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Mary shelley the gothic novel
The creatures education frankenstein essay
Mary shelley the gothic novel
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What do parents owe their children in terms of education? In modern times, belief of society is that parental influence is a key factor to a child’s educational success. Parental and authoritative figures serve as role models and provide discipline and resources that are essential to a child’s educational development and prosperity. Mary Shelley refutes this notion in her novel Frankenstein, where she examines the educational success of characters without proper parental roles and who rebel against the authoritative figure’s guidance. Said characters include Frankenstein’s creature and Robert Walton, who become masters of their discipline without any parental nourishment. Moreover, Victor Frankenstein becomes a master of a philosophy which …show more content…
Robert Walton first develops this dream while reading the many books in his uncle’s library as a young boy. Mary Shelley discusses his passion when she writes, “My education was neglected, yet I was passionately fond of reading. These volume were my study day and night, and my familiarity with them increased that regret which I had felt, as a child, on learning my father’s dying injunction had forbidden my uncle to embark in a sea bearing life” (28). Robert Walton disobeyed the minimal parental guidance he received and extensively studied the sea bearing lifestyle. Due to his great drive for discovery, he dedicated his life to this cause. Robert demonstrates that parent nourishment is not necessary to accomplish one’s goals of success. As seen in the past, people who make great discoveries push society’s conceptions of what is correct. However, this is usually discouraged by general society. Robert’s father’s discouragement is a reflection of this view held by the society of the time. Robert’s drive for defiance demonstrates that one does not need a parental figure in order to be well-educated and embark on new …show more content…
Though Victor Frankenstein received a formal primary and secondary education, he was forced to extensively study these works in his spare time. Mary Shelley describes Victor’s hunger for knowledge when she writes, “I took their word for what they had averred, and I became their disciple. It may be strange that such should arise in the eighteenth century; but while I followed the routine of education in Geneva, I was, to a great degree, self taught in regards to my favorite studies. My father was not scientific, and I was left to struggle with a child’s blindness, added to a student’s thirst for knowledge” (57). This quotation demonstrates Victor’s desire to learn said sciences despite the lack of encouragement from his father. Victor’s defiance and thirst for knowledge even led him to create life from the dead. This rebellion demonstrates his unrelenting determination. Although Frankenstein’s actions are irredeemable, his immense desire to master the philosophies of pseudoscience led to remarkable scientific discoveries. These discoveries demonstrate that parental guidance is not necessary in the mastery of a discipline; solely the thirst for knowledge and determination is
The scene of greatest depiction of Frankenstein’s gluttonous, self-indulgent negligence is that of his child’s first moments of life. It takes but a night to steer his creature to the path of destructive apathy. Frankenstein has no care for those around him, and should never have been given the secret to life, considering his lack of interest in family and his obvious disregard for the laws of nature, creating life; and of man, withholding information of a dangerous being. Victor abuses his son with words and neglect and then wonders why his creature acts out harmfully towards others. The seventeen hundreds were primitive, but those from the era should have recognized the need for parenting classes.
Every parent has their own opinion on the best way to raise a child. Victor Frankenstein, however is a perfect example on how not to raise a child. Unlike Victor’s parents, he was not a good caretaker of the creature that he created. Victor’s parents were compassionate people not only to their children but to the poor and the rest of their family as well. Victor can recall his childhood as being grateful for what he had and for the way his parents treated others. Victor's monster on the other hand, would not describe his first months of being alive as anything close to happy. Not only was victor fortunate enough to have had such caring parents, he also had his best friend Clerval and his adopted sister, Elizabeth. Elizabeth was there to comfort
Frankenstein, written by Mary Shelley, follows the story of Victor Frankenstein, his self-driven seclusion from society due to his fixations on life and death only stimulating his madness: “I paused, examining and analyzing all the minutiae of causation, as exemplified in the change from life to death, and death to life… I became dizzy with the immensity of the prospect… that I alone should be reserved to discover so astonishing a secret” (Shelley 38). Frankenstein always had a passion for gaining knowledge. His feelings and actions were based on reasoning, which deeply contrasted against his more romantic-thinking family. In his years leading up to going to university, he found a new passion for alchemy. While attending the University of Ingolstadt, he became entranced with the studies of alchemy along with natural philosophy and modern sciences. This ardor would eventually be his downfall after his fixation on life and death in relation to science led to the construction of an eight-foot behemoth. Frankenstein exemplifies the effects of
Before his depression began, Frankenstein wanted to expand his knowledge about science and natural philosophy during the prime of his life. By doing so, Frankenstein’s father, Alphonse, wanted him to dedicate his time at the University of Ingolstadt. While at the University, Frankenstein began to pursue
The popular 1931 version of Frankenstein, based on Mary Shelly’s Frankenstein, depicts an anti-exploration and anti-intellectual philosophy. In Frankenstein there are criticisms for the immoral behavior that is involved with progress, the natural tendency for humanity to attempt to be greater than God and the pursuit of knowledge. Frankenstein, the doctor, aims to create a man in his own image. His personal ambitions drove him mad and into isolation. He leaves school in pursuit of better facilities and free rein to test, create and revise.
In Mary Shelley’s “Frankenstein,” Dr. Victor Frankenstein has a fascination with life and death, particularly life, and through his scientific studies he decides to attempt to build a body and restore the lifeless body to animation. He succeeds in this, but once he restores the body to animation he looks in the eyes of his creation and immediately deems the creature a monster. He even, after only a few moments of animation, calls the creature a wretch. He then runs away, and when he returns his creation is nowhere to be found. Many other events occur where the creature comes in contact with humans and they deem him a monster as well. One even goes so far as shooting the creature after the creature has just saved the life of this man’s child. Even though everyone deems the creature to be a monster we find through close examination that, “like father like son,” this monster is no more a monster than the one who creates him.
