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Analysis of characters in Where the Red Fern Grows
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Working together, puzzle pieces create a unique and complete image. Own their own, however, they are nothing more than just a small part of a bigger picture. Old Dan and Little Ann, two dogs from the book Where the Red Fern Grows by Wilson Rawls, are similar to puzzle pieces. They work very well as part of team, but when they are separated, they do not do much. They are also like puzzle pieces in that each is different, yet similar. The two dogs are alike and different in both the way they look and the way they deal with conflict. One of the ways Old Dan and Little Ann are alike, yet also different, is in the way they look. They are both redbone coonhounds with “needle sharp teeth” (Rawls 23) and long floppy ears. However, that is about where the similarities end. Old Dan is much larger than Little Ann, and his coat is a deeper red. His “face and ears [are] a mass of old scars” (Rawls 176), while Ann is pretty enough that she once won first place in a dog show. Ann is also very small, much smaller than the average hound. Billy mentions when he first sees her that she “must have been a runt in …show more content…
Often, when they encounter with a problem, Dan is bold, aggressive, and impulsive while Ann is calm, sensible, and smart, but will also fight when the time is right. A good example of this is when Billy catches his very first coon with a trap. Dan immediately tried “to climb up on the log and get to the coon” (Rawls 62). Once he got to the top, he charged towards the coon, who started clawing and biting at Old Dan. He would have been ripped apart if it weren’t for Little Ann. She "sneaked in from behind and sank her needle sharp teeth into the coon's back" (Rawls 62), making him let go of Old Dan. Without her quick thinking, Dan could have been long dead. As Billy says, "more than one time, it would have been the death of him if it hadn't been for smart Little Ann" (Rawls
The theme of mateship is shown throughout the entire film of Red Dog; through the friendships of the Dampier workers, but most significantly shown through the bond that John and Red dog
The production of Honky is a satirical comedy, following the lives of five people and the language of racism. While it focuses on the plot of 5 characters, the storyline was well thought out and intriguing. One actor in specific, Gerard Joseph, who played Thomas, did an exceptionally well job at conveying emotion and projecting to the audience, in my opinion. The overall directing, from the actors to the soundtrack and lightning, seem to be presented with excellent detail. Overall, this production was well done.
Doug Swieteck, from “Okay for Now”, by Gary D. Schmidt, lived a life in anger. At the beginning of the book, he was very hateful of everything. He had spent a long time in anger and disgust, trying to find a way in life. Near the beginning of the book, Joe Pepitone gave Doug his baseball cap and jacket in person, to Doug. But, Doug’s mean older brother took the cap and his dad took his jacket. That added to Doug’s anger even more. But, luckily he turned it around in the middle and end of the book. He ended being a lot happier and was able to control his emotions better.
Maggie is not as attractive as Dee. She is a thin and awkward girl. Her
Both mothers compare their two daughters to each other. In Everyday Use the mother tells us that "Dee is lighter than Maggie, with nicer hair and a fuller figure." She Fahning -2-speaks of the fire that burned and scarred Maggie. She tells us how Maggie is not bright, how she shuffles when she walks. Comparing her with Dee whose feet vwere always neat-looking, as if God himself had shaped them." We also learn of Dee's "style" and the way she awes the other girls at school with it.
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
The novel of mice and men by John Steinbeck is a heartwarming story about two men George and Lennie. George is a small stocky man who prides himself on his ability to be independent, and often taunts Lennie by saying "God a'mighty, if I was alone I could live so easy. I could go get a job an' work, an' no trouble. No mess at all, and when the end of the month come I could take my fifty bucks and go into town and get whatever I want.” (pg12). Lennie on the other hand is a very large childlike man who is very dependent of George. These two have stuck together for a long time and over that time have developed a dream of owning their own ranch. Steinbeck uses a variety of techniques to display the theme “even the best laid themes can go wrong”
Maggie is introduced as someone who was shy and walked like “a lame animal” sidling up to someone who “was ignorant enough to be kind” (156). This is partly because of her self-consciousness of the scar scattering her arms and legs. Dee, by comparison, is the picture of confidence. She walks and speaks as if the world owes her everything she ever asks for. She feels powerful for getting away from what she saw as a prison. While Maggie is humble and kind, Dee will not hesitate to demand things and is ruthless in her pursuit. At least, Dee is ruthless in her pursuits, in Mama’...
