Parenting Under Islamic Law
In Haifaa al-Mansour’s film Wajda and Marjane Satrapi’s graphic autobiography Persepolis, the two protagonists’ parents approaches to parenting are different, yet have similar aspects. Wajda is about a ten year old girl named Wajda who lives in Saudi Arabia and works to save up enough money to buy a bike. Persepolis follows Marji from her childhood and into adulthood in Iran during the Islamic Revolution. In an effort to protect their families, both characters’ mothers argue with their daughters about disobeying rules. Wajda’s and Marji’s parents harbor opposing opinions about the value of how their society views them.
As both girls break their school’s rules, conflicts arise between their parents and a school
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In reality, the parents transgress their societies laws. Wajda’s mother tells her she can not have a bike because girls should not ride them: “‘Absolutely forget about getting a bicycle. Have you ever seen any girl riding a bicycle?’” (14). Bikes are made for men and women are forbidden to ride them. Her mother is aware that a girl riding a bike is socially unacceptable and she does not want her daughter to ride one. Wajda mentions her savings for the bicycle and her mother gets annoyed: “‘You are not getting a bicycle. It is haram!’” (26). “Harem” is something that is proscribed by Islamic law. Saudi Arabia prohibits Wajda’s ownership of a bike and her mother refuses to allow her to purchase one. Although she states this rule, she later ends up buying a bike for Wajda. At first Wajda’s mother is completely against her having a bike, but she knows how hard Wajda is working to save up enough money to buy one. Even though she eventually gives in and buys her a bike, she originally wanted to preserve their status. Similarly to the mother in Wajda, Marji’s mother in Persepolis takes responsibility of protecting the family’s image. She provides methods of privacy to prevent their neighbors from informing against them. Marji asks her mother why she is hanging up black curtains and she replies: “‘Across the street. They’re devoted to the New Regime. A glimpse of what goes on in our house would be enough for them to denounce us!’” (105). For the safety of their household, she hangs the curtains to conceal their daily life. Their neighbors support the New Regime and she puts up a false front to protect her family. If members of the New Regime discovered the many ways Marji’s family broke the rules, they could be imprisoned and tortured. Ordinary people begin to change along with the government. The frequency that an individual prays becomes valued information, the
In the article titled “Pashtana’s Lesson” by Beth Murphy, she records the story of a 15 year-old Afghani girl who has a fiery passion for acquiring knowledge and pursuing education, but old traditions oppress her devotion to study. Pashtana is in the 7th grade at an all girls school which has been rejected by the elders in their community, asked to be torn down, or turned into an all boys school. Her mother strongly enforces studies on her children because she never went to school herself and she doesn’t want her children to end up blind to things in the world like her. In order to support her mother and three younger siblings financially, Pashtana is being forced by her uncle and father to marry her first cousin which is not uncommon, the
In Persepolis, Satrapi develops the central idea of Marji and her parents rebelling against the social injustices held by the Shah and the government. This is demonstrated in chapters “ The Trip”, “The Passport”, and “Kim Wilde”. Early in the revolution, females were forced to cover themselves up. They were told to wear their veils because it didn’t show a sign of western American style or sexual
Orientalism is a way of viewing the world as divided into two unequal halves: the Occident and the Orient. Occidental means Western Hemisphere, and Oriental means Eastern Hemisphere. These ideas of orientalism are challenged in Satrapi's Persepolis. A book about a young girl Marji who lived in Iran in the 1980’s, and therefore is placed in the beginning years of political and religious turmoil in Iran. Satrapi Juxtaposes the western view of Iran to Iran by showing similarities between America and Iran through Marji’s youth and adventures throughout the book.
Persepolis: The Story of a Childhood by Marjane Satrapi captures life in Iran during the 1980’s through a child's eyes. Marjane Satrapi grew up during a time when both the Islamic Revolution and the Iran/Iraq War took place. Personal experiences are expressed through themes including revolution, imperialism, nationalism, religion and loss of innocence and affect Marjane personally as she grows up.
“Persepolis 2: The Story of a Return” by Marjane Satrapi is a memoir that depicts the troubled life of Marjane Satrapi. Marjane Satrapi, the author, was born in Rasht, Iran in the year 1969. She was born to a rich family in Iran and grew up in Tehran during the revolution and revolt against the Shah, the ruler at the time. She lived during the era where Islam was emerging in Iran and becoming the predominant religion. Marjane lacked academics for two years in Iran and suffered indeed from the bombings of Iraq. These horrific events impacted her and her parents, so as a result was sent to Austria for a better life. Her juxtaposed life in Austria and emergence of maturity is described in Marjane’s second installment of Persepolis.
