neighborly demeanors.
While reading the descriptions of people within "In Cold Blood," one could see how those people fall into their respective conventional gender norms and stereotypes. Some examples of these stereotypes include the physical characterizations of the people, as well as some of the interests that those people have. For example, Bonnie is described as a "timid, pious, delicate girl" (Capote 6). With these descriptions, Bonnie falls into the conventional female stereotype of being submissive and weak. Also, when Nancy and Kenyon are introduced, their interests fall into the stereotypes for their respective genders. Nancy cooks all of the family meals and loves to bake, while Kenyon likes to create new inventions and go hunting with his friends. Based
During his childhood, Perry experienced and was marked by brutality and lack of concern on the part of both parents (Capote 296). Dr. Jones gives a very detailed description of Perry's behavior. He says that Perry, who grew up without love, direction, or m...
Brian Conniff's article, "Psychological Accidents: In Cold Blood and Ritual Sacrifice," explains how Truman Capote's nonfiction novel demonstrates the psychological trauma that the murderers and the townspeople of Holcomb face after the murders of the Clutter family. Conniff begins his article by stating that in the last twenty-five years imprisonment and execution has reached an all-time high level of obsession among the American public. Since this type of violence has been so normalized it is rarely properly understood (1). With this in mind, prison literature has continually suggested that "the most fortified barriers are not the physical walls and fences between the prison, and the outside world; the most fortified barriers are the psychological walls between the preoccupations of everyday life . . .and the conscious realization that punishment is the most self-destructive kind of national addiction" (Conniff 1).
Truman Capote put-to-words a captivating tale of two monsters who committed four murders in cold blood. However, despite their atrocities, Capote still managed to sway his readers into a mood of compassion. Although, his tone may have transformed several times throughout the book, his overall purpose never altered.
Literature attempts to shape or reflect society, and oftentimes literature reveals truths and provides insight into the condition of that society. The American Dream is a dominant theme in American literature, and in Truman Capote’s In Cold Blood, the idealistic dream is critically evaluated. In this paper, I will explain the context of the work, and then I will compare and contrast Dick any Perry (the murderers) with the Clutter family (the murdered) in relation to the theme of the fragility of the American Dream.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
This passage when Capote begins to introduce Perry more in depth. From his childhood to later on in his life. Perry’s way of life as a child was a tough one, in which his mother put him in a “catholic orphanage. The one where the Black Widows were always at me. Hitting me. Because of wetting the bed…They hated me, too.” Capote’s use of short sentence syntax creates the effect of emphasizing the horrible and dramatic conditions Perry had to live with. Also, the nuns of the orphanage are described as “Black Widows,” a metaphor, to make it seem like it was truly terrible. The color black associates with death and when metaphorically used to describe a nun, it creates sympathy for Perry. Later in the passage, capote creates a short narrative of Perry’s experience in war. “Perry, one balmy evening in wartime 1945…” The storytelling helps understand more about Perry in the way he thinks and acts. The atmosphere of this passage is a sad mood. It talks about the terrible childhood and early life of Perry. It is clear that no one ever cared for Perry and it affected him dramatically.
These two men, both coming from different backgrounds, joined together and carried out a terrible choice that rendered consequences far worse than they imagined. Living under abuse, Perry Smith never obtained the necessary integrity to be able to pause and consider how his actions might affect other people. He matured into a man who acts before he thinks, all due to the suffering he endured as a child. Exposed to a violent father who did not instill basic teachings of life, Smith knew nothing but anger and misconduct as a means of responding to the world. He knew no other life. Without exposure to proper behavior or responsible conduct, he turned into a monster capable of killing an entire family without a blink of remorse. In the heat of the moment, Perry Smith slaughtered the Clutter family and barely stopped to take a breath. What could drive a man to do this in such cold blood? The answer lies within his upbringing, and how his childhood experiences shaped him to become the murderer of a small family in Holcomb, Kansas. ¨The hypothesis of unconscious motivation explains why the murderers perceived innocuous and relatively unknown victims as provocative and thereby suitable targets for aggression.¨ (Capote 191). ¨But it is Dr. Statten´s contention that only the first murder matters psychologically, and that when
In 1966, Truman Capote published the novel In Cold Blood that pierced the boundaries of literary genres, as he narrated the events of the 1959 Clutter family massacre in the small town of Holcomb, Kansas and the quest that took place afterwards through the perspectives both the murderers and those looking for them. As Capote bends these genre normalities, he ventures with the killers and the detectives and describes the murderers’ lives in-depth to further characterize Dick Hickock and Perry Smith--their psychological states and the possible contributing factors to their undeniable personality disorders. The two killers are ultimately diagnosed by a mental health professional with mental illnesses rather than chronic personality disorders,
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Being defined by nature or nurture. Isn't enough to make finally decisions about one person. But for some it just might be. Perry Smith had an abusive past. It seems to still haunt him when he looks back on it. But that justify his crimes in anyway. Perry seems to have handles himself very well about the past ,but that isn't enough. Perry Smith on the night of November 15, 1959 was at a point where he made a choice that would affect him for the rest of his life. Perry deep down believes Mr. Clutter is a nice gentlemen and even says so. Yet his actions were done out of the natural nature to him. He then ends up cutting his throat, followed by shooting the rest of his family brutally. In this case, it clearly shows Perry smith as someone who takes up in the naturally
On pages 265-266 of Capote’s novel, In Cold Blood, Capote writes about Perry’s imprisonment, more specifically Perry’s mental health, or lack thereof. Capote uses an ominous tone to convey the predicament Perry was in and portray the mental instability possessed by Perry. Capote first discusses a failed escape plan of Perry’s that consisted of throwing a document with a detailed rescue plan down to two men who often gathered below his window, thinking that they were there for him. However, as soon as he created the document, the men stopped coming. The strangeness of this scenario pushed Perry to question his sanity. Regarding this, Capote says, “a notion that he ‘might not be normal, maybe insane’ troubled him” (Capote 265). When Capote says that these issues
and at one point, had a gun pointed to his head. Also there appears to be
Questions around personality often refer to a person’s identity, or what “makes that person unique” (C.G. Boeree, 2006). Santrock defines personality as a pattern of distinctive thoughts, feelings and behaviours which characterise the manner in which an individual interacts with the world (2005). The word ‘person’ has Roman origins, referring to the masks worn by actors in order to portray a character (W Meyer, C Moore, H Viljoen; 2003). This definition is significant when attempting to unpack the personality of a ballet dancer in the movie Black Swan (D. Aronofsky, 2010), as there are a few levels of interpretation which can be applied here. There is the actor (Natalie Portman) who portrays the character (Nina Sayers) who struggles with her