The mother describes her younger daughter, Maggie, as ."..not bright. Like good looks and money, quickness passed her by," and ."..perhaps a dog run over by some careless person rich enough to own a car, sidle up to someone who is ignorant enough to be kind to him...That's the way my Maggie walks." The reader already feels the older daughter Dee, although ."..stylish...with nicer hair and a fuller figure...and full of knowledge" is more like the careless person rich enough to own a car. Although Maggie and her mother make attempts to improve the appearance of themselves and their home for Dee's arrival and seem eager to see her, having no relation to Dee the reader is given no reason to like her. Already Walker is placing value on "slow, self-conscious," Maggie, who plans on marrying and staying close to home, and casting, Dee, who is attractive and cosmopolitan, and could conceivably bring greater resources to her sister and mother, in a negative light.
Driftwood is a sheep dog that has short back legs Driftwood was born with the short back legs. Then Crispy bacon is a pig who has no back legs. But also Crispy Bacon wasn't born with back legs. They at least both have that in common. Driftwood wears prosthetics for his disability. Put Crispy bacon wears a little cart looking thing that has wheels. So one day they both got together and decided they wanted to go on a trip. It started
Steinbeck uses animal imagery throughout his novel,“Of Mice and Men”. His use of imagery adds symbolic value to the characters. Some of the most meaningful examples of his use of imagery are seen in Lennie. In the book Lennie is associated with a bear and a dog in different ways. We also see examples in Candy and his old and smelly dog. All three of these examples have symbolic meanings in the story. Through the examples of imagery used with Lennie and a bear, Lennie and his dog, and Candy and his dog, readers are able to picture and feel these characters the way Steinbeck envisioned them.
Alice Walker's "Everyday Use," explores Dee and Maggie's opposing views about their heritage by conveying symbolism through their actions. Maggie is reminded of her heritage throughout everyday life. Her daily chores consist of churning milk, helping mama skin hogs on the bench which is the same table her ancestors built, and working in the pasture. On the other hand, Dee moved to the city where she attends college. It is obvious throughout the story; Dee does not appreciate her heritage. When Dee comes back to visit Mama and Maggie she announces that she has changed her name to Wangero. Dee states "I couldn't bear it any longer, being named after the people who oppress me" (89). Her stopping the tradition of the name Dee, which goes back as far as mama can remember, tells the reader that Dee does not value her heritage. Another symbolism of her lack of appreciation for her heritage demonstrated through her actions is when Dee asks Mama if she can have the churn top to use it as a ce...
called paws and he snorts like a horse (Steinbeck, Mice 3). Yet Lennie is small
The bildungsroman, Little Women, written by Louisa May Alcott portrays a group of sisters growing up together in Concord, Massachusetts in the mid nineteenth century. Throughout the novel the reader watches as each of the March sisters grow in their own ways. Meg and Amy both transform from people who care so strongly about how others view them into people more concerned with themselves and their personalities, than what others think of them.
The two girls are the best of friends but they are very different, even in the views on how they clean. Sandra is very neat and tidy. Everything must be in its place at all times. Nancy on the other hand is extremely messy. Wherever things happen to land is where they should belong. Sandra cleans her room at least once a day. While Nancy's room is lucky to be cleaned once a month. When Sandra cleans, it is a lengthy procedure. Sometimes she will spend hours just cleaning her room. When Nancy cleans, it is done as quickly as humanly possible. If she can get everything shoved under her bed in five minutes then she is happy. The thought of even sleeping in a messy room makes Sandra extremely uncomfortable. Though Nancy can't stand to be in a spotless room, with out the urge to mess something up.