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The yellow wallpaper short summary
The yellow wallpaper short summary
The yellow wallpaper contrasting analysis
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The yellow wallpaper referenced in the title of the story holds significant symbolic meaning relating to the oppression of the narrator and the progression of her psychological deterioration. Early on, the narrator expresses her disdain for the yellow paper covering the walls of her temporary bedroom, referring to it as “that horrid paper,” and declaring it the worst wallpaper she had ever seen in her life (Gilman 77, 79). The frequently mentioned pattern of the wallpaper, which is particularly exasperating to the narrator, symbolizes the societal patterns of gender-related restrictions. “It is […] pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit …show more content…
Gilman and Chekhov use the protagonists, the narrator and Varka, to effectively demonstrate the danger of oppression in its many forms. Through “The Yellow Wallpaper,” Gilman was able to expose the poor medicinal practices of Dr. Weir Mitchell and the danger of his famous “rest cure” regimen, a ploy to reinforce gender roles; Mitchell was sent a copy of the story upon its publication (Kautz). Through “Sleepy,” Chekhov exposed the danger of psychological and physical abuse, as well as the mistreatment of those in servitude, two issues relating to his own background and upbringing (Bloom). Although the oppression of the narrator and of Varka stem from differing forces, both characters eventually reach a psychological breaking point, demonstrated through Gilman and Chekhov’s use of powerful symbolism and imagery. Both stories include extreme endings, which reflect the psychological state of each protagonist and how it influences their final act to break free from oppression. Even though the ending of “Sleepy” is darker in comparison to the “The Yellow Wallpaper,” is it also most likely the more realistic of the two
In The Yellow Wallpaper, the narrator weaves a tale of a woman with deep seeded feelings of depression. Her husband, a physician, takes her to a house for a span of three months where he puts her in a room to recuperate. That “recuperation” becomes her nemesis. She is so fixated on the “yellow wallpaper” that it seems to serve as the definition of her bondage. She gradually over time begins to realize what the wallpaper seems to represents and goes about plotting ways to overcome it. In a discussion concerning the wallpaper she states, “If only that top pattern could be gotten off from the under one! I mean to try it, little by little.” “There are only two more days to get this paper off, and I believe John is beginning to notice. I don’t like the look in his eyes.”
As the narrator’s mental state changes so does the way she perceives things around the house. The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story the narrator describes the wallpaper as “Repellent...revolting... a smoldering unclean yellow” (Gilman 377). As the story continues the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed than that of hers from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too. This short story has a multitude of symbols hidden in it but there are specific ones that stand out the most. The recurrence of the wallpaper definitely makes it a symbol. An interesting interpretation is that the wallpaper represents women, in the sense that the 18th century woman was considered almost decorative and that is exactly what the purpose of wallpaper is. Another prominent symbol that runs parallel with the wallpaper, are the women the narrator would see in the wallpaper. The women appear trapped behind bars in the paper and one could argue that the women the narrator sees represents all women of her time, continuously trapped in their gender
In The Yellow Wallpaper, a woman is being "treated" by a doctor (her husband) for a condition he refers to as anxiety. She is placed in a room, apparently one that was previously inhabited by a mental patient, and told to rest. Over the course of a few weeks the woman begins to exhibit signs of paranoia and regularly has hallucinations. Through the course of the story, the woman continuously makes reference to the yellow wallpaper. The first, and possibly the greatest, gap in the story comes when interpreting the meaning(s) behind the wallpaper. Does the color yellow infer something about insanity? The woman repeatedly refers to the patterns that the peeling wallpaper makes. Do the patterns suggest order from chaos? It is apparent, from the number of times that it is mentioned, that the wallpaper plays a role in the mental changes the woman experiences (and details her changes) throughout the story. Part way through the story, she begins seeing a woman moving behind the wallpaper, as if trying to escape it. Is she actually seeing herself in the wallpaper, as suggested by Chris Tildon, or is the hallucination what she fears she is becoming? At the end of the story, she takes on the role of the "creeping" woman and follows a smudge around the room and over her fainted husband. This supports the idea that she is the woman that has been trapped in the paper. Maybe she feels trapped and tormented by John's lack of sympathy for her condition.