There are many different influences in the world today; a big one that most people in the world face is religion. Religion is an influence that people first encounter during their childhood. They grow and learn to have faith. People’s perspective on religion is affected by their culture, their family and the events they witness during childhood. Persepolis by Marjane Satrapi is the story of a young girl growing up in Iran, during the Islamic Revolution, and the war with Iraq. Throughout the novel religion develops along with the plot, in good and bad ways. In the story Marji loses her faith and it changes who she is, religion also changed her lifestyle by the government putting religion into the law. Religion is a topic that people label as
Colonialism has a severely negative impact on those being affected due to unknown cultures and systems being infiltrated in their country. In the first chapter of “The Complete Persepolis” by Marjane Satrapi, the author starts off with the Islamic Revolution and the changes it brought to her immediate surroundings. This reminds me of colonialism and the changes it brings to the colonized country. Colonialism started with the expedition of the Portuguese and Spanish to discover new wealth. Since then, the drastic after effects of colonialism are still felt today by the affected group. In the 20th century, colonialism plays a part in why some cultural groups are the way they are today. In conclusion, the change the Islamic Revolution did to Marjane’s immediate surroundings is similar to how colonialism affected the colonized countries.
Although “It’s a Night Job” by Joanita Male and “Mother’s Inheritance” by Fawziyya Abu-Khalid occur in different cultural contexts- Male’s writing in Africa and Abu-Khalid’s in the Middle East- both literary works regard the formative nature of mother-daughter relationships. In addition to this, they explore the dignity and attitudes of young women in societies where they are forced to relinquish personal autonomy in order to succeed or be safe from potential physical or mental harm.
Persepolis 2: The Story of Return is anchored around how Marji is affected by the social injustice that occurred during the Islamic Revolution. Growing up as “a westerner in Iran and an Iranian in the West,” (Satrapi 274) changes and molds her into the young woman she is at the end of her journey. In this second chapter of Satrapis life she moves away from the comfort of Iran and finds a life in Vienna. Marji desires to find her purpose and identity during her brief time here and faces many battles with language barriers, people and herself. Marjis past from Iran haunts her and instills the idea that she needs to make something of herself while in Austria. Finding that Austria took her down a darker path where the light was scarcer and the
Even in our present time we can see how culture principles and characteristic drive can cause conflict. Within a society, an individual does not exist. If an individual does exist, then they are no longer a part of the society causing rebellion. In I and Thou, Buber explains that the self becomes either more disconnected or more unified through its relationships to others. The film Persepolis is an adaption to Marjane Satrapi’s The Complete Persepolis coming-of-age graphic memoir. It involves a young Muslim girl name Marjane as she comes of age within the environment of the Iranian Revolution. The film explores the actualization of Marjane through allegory to show how she must construct her identity within a foundation of westernization, religion, and gender.
Persepolis is a book that centers on the author’s family during the Iran-Iraq war that lasted for eight years. Marjane’s experience of the war is quite innocent since she saw it from the eyes of a well protected child. She grew up with need to help and make things better for everyone without really understanding what it takes to make the world a better place. In her mind the only possible way to make a change is by becoming a prophet and using supernatural powers to make the world a better place. Marjane’s childhood is proving that children form defense mechanisms to deal with difficulties. These defense mechanisms take children to “happy” places where things are better and everyone is happy unlike in the real world.
There are many times when problems in a country affect one's life. Persepolis by Majarne Satrapi recounts the coming-of-age of a girl during a period of war. Utilizing a graphic novel to illustrate, Marjane recalls the struggles of her family and herself living in warfare. For instance, in Persepolis, Marjane's external conflict result in her internal conflict.
The reformation of the country of Iran toward Islam caused turmoil among the people because the drastic changes forced on the people were not easily accepted. One of the major changes is that women were forced to wear veils as a religious requirement. A change in government toward a religion is difficult to overcome because not everyone agrees on the changes and many people want to keep things the way they are. This change to Islam is difficult for Marjane and the other children as she explains “We didn’t really like to wear the veil, especially since we didn’t understand why we had to” (3). Marjane’s family serves as an example that there are families in Iran who do not strictly follow the Islamic religion and do not understand why they are being forced to follow the government mandated rules. Although many people did not believe the government’s proposition that women’s hair excites men, they still had to wear the veil to live safely. Marjane claims, “I think that the reason we were so rebellious was that our generation had known secular schools” (98). Constantly struggling to make the transition to the religious schools was difficult for the children of Iran because they had already be...
Marjane Satrapi in her memoir, “The Complete Persepolis” enlightens readers with the reality of living in Iran, as she tells her journey through her life of becoming a woman during the Islamic Revolution. Iran similar to other countries has made different prescribed roles for their women and men based on their cultures religious and traditional set of laws. Society to them was a depiction of what their people were expected to look, and act like when in public. When trying to understand the importance of gender along with their roles in society, it’s crucial to acknowledge outside factors, for instance things like culture and social class. The characters throughout her memoir illustrate how their
Persepolis, a graphic novel by Marjane Satrapi, is not a run-of-the-mill comic book. It is written with purpose. Satrapi wrote and illustrated this book to show Americans that their perspective of her home country, Iran, is askew. She believes Americans are too focused on the “fundamentalism, fanaticism, and terrorism” (Satrapi ii), of the nation and that they forget to notice the normality and humanness of it. Since these two perspectives have vast differences, Satrapi wants to change their minds. Thus, it is crucial that she effectively communicate this humanness of Iran to the literary audience in America. Since the literary devices in a work are needed to correctly convey a message, she found it necessary to include these and manipulate them in her favor. Satrapi uses the innocence of a child along with morals in her pictures and a relation of cultures to effectively communicate her message. It is necessary to examine how she manipulates such literary devices in order to gain a full understanding of the text.