Published in 1929, Passing by Nella Larsen is a novel that explores the lives of middle class African-Americans in the 1920s. It focuses on two childhood friends Clare and Irene who reconnect later in life to discover that Clare is married to a white man and is ‘passing’ as a white woman, whilst Irene identifies as a black woman and only ‘passes’ when she has too. Race, racism and racial passing are the key themes within Larsen’s text. The reality of racism is also revealed through character John Bellew. A white man with a mind filled with horrible misconceptions, John Bellew is constructed as a discriminatory and racially melancholic man who deems the racially ‘other’ as inferior to that of the white race.
John Bellew is Clare’s racist
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When Irene asked if Bellew if he disliked Negroes he denied and said ‘You got me wrong there, Mrs. Redfield. Nothing like that at all. I don’t dislike them, I hate them. And so does Nig’ (172). This assertion further highlights Bellew’s intense feelings of hatred and hostility toward the racially other. Although never having known a Negro, Bellew said he knew people ‘who’ve known them, better than they know their black selves. And I read in the paper about them. Always robbing and killing people’ (172). It is obvious here Bellew’s attitude toward racial difference is fallacious considering he is married to a black woman passing for white. Ironically, he was also ‘surrounded by three black devils, drinking tea’ when he was with Clare, Irene and Gertrude (172). His bitterness if further expressed when he says ‘They give me the creeps. The black scrimy devils’ (172). Once again, racial melancholia is highlighted through Bellew’s hostility and great disgust in the black race. Describing black people as ‘devils’ also further reinforces that Bellew considers the racially other to be evil and wicked in nature, unlike those from the ‘ideal’ white
The work, the Souls of Black Folk explains the problem of color-line in the twentieth century. Examining the time following the civil war the author, W.E.B. Dubois, explains the African American experience of living behind the “veil”. To fully explain the experience of living behind the veil, he provides the reader with situations that a black race experiences in reconstruction. This allowed the readers to metaphorically step into the veil with him. He accomplishes this with the use of “songs of sorrow” with were at the beginning of each chapter, and with the use of anecdotes.
The use and repetition of the word “nigger” suggest both physical and psychological boundaries for Griffin, which, of course, also extend to the black population of the mid-twentieth century. In identifying himself with the term, Griffin becomes overwhelmed by its dehumanizing and de-individualizing effect: “I knew I was in hell. Hell could be no more lonely or hopeless, no more agonizingly estranged from the world of order and harmony” (66). Griffin’s internalization of discrimination and his repression as “Other” allows Griffin to convey the “wrong-doing” by the white middle class, forcing a truthful realization of the detrimental effect of racism on the
The Emancipation of the once enslaved African American was the first stepping stone to the America that we know of today. Emancipation did not, however automatically equate to equality, as many will read from the awe-inspiring novel Passing Strange written by the talented Martha Sandweiss. The book gives us, at first glance, a seemingly tall tale of love, deception, and social importance that color played into the lives of all Americans post-emancipation. The ambiguity that King, the protagonist, so elegantly played into his daily life is unraveled, allowing a backstage view of the very paradox that was Charles King’s life.
Christopher Paul Curtis wrote The Watsons Go to Birmingham—1963 throughout the course of 1995. The novel follows the Watsons, a black family living in Flint, Michigan during the Civil Rights Era. In a historical context, 1963 and the early 1990s have far more in common than one would expect. The Civil Rights Act was passed in 1964 following the church bombing in Birmingham, and yet race-based discrimination remains a problem even in our modern society via passive racism. This paper will analyze the ways in which Curtis’ The Watsons Go to Birmingham—1963 draws parallels between the time in which his is writing during and the time in which he is writing about. This analysis will also shed light on what can be called the “white standard,” wherein all things white are “good” or “better” and anything not-white is “bad.”
I think Tate’s further interpretation of Passing as a story of jealousy, intrigue, and obsession is also very accurate. There are race issues that are brought up, in instances such as Irene worrying about being discovered as a black woman while having tea in the Drayton Hotel, and the language and attitude Clare’s husband has towards black people in general. However, I believe that much of the story is rooted in class issues, also. Clare and her husband Brian are wealthy, they get to travel across Europe, and their
The term "passing" is shorthand for a racial passing which means people of one race passing for another. Nella Larsen's Passing is the story about two light-skinned women, who both have African blood. Clare Kendry is one of them who chooses and succeeds at "passing" and Irene Redfield is one who doesn't. They drive into each other twelve years later in a restaurant and Clare invites Irene to the tea party. The tea party which appears in the beginning of the story plays an important role throughout of the story because Jack Bellew enters the story at that moment. Jack is the white man who has a strong revulsion to African-Americans. He marries Clare, without knowing her secret ancestry. Jack's statements at the tea party lead the main characters' transformation throughout the story and shape the ending as well.
