In The Bluest Eye, by Toni Morrison, Pecola, a young girl, is driven into madness because of “the effects of the beauty standards of the dominate culture on the self-image of the African female adolescent” (Mbalia 153). Pecola goes unseen in her community not only by her peers but by her mother and father of. Not just one race or one social class that isolates and neglects Pecola either. Pecola’s descent into madness results from isolation and lack of love due to the people’s acceptance of the white standards of beauty. Pauline, Pecola’s mother sees Pecola as ugly and unlovable. Even though Pecola seems to be “a smart baby” (126) her mother focuses on her looks, for “I knowed she was ugly. Head full of pretty hair, but Lord she was ugly” (126). Her mother, before Pecolas birth, spent much of her time at the movies and “she was never able, after the education in the movies, to look at the face and not assign it some category in the scale of absolute beauty” (122). …show more content…
He actually looks at Pecola and tells God “I looked at that ugly little black girl, and I loved her” (182). Soaphead Church, the only person who actually looks at Pecola and loves her but also sends her over the edge and into madness (Miner 25). Soaphead told Pecola she would get the blues eyes she wanted, and with those blue eyes Pecola so badly desired, she would fit in because of the “physical features of the European are accepted as the standard of beauty, then the African must be ugly” (Mbalia 154). Pecola now has the blue eyes, but “no one else will see her blue eyes but she will. And she will live happily ever after” (182). Soaphead knows her eyes are not truly going to turn blue, he also knows that this little girl will go mad. He knows that Pecola, the girl who everyone thought “We were so beautiful when we stood astride her ugliness” (205) would be happier now that she has blue eyes (Miner
Toni Morisson's novel The Bluest Eye is about the life of the Breedlove family who reside in Lorain, Ohio, in the late 1930s (where Morrison herself was born). This family consists of the mother Pauline, the father Cholly, the son Sammy, and the daughter Pecola. The novel's focal point is the daughter, an eleven-year-old Black girl who is trying to conquer a bout with self-hatred. Everyday she encounters racism, not just from the White people, but mostly from her own race. In their eyes she is much too dark, and the darkness of her skin somehow manifests that she is inferior, and according to everyone else, her skin makes her even "uglier." She feel she can overcome this battle of self-hatred by obtaining blue eyes, but not just any blue. She wants the bluest of the blue, the bluest eye.
Toni Morrison's novel "The Bluest Eye", is a very important novel in literature, because of the many boundaries that were crosses and the painful, serious topics that were brought into light, including racism, gender issues, Black female Subjectivity, and child abuse of many forms. This set of annotated bibliographies are scholarly works of literature that centre around the hot topic of racism in the novel, "The Bluest Eye", and the low self-esteem faced by young African American women, due to white culture. My research was guided by these ideas of racism and loss of self, suffered in the novel, by the main character Pecola Breedlove. This text generates many racial and social-cultural problems, dealing with the lost identity of a young African American women, due to her obsession with the white way of life, and her wish to have blue eyes, leading to her complete transgression into insanity.
Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references. The book seeks to define beauty and love in this twisted perverse society, dragging the reader through Morrison’s emotional manipulations. Her father Cholly Breedlove steals the reader’s emotional attention from Pecola as he enters the story. In fact, Toni Morrison’s depiction of Cholly wrongfully evokes sympathy from the reader.
In the novel, the Black narrator Claudia talks about how the ideal beauty of their society is White women, stating, “Adults, older girls, shops, magazines, newspapers, window signs – all the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasured. ‘Here,’ they said, ‘this is beautiful, and if you are on this day “worthy” you may have it’ (Morrison 20). This quote is significant because it proves that the culture promotes the appearance of White women over Black women. Due to the large amounts of racism, many African Americans believed they lived in poverty because they were black. The narrator explained, “The Breedloves did not live in a storefront because they were having temporary difficulty adjusting to the cutbacks at the plant. They lived there because they were poor and black, and they stayed there because they were ugly” (Morrison 38). The discrimination was so extreme in the novel that the African American characters started to idealize the white race. One example of this is when Pecola, a black girl, yearned for blue eyes because she believes all of the cruelty in her life will then go away. This strong desire ultimately leads to insanity (Morrison 174). The psychological suffering that many of the young female characters went through is result of discrimination towards a racial
Blond hair, blue eyes. In America these are the ideals of a woman’s beauty. This image is drilled into our minds across the lifespan in the media and it conditions people's standards of beauty. We see Black women wish that their skin was lighter. In an episode of "The Tyra Banks Show", a Black girl as young as 6 talks about how she doesn't like her hair and wishes that it was long and straight like a white woman's. Some minorities get surgery to change their facial features, or only date white men. Having been taught to think that white people are more attractive than people of their own ethnicity. In Toni Morrison’s The Bluest Eye, the character of Pecola exemplifies the inferiority felt throughout the black community due to the ideology that white qualities propel you in social status. Pecola’s mother, Pauline Breedlove, said it best when she was introduced to beauty it being the most destructive ideas in the history of human though. From which the envy, insecurity and disillusion have been derived by the ideas of beauty and physical appearance. Pecola’s story is about the consequences of a little black girl growing up in a society dominated by white supremacy. We must not look at beauty as a value rather an oppressive discourse that has taken over our society. Pecola truly believes that if her eyes were blue she would be pretty, virtuous, and loved by everyone around her. Friends would play with her, teachers would treat her better and even her parents might stop their constant fights because, in her heart of hearts, no one would want to “do bad things in front of those pretty eyes.”
and white society has conditioned her to believe that she is ugly. Pecola.s physical features
Many American's today are not satisfied with their physical appearance. They do not feel that they are as beautiful as the women on television or in magazines. The media is brainwashing American females that if they are not slim and have blonde hair and blue eyes, they are not beautiful. This causes women not only to hate the ideal females, but also hate themselves. In Toni Morrison's novel The Bluest Eye two of her main characters, Claudia and Pecola show hatred toward others, and themselves because they are not as beautiful as the supreme females.
