I had two regrets going to The Metropolitan Museum of Art. One is that my phone ran out of battery so I couldn’t take any more pictures of the art there. My second regret was that I had to go home one hour earlier before the event ended.
One of the first places I went into was a room. The room was arranged in a way so that standing in the room, I felt as if I wasn’t in a museum, but rather in an actual room in that time period. In the room was a painting done by Thomas Sully, an American portrait painter who also painted landscapes and historical pieces like the Passage of the Delaware. The “oil on canvas” painting was made in 1840. The painting showed his daughter Jane Cooper Sully Darley and his son Francis Thomas Sully Darley. There are many interpretations of the paining. One of these interpretations is mother and son. The description explains that the mother is like Penelope, Odysseus’ ideal wife, and Telemachus their perfect son represents the son aspect of the painting. (They are from Homer's epic poem which is from Ancient Greek.)In the background, the urn shows Hermes (the god of trade, a messenger of the gods, the one
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It was a beautiful piece of artwork made by Louis Comfort Tiffany and its designs could have been made by Agnes F. Northrop (the museum wasn’t sure). Made in New York, the glass showed a sunset during the autumn season. The first aspect of the window that made me look at it was the overall brightness of the window. Since the sun is the brightness part, your eyes will automatically notice it first. What’s amazing about the window is that the texture, color, etc. of the window was solely made by wrinkling, plating, or by placing tiny flakes of glass onto the surface. No other coloring media such as paint were used. The scene on the window shows a very tranquil place. It seems like a place where you would go to get away from everyone else, a place where you can relax and collect your
They are durable and inexpensive comparing to canvas.The artwork shows the happy emotions and realism with his interpretation of his wife and himself. Color theme of the painting was blue and background/negative space is dark blue. His right side of face is dark blue to show the shadow of his face and distance perspective. He used the black line which is stained glass like to separate the negative space/positive space. He used dark blue green for negative space on the Masonite board. Texture of oil painting is rough and we can trace of the paint brush stroke. They give the vivid or liveliness that he was well known of. The figures are realistic and impressionism style rather than photogenic. The title of paining and sub title of paining itself tell the story of artwork. Esther looks very relaxed, content and happy. Rattner looks happy , passionate, proud of himself as well. He certainly looks overcame the grief of death of his first wife. This painting gives warm feeling even though the theme color is cool color blue because of two figures of face expressions and relaxed body
A couple of symbols that can be observed closely in the middle painting are the lily flower which is Mary’s symbolic flower, the vessel in the niche represents Mary’s womb, the star pattern in her dress is the star of Bethlehem that the Magi were looking for and underneath the window is a little guy carrying the cross, a symbol of Jesus’s crucifixion. In the right painting the symbol of the grapes are inferred implicitly because Joseph is making tools to harvest grapes which are needed to make the wine used in the Holy Communion which then becomes the blood of
The subject’s heads and the base of the banjo are positioned in the center section of the rectangle with both subjects looking downward at the instrument. The top of the banjo is pointing towards the right rectangle and leads the viewers’ eyes to the right side of the composition. Tanner used two different light sources that meet in the middle of the painting. To the right side of the painting there’s a warm light glowing from a fire that is just outside of the paintings view. For the most part, the artist used mostly earth tone colors in the painting. The two chairs, the floor, the cooking utensils, the coat thrown over the chair, the subjects and their clothing are all in various shades of brown and black. The exceptions are the use of white, yellow, gray and blue that are all used as sources of light. A warm light is washing over the young boy along with a stroke of white that streaks across his forehead. Most of the white and pale yellow (glow from a fire) is brightly illuminated to the right side of the painting while simultaneously throwing darkness onto the left side and front of the painting. Also to the left side of the painting, there are cooler colors of gray and blue that can be seen submerging the older man, the walls on the left side of the painting and in the shadows from objects in the entire background of the painting. In the very front of the painting, the light source is barely seen. The color
Lily Martin Spencer was a female American genre painter in antebellum period, a time period in the United States before the civil war and after the War of 1812. This paper is on the analysis of Conversation Piece, an oil painting by Lilly Martin Spencer in 1851-52. The medium of the piece is oil on canvas and is now displayed in Gallery 758 of Metropolitan Museum of Art. Conversation Piece illustrates the sentimental culture in the United States by depicting the image of a middle-class domestic life. With elements of sentimentalism, the audiences are able to perceive the emotions within a pleasant family render by the painting.