Historically, people were granted certain rights and privileges based merely on their skin color. Persons of darker skin are often less opportune; persons of lighter skin are almost automatically glorified. However, with the mass interracial breeding, many African American descendants started to look “white” even though they were of “black” descent. Many “mulattos” used this to their advantage to acquire higher social status and respect. The act of identifying as a different race and hiding one’s true race is known as “passing.” In the short novel, “Passing” by Nella Larsen, it follows two childhood friends of mixed-race, Irene Westover/Redfield and Clare Kendry, who later reconnected later in their different adult lives; both appear to have light complexion but one embraces her ancestry while the other tries to “pass” as something else. The latter’s decision usually ends unpleasantly. So while it may seem beneficial to “pass,” the end result is that the truth will come out. Literary articles which critique “Passing” such as “Sororophobia” by Helena Michie and “Black Female Sexuality in Passing” by Deborah E. McDowell discusses the issues of passing. Juanita Ellsworth’s “White Negros” provide scenarios where skin color played a factor in education and professional experiences. Louis Fremont Baldwin’s “Negro to Caucasion, Or How the Ethiopian Is Changing His Skin” explains the different ways people pass and how it can be undetected. Blatantly “passing” as a different race can lead to catastrophe and should be avoided.
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
In the novel, Passing, Nella Larsen presents two women, Clare and Irene who originate from the black community; however still yearn for an assured identity for themselves. Clare and Irene are childhood friends who even though being part black, are able to pass as white folk. Irene continues to be part of the black community and is considered a black woman, however this is on a superficial level. When it comes to her advantage, Irene occasionally passes as white. Clare on the other hand passes as a white woman; her lifestyle changed completely as to white standards and in. Although both women are in a dilemma regarding their true racial identity, they both wish to live as both black and white. Throughout the book, both women attempt to achieve an integrated identity, however fail do to so. Their failure in attempting to live a life both as black suggests and supports the idea that a person can only have one race as either black or white, not both.
Nella Larsen's Passing tells the story of the reconnection of two childhood friends whose lives take divergent paths. Through these characters Larsen weaves together a cautionary tale about the consequences of living a double life, and the harm associated with internalized racism. Through Clair and Irene, Larsen conveys to readers the consequences of desiring to live life as a bicultural individual during the early 20th century. Claire represents the archetypical character known as the tragic mulatto, as she brings tragedy to all those she encounters. Irene represents someone grappling with internalized racism; catalyzed by Claire's reentrance into her life. Larsen juxtaposes the two characters to demonstrate the inescapability of social regulations. Clare attempts to escape the social barriers placed upon African-Americans, and she does, but not without consequence. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about.
the racial hatred of the people. Black people were thought to be inferior to white people and in the 1960s when the novel was written, black communities were rioting and causing disturbances to get across the point that they were not inferior to white people. After Abolition Black people were terrorised by the Ku Klux Klan, who would burn them, rape the women, and torture the children and the reader is shown an example of. this in Chapter 15 where a group of white people, go to the county. jail to terrorise Tom Robinson.
In the book, the readers see the wall between black and white people during the movement. An example is a reaction to Fern’s doll which is white, while Fern, however, is black. On pg.65, it reads, “‘Li’l Sis, are you a white girl or a black girl?’ Fern said, ‘I’m a colored girl.’ He didn’t like the sound of a colored girl,’ He said, ‘Black girl.’ Fern said, ‘Colored.’ ‘Black girl.”
Although bigotry and segregation were pointed in majority towards blacks, other accounts towards whites were also heard of, though not as commonly. There are acts that are so discreet that you almost don't catch them, but along with those, there are blatant acts of bigotry that would never occur in our time. Lee addresses many of these feelings in her novel. One subtle example of discrimination the reader sees is the treatment of Calpurnia, a black woman, the housekeeper/nanny for the Finch family. Although she is treated fairly, it is obvious that she is considered to be on a lower social level than the Finches.
The main character is completely alienated from the world around him. He is a black man living in a white world, a man who was born in the South but is now living in the North, and his only form of companionship is his dying wife, Laura, whom he is desperate to save. He is unable to work since he has no birth certificate—no official identity. Without a job he is unable to make his mark in the world, and if his wife dies, not only would he lose his lover but also any evidence that he ever existed. As the story progresses he loses his own awareness of his identity—“somehow he had forgotten his own name.” The author emphasizes the main character’s mistreatment in life by white society during a vivid recollection of an event in his childhood when he was chased by a train filled with “white people laughing as he ran screaming,” a hallucination which was triggered by his exploration of the “old scars” on his body. This connection between alienation and oppression highlight Ellison’s central idea.
It is not until Celie is an adult that she finally feels content with her life and understands her capacity to be a completely autonomous woman. The concept of racial and gender equality has expanded greatly throughout the twentieth century, both in society and in literature. These changes influence Walker's writing, allowing her to create a novel that chronicles the development of a discriminated black woman. Her main character, Celie, progresses from oppression to self-sufficiency, thereby symbolizing the racial and gender advancements our country has achieved.