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The drama of Shakespeare
The drama of Shakespeare
The drama of Shakespeare
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Othello as A Tragedy of Outsiders
The most obvious way of being an outsider in Othello is through being
a foreigner, and a non-Venetian. Othello and Cassio are both outsiders
in this sense, Othello is a black man, a "Moor", and Cassio is a
"Florentine". Othello begins in Venice, in Shakespeare's time the
great commercial centre of the western world. Venice was the place of
great hustle and bustle, merchants and tradesmen from other lands were
commonplace, and yet we see throughout the play how Othello and Cassio
are ridiculed. Cassio is degraded as he is from Florence; Iago calls
him "a great arithmetician". As Florence was known throughout Europe
for it's banking activities, this is an insult aimed especially at a
Florentine. Othello is scorned because he is a black man, called a
"lascivious Moor" and a "wheeling stranger" by Roderigo.
Cassio is a noble man of good "breeding" and manners. His behaviour
and language is consistent with the upper classes of society. This is
why when he loses his position alongside Othello through being drunk,
he feels devastated - "I have lost the immortal part of myself, and
what remains is bestial" says Cassio, speaking of his reputation.
Without this reputation, Cassio feels as if he has degraded himself.
Cassio then becomes an outsider in another way because his only form
of communication is through Desdemona, and he must sneak around in
order for a 'chance' to regain his position of lieutenant.
Othello is perhaps the character with the most reasons to feel like an
outsider. In the very first scene, before we have even met Othello or
heard his name, we are struck by the prejudiced and crude refe...
... middle of paper ...
... gentleman - "'tis
my breeding that gives me this bold show of courtesy" says Cassio,
unintentionally implying that Iago lacks his manners, he is told by
Othello to "disembark my coffers". This continuously vexes Iago and is
perhaps the reason that sparks his entire plan.
I completely agree that Othello is a tragedy of outsiders. Each
character is isolated in one form or another, and each has
difficulties. This has probably affected communication and lessened
discussion between the characters. Iago's plan has been made easier by
the fact that each character is an outsider and lack of communication
between the characters.
This is perhaps what makes Othello such a successful tragedy, that it
is only when Desdemona is killed that the barriers between the
characters break down and they realise Iago's simple scheme.
Othello seems to have a really rough time finding the truth in people. The reasoning behind this is simply the way he acts around people. Although Othello is a cultural and racial outsider in Venice, his skill as a soldier and leader is nevertheless valuable and necessary. He is after all a man in high power and is respected for that simple fact. Essentially, the first impact that is made upon the reader of Othello is not one of high quality. He was called many names of which had to do mostly with his racial background some of these names include “the Moor” (I.i.57), “an old black ram” (I.i.88), and “a Barbary horse” (I.i.113). The two characters that begin the cruel introduction of Othello are two trusted comrades, one being Iago. Right from the start, Iago already begins the demise of Othello. Now since Othello made this decision to trust and simply see the good in everyone rather than the truth in everyone his life got turned upside down and started to take ...
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Othello is such a gullible character with so much trust in the wrong people. He trusts Iago before he trusts his own wife, Desdemona; he let Iago get into his mind. Iago arises any doubt Othello has for anyone he ever trusted making them all seem untrustworthy. More then anything Iago uses pathos to appeal to emotion. “ But I will wear my heart upon my sleeve For daws to peck at. I am not what I am” (Othello, Shakespeare, Act I Scene I Line 65-66). Iago talks about being open and honest; although this is not true it makes the other characters feel secure. Othello is a strong character, but Iago is his downfall. Blinded by jealousy and questions Othello will no longer trust Desdemona nor Cassio, because of this he will meet his
Cassio is a good example of a person whose morals, rather than a mental illness, cause him to be led astray. Prior to his fall from Othello 's good graces, Cassio is portrayed as an upstanding, if inexperienced, soldier. Othello, being the wise general that he is, surely wouldn 't make Cassio his lieutenant if he didn 't trust him. It is, after all, the violation of this trust that causes the title to be stripped from the young Florentine. Despite knowing that he has “very poor and unhappy brains for drinking” (2.3.29-30), he accepts wine from Iago. Through his indulgent tendencies, he becomes “full of quarrel and offense” (2.3.43). Later, when provoked by Roderigo, he goes on to stab Montano for attempting to break up the fight between the two men. His lack of control leads to much pain and the loss of his title and reputation (the aforementioned being all he
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
Iago is a very strategic and clever person, and he despises Othello because Othello appointed Cassio as a lieutenant over Iago. He plans to ruin Othello’s life by ruining his relationship with Desdemona. He starts off by telling Desdemona’s father, Brabantio, of Othello and Desdemona’s secret marriage. Iago goes to
Othello: The Moor of Venice is probably Shakespeare's most controversial play. Throughout this work, there is a clear theme of racism, a racism that has become commonplace in Venetian society which rejects the marriage of Othello and Desdemona as anathema. The text expresses racism throughout the play within the language transaction of the dialogue to question the societal ethos established by Othello, thereby making him nothing less than a cultural "other." Furthermore, the character of Desdemona is displayed as mad, or out of her wits, for marrying such an "other," and the audience sees her slip from an angelic state of purity to that of a tainted character. Also, the menacing Iago, a mastermind of deviant rhetoric, is able to play Othello and Desdemona against one another until their marriage fails, while at the same time destroying his adversary and friend, Cassio. Thus Iago has a specific agenda, not only to get back at Othello for choosing Cassio instead of him, but also to make Cassio the victim of his plan to destroy the forbidden marriage referred to by Brabantio as a "treason of the blood" (1.2.166-167). Essentially, Iago is a representative of the white race, a pre-Nazi figure who tries to inform the public of the impurity of Othello and Desdemona's marriage. He demonstrates how this miscegenation is threatening to the existing social order. Thus, through analysis of racism, the play represents the hatred possessed by mankind -- a hate so strong that society sees the mixing with an "other" to be a curse to humanity and a terrible threat to Aryan culture.