...er known what it should have been like. His past was laced with rejections and so he never knew how to give anything else but rejection. And so even if he thought he loved her, he was rejecting her. Which brings me to Pecola. Pecola doesn't have much of a past because no one allows her to have any. Everyone is always giving her their past, enforcing restrictions upon her and placing her into categories. Because of this she lives vicariously through these much wanted blue eyes. She is given this offspring of hate and rejection and forced to live in a present more vile than any past of any one particular character.
In the 1940's as well as present day, the media pushed on society an image of perfection and beauty. This image is many times fake, but the naive cannot deceive, and it can become an icon of beauty. If you do not fall within the image then you are ugly. In the book "The Bluest Eye," we witness the power that the media has on specific characters: Pecola Breedlove, Claudia and Frieda MacTeer. The icon of beauty at that point in time is Shirley Temple, a white girl with blond hair and blue eyes. She is also the first reference to beauty in the book. Claudia explains her feelings towards Shirley Temple by saying, "...I had felt a stranger, more frightening thing than hatred for all the Shirley Temples of the world" (19). Claudia is relating the hatred that she felt towards Shirley Temple to the envy she has towards girls who are beautiful like Shirley. Claudia herself knows that the media is trying to imply this image she says, "Adults, older girls, shops, magazines, newspapers, window signsall the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasured" (20). This idea is repeated repetitively throughout the story, the idea that blue-eyed is beautiful. Frieda and Pecola love Shirley Temple while Claudia despises her with envy. Pecola once goes to purchase some candies called Mary Janes, she is very intrigued by the blue-eyed, blond girl in the wrapper. The narrator tells us that Pecola feels Mary Jane's eyes are pretty and that by eating the candy she feels the love that she has for the girl on the wrapper and she finds herself closer to her (50). The idea pushed by the media that blue eyes are beautiful builds up a strong destructive desire in Pecola.
She faces constant criticism, has an aggressive home life, and lives in a society that considers beauty as being white, which negatively affects Pecola and leads her to fantasize about becoming more beautiful. She feels the only way to Morrison uses Shirley Temple to show Pecola’s fondness for beauty. Shirley Temple was a popular young actress during the 1930’s, and was known for her curly blonde hair and blue eyes. Pecola developed a fascination for Shirley Temple cups, “she was fond of the Shirley Temple cup and took every opportunity to drink milk out of it just to handle and see sweet Shirley’s face”(pg.23). This image shows that Pecola believes that having blue eyes will maker her life like Shirley making her more like a white child. Another instance showing this is when Pecola goes to the store she buys the candy Mary Jane, which has a girl with blue eyes on the wrapper. We see her fascination with Mary Jane’s blue eyes, and she felt if she ate the candy she would become Mary Jane. This is shown when Morrison writes, “To eat the candy is somehow to eat the eyes, eat Mary Jane. Love Mary Jane. Be Mary Jane”(pg.50) When it comes to Pecola mother, there is similar racial self-loathing manifested in her as
Throughout Toni Morrison’s controversial debut The Bluest Eye, several characters are entangled in the extremes of human cruelty and desire. A once innocent Pecola arguably receives the most appalling treatment, as not only is she exposed to unrelenting racism and severe domestic abuse, she is also raped and impregnated by her own father, Cholly. By all accounts, Cholly is detestable and unworthy of any kind of sympathy. However, over the course of the novel, as Cholly’s character and life are slowly brought into the light and out of the self-hatred veil, the reader comes to partially understand why Cholly did what he did and what really drives him. By painting this severely flawed yet completely human picture of Cholly, Morrison draws comparison with how Pecola was treated by both of her undesirable parents.
...ft pregnant with his child, and pushed to madness by these terrible circumstances: she finds her beauty in the bluest eye.
The concept of physical appearance as a virtue is the center of the social problems portrayed in the novel. Thus the novel unfolds with the most logical responses to this overpowering impression of beauty: acceptance, adjustment, and rejection (Samuels 10). Through Pecola Breedlove, Morrison presents reactions to the worth of physical criteria. The beauty standard that Pecola feels she must live up to causes her to have an identity crisis. Society's standard has no place for Pecola, unlike her "high yellow dream child" classmate, Maureen Peals, who fits the mold (Morrison 62).
Throughout The Bluest Eye, Toni Morrison includes a number of background stories for minor characters along with the main plotline in order to add dimension to the novel and further convey the intense racial prejudice felt by almost all African Americans. Her main story tells of the outrageous landslide of wounding events that Pecola Breedlove experiences, a young black girl constantly patronized by her peers, and the things that eventually make her go crazy. The struggle for a deep black skinned person can be significantly different from what a lighter skinned black person feels, and Toni Morrison adds secondary story lines to stress that difference, and the extremes that racism can force people into. The back-story of Geraldine expresses the desire to be white supported by social circumstances, the comparison of how much easier whiter life could be on Pecola and her family, but also the poor results that can come from shying away from one’s own nature and history.
“The Bluest Eye” by Toni Morrison, is a story about the life of a young black girl, Pecola Breedlove, who is growing up during post World War I. She prays for the bluest eyes, which will “make her beautiful” and in turn make her accepted by her family and peers. The major issue in the book, the idea of ugliness, was the belief that “blackness” was not valuable or beautiful. This view, handed down to them at birth, was a cultural hindrance to the black race.