Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Racism in the past and present
Masculinity in Shakespeare's time
The masculinization of Shakespeare characters
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Racism in the past and present
Annotated Bibliography
Headlam Wells, Robin. Shakespeare on Masculinity. Cambridge, GB: Cambridge University Press, 2000. ebrary. Web. 3 Nov. 2016. In this ebook, the author expresses that Othello wasn't only hurt because his wife Desdemona was cheating on him but also because he felt his masculinity and his pride were ripped away from him. The author explains that Othello didn't know another way to get his masculinity and pride back other than to cause her death. He talks about how the men where acting like Neanderthals and it resulted of him killing his own wife. He explained that Othello is a king, who is honor and respected by all his men. He has a high reputation to maintain and he couldn't let a women ruin his imagine
…show more content…
She goes on to say that most of the eras had their own fair share of racism, but the Shakespearean era stands out the most. She then goes and finds textual evidence to show that in the first scene there is already racism where it shows how 2 men look and describe Othello poorly. She then points out how Shakespeare showed his dislike for interracial marriage by displaying the rejection they received. She finishes by expressing how it is sad to see that people can have so much hate to a specific race and not care to disrespect them by writing a …show more content…
It is a ‘ domestic tragedy’ without the political and dynastic implications of Hamlet, Lear, and Macbeth.” (Rees 185)
Rush, David. Building Your Play : Theory and Practice for the Beginning Playwright. ebrary. 2010. Web. 3 Nov. 2016. In this article, the author is focusing on the thought process that Shakespeare uses to forms his plays. He talks about the fundamentals in the play where the events of Othello play out leading up to the killing of Desdemona. He then moves on to analyzing the way he put them together, for example using a complex plot in Othello. He talks about the manny different mini-scenes that all correlate with Lagos manipulating Othello to not trust Desdemona and Casio. He finalizes by enchasing on some tricks Shakespeare uses to give a unique touch in each of his writings. “Othello realizes what an idiot he’s been and kills himself. Plays that have both these moments at work, Aristotle calls complex plots” (Rush 55)
Unnamed. ”Othello's Jealousy”. Daily Times. Print. 9 June 2014. 3 Nov.
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
But jealousy, and especially sexual jealousy, brings with it a sense of shame and humiliation. For this reason it is generally hidden; if we perceive it we ourselves are ashamed and turn our eyes away; and when it is not hidden it commonly stirs contempt as well as pity. Nor is this all. Such jealousy as Othello’s converts human nature into chaos, and liberates the beast in man; and it does this in relation to one of the most intense and also the most ideal of human feelings. (169)
Othello’s anger grew through the play and he had trust issues that developed in his marriage. He wanted to ask Desdemona about trust and if she was cheating on him but did not
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
11 Dec. 2011. The "Othello". Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey
This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy, which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself. At the beginning of the play, we see Othello as a strong character.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
The tone of the story is tragic and serious. Meanwhile, there isn't any point of view because this is a play and a play doesn't normally have a narrator. Shakespeare lets the reader make up his/her own imagination with the characters' words and behavior. Since Othello is the protagonist, he is explained in more detail. Although Othello is a brave warrior, he is a jealous person; his jealousy also prevails over his good sense. The whole play depicts the fact that jealousy causes corruption. There are many conflicts found in Othello, and person vs. person is one of them. An example is when Iago seeks revenge against Othello and Cassio because of his anger and jealousy. Person vs. society appears when Desdemona's father Brabantio, disapproves her marriage to Othello because he is several years older than Desdemona, from a different class, and a different race. An internal conflict of person vs. himself is found when Othello is in a dilemma about whether or not should he believe that Desdemona is being unfaithful to him. Othello loves and trusts Desdemona until his jealousy is aroused by the cruel manipulations of Iago. Iago's intention was to persuade Othello to believe that Desdemona is having an affair with Cassio. As Iago succeeds in convincing Othello that Desdemona is guilty of adultery, it leads to the climax of the play. And so Othello must face emotions he can't deal with. His jealousy drives him insane, and his judgment is replaced with anger and hate. At this time, the reader notices that the death of Desdemona is inevitable. Othello smothers her, and he eventually kills himself when he knows that Iago falsely accused Desdemona. This also represents the tragedy of the play.
In Othello, the titular character is a visible minority who holds a high position in the army but falls victim to manipulation by his seemingly trustworthy ensign and friend. While the theme of jealousy remains the main reason for the eventual death of both Emilia and Desdemona, the preservation of honour and reputation also fuel the characters’ actions toward the women. Therefore, the men in the play act cruelly and unjustly in order to defend their honour. While the conflicts between the Othello and Iago seem to be due to jealousy, the play suggests that the men are scared of the women and their power to destroy their honour and reputation.
Othello is one who believes in justice and fairness and will make no exception, even for the love of his life. Ultimately, he murders her because he is, “One that loved not wisely but too well.” (V, ii, 398) This, above all, gives the play its powerful end. Othello’s true flaw is not vile, destructive jealousy, but rather pure and prevailing love.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
This tragedy is brought about by a simple manipulation of Iago, the villain of the play. The jealousy led Othello to a path of constant questioning of his wife, and his friend Cassio. Throughout the play, he sinks deeper and deeper into his doubt and eventually that causes him to kill not only the love of his life, but also himself. In her work, “This that you call Love”: Sexual and Social Tragedy in Othello, Gayle Greene (2004) argues that the tragedy occurs from adherence to patriarchal rules and stereotypes (Greene 655-659). According to Gary Greene, the tragedy is caused by “men’s misunderstandings of women and women’s inability to protect themselves from society’s conception of them” (666).
7. Kahn, Coppe`lia. Man's Estate: Masculinity Identity in Shakespeare. Berkeley, Los Angeles: University of California Press. 1981.