An important reason that makes Iago is such a fascinating character is the fact that there is little known about him. Unlike the other characters in this play, Iago cannot be given any clear description about who he is as a person. Desdemona is the typical pure virgin type, Roderigo is a rich fool in love, and Cassio is a handsome Venetian army Lieutenant. For Iago there is no other apparent about his character other than his snake like personality. The information about him is that he is a general to Othello, and is married to Desdemona’s hand maiden, Emilia. This is all that is known about Iago, the reader is given no background. The main mystery about Iago is why he executes his devious plan. Through the whole play, the reader is looking for reasons or hints as to why Iago has become so evil. By the end of the play there is no clear reason for him going after Othello. When describing why he plans to ruin Othello he gives two reasons; rumors about his wife having an affair with Othello, and a hint about affections for Desdemona. Both of these reasons are said in a vague off-handed type manner, giving the reader no true motive for Iago. Even in the very end of the play, after he’s been caught Iago refuses to give a...
Iago does not only serve as the antagonist in this play, but he also is the vehicle by which the play progresses. They play in the beginning did not have much action in it because Iago was still deciding as to how he would kill Othello. Then, as his plan develops the play also progresses. He forces characters into taking actions they never would have normally considered and all the while he just sits back and maintains his innocent smile and trusting façade. And that "is how a villain is defined." A villain "can alter those actions around them without them knowing it." (Campbell 116). We saw Iago do that on several occasions. For example he was able to convince Roderigo to give him money and to try growing a beard. He also convinced Othello into thinking that Casio was an irresponsible drunk, and he convinced Desdemona into thinking he was going to do everything he could to patch things up with her and Othello. While all he was actually doing was just trying to keep Roderigo busy so he would stay out of the picture. And then with Othello he was turning friend against friend, and with Desdemona it was lover against lover. And all the while these people thought he had their best interest in mind.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
... interpretation using the term ‘outsider’ does not presume that unyielding dichotomies define characters as always either outsiders or insiders, or that the works in question always associate the strange with the evil or the familiar with the good or do the opposite. Especially within Shakespeare’s Henry IV, Part 1 and Othello, being an outsider is more a relative condition than a firm position. Consider Othello: a central aspect of the experience of this play is the constantly changing point of view. The initial impression of Othello provided is that of an outsider through Iago’s eyes, then his subsequent refutation of Iago’s image, his character’s gradual approach to actualizing this image as Iago makes him perceive Desdemona as an outsider, and the destruction of the outsider in himself while Iago is revealed to every other character as the true moral outsider.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Cassio is newly promoted as Othello's lieutenant at the beginning of the play even though he has little experience on the field, '. This position is what triggers Iago's inferiority complex, so he plans the bring Cassio down. One can easily say that through the course of this tragedy, Cassio's fortunes change considerably. In Act I, he is Othello's loyal and trusted lieutenant. In Act II, he is Othello's loyal friend in Cypress and respectful admirer of Desdemona but in Act II, Scene III, is manipulated to fight Roderigo, hitting him and Montano, and consequently losing his position as Othello's "lieutenant".
The tragedy Othello was written in 1604 during the Elizabethan era. Othello, the moor, enjoyed success in combat, which gained him a reputation as one of Venice’s most prominent Generals. He married the lovely Desdemona, the daughter of Brabantio, a Venetian Senator. Othello, despite his blackness, is a noble leader and Cassio his Lieutenant. Iago, serves as Othello’s ensign- an officer of low rank. Iago thinks he is worthy of a better title and resents both Othello and Cassio for their position. Iago was intrigued by Othello’s decision to appoint Cassio since he believed he had the qualities and experiences needed for the position despite having the “three great ones of the city” advocate in his favor. (1.1.9). Iago is threatened by both Othello