In conclusion, Mary Shelley’s Frankenstein shows readers how irresponsibility and the excessive need for knowledge can cause suffering among others as well as oneself. Victor never intends to cause such harm; however, he is not cautious and observant with his actions, which ultimately leads to his classification as a tragic hero. The desire to learn is most definitely a wonderful trait to have, as long as one’s knowledge doesn’t reach the extent that Victor Frankenstein’s unfortunately does.
Since a boy, Frankenstein’s passion is to explore science and that which cannot be seen or understood in the field. He spent the later part of his childhood reading the works of commonly outdated scientists whose lofty goals included fantastic, imaginative desires to “penetrate the secrets of nature” (Vol. 1, Ch. 2). While he was told that these authors predated more real and practical scientists, he became intrigued by their ambitions, and devoted himself to succeeding where they had failed. When Victor is criticized at college for his previous studies in obsolete research, he takes after one of his professors, M. Waldman, in studying chemistry. In a lecture, Waldman tells of ancient teachers in chemistry who promised miracles and sought after “unlimited powers” (Vol. 1...
Victor Frankenstein, blinded by pride, remained unaware of how his experiment would affect not only him, but the world around him as he formed his new discovery. His secret to creating life only caused more life to be lost. Because of Victor’s reckless behavior, he caused the depressed and lonely world around his own creation, one who, in the end, Victor did not want to take responsibility for making, no matter how remarkable. The Creation, a being of unfortunate circumstance, exemplifies how knowledge has dangerous and everlasting effects if not used safely or for good intentions. Unfortunately, The Creation leaves his own damage behind as well, again showing how knowledge is harmful, by killing Elizabeth, Victor’s wife, Henry Clerval, his dearest friend, and other members a part of Victor’s family and friends. This demonstrates how knowledge, if not used wisely, can lead to death and suffering. The power of knowledge, in Mary Shelley’s writing, is a gift bestowed on those who can handle the power responsibly, as opposed to using it for selfish boasting. In contrast, she uses these two characters to show the importance of being knowledgeable in both science and responsibility and the unforgivable mutilation that comes if you fail to overcome
Frankenstein speaks fondly of his youth because his parents were “indulgent” and his companions were “amiable” (21). His parents’ policy in the education of their children is that there should neither be punishment nor “the voice of command” (26). Instead, they encourage their children to pursue their studies with vigor by “having the end placed in view”(21) and by having them discover the process by which to reach the end and not by making them learn tedious lessons. Frankenstein’s testimony to this is that he learnt better and retained his knowledge well. The approach to Frankenstein’s education in the home is strongly influenced by Rousseau, one of the most eloquent writers of the Age of Enlightenment. In his influential novel Emile, Rousseau expounded a new theory of education that emphasises the importance of expression rather than repression to produce a well-balanced and free-thinking child.
Education is a tool to advance an individual and a society; however, education can become a means to gain power when knowledge is used to exercise control over another. In Frankenstein, knowledge becomes the downfall of both Victor Frankenstein and the Monster. The novel explores the consequent power struggle between Victor Frankenstein and his creation, the dichotomy of good and evil, and the contrast between intellectual and physical power. Finding themselves in mirroring journeys, Victor Frankenstein and the Monster are locked in a struggle for dominance. Through these two characters, Mary Shelley explores the consequences of an egotistical mindset and of using knowledge to exercise power over others.
The idea of using a family based theme in literature has been around for a long time. When an author is writing a novel or even a play, it is very easy to include a strong family dynamic to it. The family is something that nearly every person can relate with in one way or another. This comfort springs forth emotions in the reader or viewer that make the story easier to follow along with. There are many examples of this throughout this course, but this paper will focus on how three of them use the family dynamic to connect with the reader: Mary Shelley’s Frankenstein, Kafka’s Metamorphosis, and Brecht’s Mother Courage and her Children.
Raised by her father, William Godwin, Mary Shelley is taught the same values that her father preached during his time; some of which are seen in her novel, Frankenstein, or the Modern Prometheus, including the role of an individual with and without a community, but she focuses on the importance of family influence. In her novel, Mary Shelley claims that family plays an essential role in the development of what society considers to be the qualities of “being” human. The importance of family influence is seen through the development of several characters throughout the book including Victor Frankenstein and the Creature that he builds. Through the character of Victor Frankenstein, Shelley demonstrates how the rejection of family will only lead to one’s degeneration in society as Victor pursuits dangerous knowledge, outside the boundaries of
A predominant theme in Mary Shelley’s Frankenstein is that of child-rearing and/or parenting techniques. Specifically, the novel presents a theory concerning the negative impact on children from the absence of nurturing and motherly love. To demonstrate this theory, Shelly focuses on Victor Frankenstein’s experimenting with nature, which results in the life of his creature, or “child”. Because Frankenstein is displeased with the appearance of his offspring, he abandons him and disclaims all of his “parental” responsibility. Frankenstein’s poor “mothering” and abandonment of his “child” leads to the creation’s inevitable evilness. Victor was not predestined to failure, nor was his creation innately depraved. Rather, it was Victor’s poor “parenting” of his progeny that lead to his creation’s thirst for vindication of his unjust life, in turn leading to the ruin of Victor’s life.
Victor Frankenstein finds himself exploring the world of science against his fathers wishes but he has an impulse to go forward in his education through university. During this time any form of science was little in knowledge especially the chemistry which was Victors area if study. Victor pursues to go farther than the normal human limits of society. “Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow” (Chapter 4). He soon finds the answer he was looking for, the answer of life. He becomes obsessed with creating a human being. With his knowledge he believes it should be a perfe...