When I entered through the main gallery entrance, the first thing that I noticed was this colorful glass sculpture in the middle of the room. I was in awe at how beautiful the sculpture was and the way how the light was reflected on the sculpture really emphasized the
When I visited the museum, it had a wide variety of exhibits and artworks. It had two temporary Exhibits. The first temporary Exhibit I had the pleasure of seeing was Peter Max’s 50 Years of Cosmic Dreaming, which is on display from June 10th thru September 11th. Max was born in Berlin, but has lived in China, Israel, and finally the United States. Max was a rising star in the 1960s, with a passion for astronomy, sages and spiritual life. His work is strongly “associated with pop art, neo-fauvism, and abstract expressionism” (Peter Max). Max’s artwork contains multiple United States symbols and cultural icons. Symbols included the statue
I wonder if I should I start calling Las Vegas, Nevada home now. I’ve traveled back and forth from California to Las Vegas since I was a child. I can remember at the age of thirteen my family and I would take family weekend trips very often. By the age of seventeen I was forced to move to Vegas for 6 months right before my senior year of high school started. Since it was my last year of high school my parents decided to let me go back to California for the last three months and graduate with my friends. Since I wasn’t eighteen yet, I forced to go back to Las Vegas right the day after graduation.
Examining the iconography in this sculpture, there are two details to note. The first is the grapes in the Virgin’s hand. The grapes represent
himself through his mediums. He used oil on canvas for his medium in this painting. There are
... right is the only part of the painting that has gold leaf in it, on her gown, what looks to be a gold collar, and a gold necklace with a pearl. The gold she is garnished in represents royalty and the holy. An interesting illusion is seen the left angel’s hair and how it’s illuminated by the sun creating a halo.
As we reach the museum, the exterior was very beautiful. The first things I saw were the bronze statues in the front. We took a couple of pictures in front of them and in front of the Norton Simon. The entrance where the glass doors had sat was very unique and elegant. The glass walls that the glass doors were attached to, added to the elegance and beauty. When I had first walked in, I was very shy, timid, and unwilling to go on, this was due to the more mature audience that I had seen when I had first entered the museum. I was still unsure on how to act in a museum, being this my first time, so I was very calm, cool and reserved, but as time went on I saw college students my age probably doing the same thing I was doing. So I then I felt more at ease. Plus my girlfriend was with me so I was not alone.
Thomas Cole was born on February 1, 1801 in Bolton, Lancashire, England. Due to financial problems his family endured, Cole, at the ripe old age of just fourteen, had to find work to assist with the family needs. He entered the work force as a textile printer and wood engraver in Philadelphia. In 1819, Cole returned to Ohio where his parents resided. Here, a portrait painter by the name of Stein, would become Cole’s primary teaching vehicle and inspiration for his oil techniques we’ve come to be familiar with. During this time, Cole was extremely impressed by what he saw in the landscapes of the New World and how different they were from the small town of England from whence he hailed. Self taught, art came naturally to Cole.
Mars is the God of war; and Venus is the Goddess of love.(These are the Roman names for the Greek Gods; which in Greek Venus was called Aphrodite and Mars was actually called Aries.) The theme of this painting has to do with Roman mythology. Cupid is tying Mars and Venus together. There are many different explanations that people have came up with to explain this painting. There is always that tie between love and war, even the saying “make love not war”. The most common translation would be [Venus, the woman symbolizes chastity transformed by love into charity and that the horse held back by an armed cupid is an emblem of passion restrained](Metropolitan Museum of Art, pg.185)
As I walked in and looked around, I noticed how big it was and how many people there were. There was not only amazing art, but great views of Los Angeles, which I found really impressive as well. The work of art that caught my eye was Claude Monet’s oil painting Sunrise c. 1873. To its left was The Portail of Rouen Cathedral in Morning Light c. 1894 and to the right was Still Life with Flowers and Fruit c. 1869. The subject of the sea from Monet’s Sunrise I was able to associate it with, Hokouasi’s Thirty Six Views of Mount Fuji c. 1826-1833. The museum was a very fun experience, and finding a piece of art from our readings in class made the experience a lot more rewarding, because I was able to take what I learned in class and apply it outside of
This oil painting is set in the 1800’s according to the author’s time period that he was alive. The context of the painting has the setting take place on a train with three people in the viewer’s perspective: a seated lady