a while in spite of them; but it does exhaust me a good deal-" (p801) It
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
“The Yellow Wallpaper” was first published in New England Magazine in 1892. Charlotte Perkins Gilman, an advocate for the advancement of women, authored the short story. She intended the piece to bring to light the inherent ineptitude of the Weir Mitchell “rest cure.” Though this subject is addressed, many other pertinent topics are broached, ever so subtly. Other themes in the book include the role of women in a society dominated by men, the role of the mother, and how oppression can affect the mind of a creative individual. These themes, however, can be altered merely by how the tale is edited. I intend to point out some of the pertinent differences that exist between the full text of the story and an abridged version, describing how they give the same story contrary interpretations.
1. The Yellow Wallpaper: The wallpaper is, as the title suggests, the chief symbol in this story. What does it symbolize, and how does it work as a symbol? What details about the wallpaper seem significant? How does the narrator 's attitude toward and vision of the wallpaper change, and what is the significance of those changes?
The Yellow Wallpaper is a very unique and odd story. In the first read through of the story, the reader is aware that the narrator is sick and losing her mind. Over the course of the story it becomes apparent that the treatment used to heal the narrator isn’t effective. As she begins to completely lose her mind the reader gets a glimpse into her mind. She believes that she is trapped inside of the wallpaper, and by ripping it off the wall she can escape. There are several topics that seem to occur in this story. These topics include Feminism, the role of women in the 1880’s period, and knowledge and understanding of mentally ill. Although these are some of the main points in the story, The Yellow Wallpaper has several topics that are direct
The yellow wallpaper itself is one of the largest symbols in the story. It can be interpreted to symbolize many things about the narrator. The wallpaper symbolizes the mental block mean attempted to place on women during the 1800s. The color yellow is often associated with sickness or weakness, and the narrator’s mysterious illness is an example of the male oppression on the narrator. The wallpaper in fact makes the narrator more “sick” as the story progresses. The yellow wallpaper, of which the writer declares, “I never saw a worse paper in my life,” is a symbol of the mental screen that men attempted to enforce upon women. Gilman writes, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” this is a symbolic metaphor for restrictions placed on women. The author is saying subliminally that the denial of equality for women by men is a “hideous” act, and that when men do seem to grant women some measure of that equality, it is often “unreliable.” The use of the words “infuriating” and “torturing” are also descriptions of the feelings of women in 19th century society.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
There is far more meanings behind the yellow wallpaper than just its own color. The pattern plays an immense role in causing the woman to become so entranced and obsessed with the wallpaper, as well as the source of her ever diminishing mental health. Gilman narrates, “I never saw a worse [wall] paper in my life. One of those sprawling flamboyant patterns
Oppression and oppressive acts have been weaved into everyday life in the United States throughout much of its history. One specific time in American History where oppressive acts took place was during WWII, specifically Japanese Internment. Japanese Internment was when the Japanese living in the United States, two thirds of them being citizens, were forced to evacuate their homes and were then put into camps. The struggles of the oppressed during these times are highlighted throughout the article, “Home Was a Horse Stall.” Another example of oppression happening in history is found the short story, “The Yellow Wallpaper,” by women’s right activist, Charlotte Perkins Gilman. In the story, a woman is oppressed by her husband, also her doctor,
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction to this act.
The title itself, The Yellow Wallpaper, is symbolizing the role men play in a patriarchal society, where men are the more dominant sex, and how women are 'trapped'; in a life of male control. For instance, At night in any kind of light, in twilight, candlelight, lamplight, and worst of all moonlight, it becomes bars!';(Gilman 211) This shows how the narrator feels trapped by the paper. Another symbol that refers to the role women play is, 'And she is all the time trying to climb through that pattern, it strangles so; I think that is why it has so many heads.';(Gilman 213) This is meaning that if a women tried to play a role in society she was just not taken seriously, or felt like trying to play a role was getting nowhere.