Perception In Atonement

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P E R C E P T I O N:
Perception. The way in which something is regarded, understood, or interpreted.
At the beginning of Atonement, 13-year-old Briony witnesses two very important events that, through the innocence of her perception, lead to the devastating deaths of the bright, ambitious Robbie and the passionate, headstrong Cecilia.
Lighting is used to symbolise Briony’s innocence and outlook on the world – seeing everything in black and white. When Briony witnesses the fervent moment between Cecilia and Robbie in the Tallis’ library, her face is half in the dark and half in the light emitting from the open library door (Figure 1). The lighting symbolises her perception of the situation – she is only seeing part of what has happened between …show more content…

• Atonement is a film based upon a love that is destroyed by perception and the consequences this can have.
What does Briony’s perception of Robbie and Cecilia’s love say about the human condition to invent stories in order to place order into an otherwise chaotic world.

P O W E R O F W O R D S:
As Robin Sharma once said, “Words can inspire. Words can destroy. Choose yours well.” As seen throughout the film, words have an extreme power than can cause a deeply passionate relationship to be shattered and wounded forever. The typewriter is used as a symbol of the power of the written word. The film itself opens with the title ‘Atonement’ being spelt out in white text onto a contrasting black screen (Figure 4).

The contrast signifies the sullen darkness of reality and the happiness in which Briony writes into her fantasy reality. The audience is first introduced to Briony as a young playwright whom has a deep passion for storytelling and expressing herself through words (Figure …show more content…

She uses the power of the written word in order to control emotions and add a sense of forgiveness regarding her mistakes. Director, Joe Wright, cleverly used the non-diegetic sound of the typewriter to portray Briony’s habits of ‘playing God’ within her written works – especially her biographical novel ‘Atonement’. The typewriting sounds also effectively capture Briony’s expression of her wild imagination. The scenes in which are later rendered to be an alternate reality of happiness, such as the interview where the audience discovers that Robbie and Cecilia’s happy ending only exists in the world of fiction (created in order to receive Atonement near the ending of her life) are introduced by the rhythmic tone of a typewriter in

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