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Tragedy of the othello discuss
Othello's tragic flaws
Tragedy of the othello discuss
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Othello: One of Shakespeare's Tragic Heroes
Othello is one of Shakespeare's tragic heroes. Othello is a
well-respected character in this play. Othello is portrayed as a man
with much greatness. Othello is tragic hero because he has a fault in
his character that brings his death to others. Unquestionably,
Othello's downfall is brought about during the course of this
Shakespearean drama. Othello is a general and others such as Iago and
Roderigo who are envious of the power and the respect shown to him
despite his colour. The introduction of Othello to the audience
reflects Shakespeare's use of the art of subtlety. Othello is not
introduced to us directly but through the impressions of others,
namely: Iago and Roderigo. Iago hated Othello for various reasons, one
being Othello promoted a close friend of his, Cassio. Iago feels he
should been given the promotion and by failing to gain the promotion
he feels jealous. Iago argues that Othello is unfair.
"I know my price, I am worth no place a place" (Act 1, scene 1,line 11)
Iago argues Othello is unfair because he didn't get the promotion, but
instead it was given to Michael Cassio.
Our attention is firstly held by the conversation between Iago and
Roderigo. Shakespeare doesn't include the main character 'Othello' in
scene one of the play. Iago speaks about Othello in detail, giving the
audience an idea of Othello before he is on stage. This allows the
audience to judge for themselves whether what Iago and Roderigo say
about Othello is true or false. The audience waits in anticipation to
see Othello and judge him for themselves. Shakespeare wants the
audience to also see the cha...
... middle of paper ...
...akespeare creates
a classic irony typical of his works. Once again, Othello demonstrates
a major fault in his character: that of being far too trusting and
utterly ignorant. The manipulative Iago is fully aware of this
weakness, and in his soliloquy at the close of Act 1, he recounts,
Whilst the famous dramatist leaves his audience totally concerned
about the character of Othello, the clear conclusion they can draw
from Act 1 is that Othello is an honourable man but possibly one who
is far too trusting for others, especially far too trusting of Iago,
which makes it very odd that he cannot trust Desdemona. When Iago
suggest that she is having an affair with someone else. By the end of
Act one, the audience can suspect the flaw in Othello's character. The
audience can also see that he as many admirable characteristics.
"Am I thy Gold? Or Purse, Lord, for they Wealth; / Whether in mine, or mint refined for thee? (Stanza 1, Line 1-2) The first two
“This, by his voice, should be a Montague. Fetch me my rapier, boy. What dares the slave come hither, cover’d with an antic face, To fleer and scorn at our solemnity? Now, by the stock and honour of my kin, To strike him dead I hold it not a sin.” (Shakespeare, page 54).
Acts 2 and 3- Serious, formal. “And I have to sink to such depths of agony..”
Othello in William Shakespeare's Play Most of the characters in "Othello" perceive Othello as unclean and
Othello, a play written by William Shakespeare in approximately 1603, focuses on two opposite characters named Othello and Iago. Othello is a respectable army general who tragically dies in the end. The readers believe that his flaw is jealousy, which ruins his calm and makes him believe Iago, a character nobody should trust. The antagonist of the play, Iago, is a cunning liar who lies and tricks almost every other characters in the play to ruin and manipulate Othello. The play starts on the street of Venice where Iago convinces Roderigo to plot against Othello by planning falsely accuse Othello’s wife, Desdemona, of cheating. Interestingly, another specific detail critics usually look at is that Shakespeare choose to make the character of Othello a dark-skinned man, which was not a common feature a hero should have during the Elizabethan. Some of the common themes in Othello are the role of race and racism, the effects of jealousy, and the differences between genders during the Elizabethan.
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
due to his race are vast, for example at the start of the play when
In William Shakespeare’s play, Othello, the power that Iago has over Emilia in their relationship helps manifest the unfairness of gender roles thus, leading to a distortion of the worth of women. The power that Iago has over Emilia hurts Emilia’s self-confidence. The distortion of the worth of women ultimately leads to misunderstandings in Emilia’s view of relationships.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Act 1 Scene 1 Page 274 Line 12-13: "Fair is foul, and foul is fair: / Hover
Hamlet's "To be, or not to be" soliloquy is arguably the most famous soliloquy in the history of the theatre. Even today, 400 years after it was written, most people are vaguely familiar with the soliloquy even though they may not know the play. What gives these 34 lines such universal appeal and recognition? What about Hamlet's introspection has prompted scholars and theatregoers alike to ask questions about their own existence over the centuries?
In "The Merchant Of Venice." English Literary Renaissance 34.3 (2004): 286-305. Shakespeare, William, Barbara A. Mowat, and Paul Werstine. The Merchant of Venice. New York: Washington Square, 1992.
Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).