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Similarities in the iliad and the odyssey
Oedipus character analysis
Comparing the iliad and the Odyssey
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Throughout history, there have been many paradigm shifts that have made us change the way we look at the world. One of the most important paradigm shifts in ancient Greece was the shift from the gods being the “truth”, to the objective sciences being the “truth.” As we read through the books, “Iliad”, “Odyssey”, “Lysistrata”, and “Oedipus the King”, we can see the paradigm shift as the stories go from Gods heavily influencing the story to barely any God-human interaction at all. The “Iliad” and the “Odyssey”, for example, were written the earliest, so we can see that the gods play a key role in the stories’ narrative. By the time “Lysistrata” and “Oedipus the King” were written, we see this transition of paradigm in their stories, as there …show more content…
However, there is still a clear distinction in the level of god-interaction between the two stories. “Oedipus the King”, for example, can be seen as the middle ground or bridge between literatures that include heavy god interaction, to none at all. For example, in “Oedipus the King”, it states, “If you haven’t heard it from messengers,/ we now have Apollo’s answer: to end/ this plague we must root out Laios’s killers./ Find them, then kill or banish them./ Help us do this. Don’t begrudge us/ what you divine form bird cries, show us/ everything prophecy has shown you./ Save Thebes! Save yourself! Save me!” (Oedipus the King, 370-377). Oedipus is pleading to Thebes, a human, to help him with his journey finding the truth about the oracle. This demonstrates the bridge this story creates because we see that gods are still involved through the oracle telling, but the gods are no longer directly involved in the character’s journey and struggle. However, by the time we get to “Lysistrata”, direct god-human interaction completely disappears. It states, “…If all the women come together here--/ Boeotians, Peloponnesians, and the rest--/ And us – together we can salvage Greece” (Lysistrata 39-41). The story is essentially about the queens of the Peloponnesian War gathering together to find a solution to the conflict, and eventually concluding to withholding sex from their king husbands until a treaty is signed. Throughout the whole story, the gods never get involved, but rather the human characters resolve the conflict without the help of the gods. This is a huge difference from the “Iliad”, and the “Odyssey”, because in those first two stories, the gods intervene in almost every step of the characters’
For this paragraph I will talk about religion. The greeks were polytheistic. Polytheistic means that you worship many gods. Some of the gods that they worshiped were Zeus, Poseidon, Athena, ect. They were worshipped on Mount Olympus. Poseidon and Athena play a big role in The Odyssey. One of Homer's ideas was dues ex machina, which means that a god swoops down and solves your problems and makes peace. I know one led to the other because the events in real life led to the creation of the event in The Odyssey.
A detective story is a genre of fiction in which a person attempts to solve a crime. The detective may be a professional or an amateur, and generally has nothing to gain from solving the crime. However in Sophocles’ “Oedipus the King”, the main character Oedipus is not only determined to solve a crime, but he is also in pursuit to find his own identity. This is similar to Arthur Conan Doyle’s “A Scandal in Bohemia” where Sherlock Holmes has been hired to work as a detective in return for monetary compensation. Both situations enable Oedipus and Sherlock to gain from unraveling the mysteries that sweep their towns hence making these stories different from most detective stories.
The Odyssey details Odysseus’ arduous return to his homeland. Ten years have passed since the end of the Trojan war and Odysseus, the “most cursed man alive”, has been missing and presumed dead by many. (10.79). Throughout the novel, gods play a significant role in the fate of Odysseus and other characters. The extent of the gods’ role though is not unqualified, contrary to Telemachus’ suggestion that, “Zeus is to blame./He deals to each and every/ laborer on this earth whatever doom he pleases” (1.401-403). While Zeus does have this power, his description of how humans meet their fate is more accurately depicted throughout the novel. As he aptly points out, “from us alone, the say, come all their miseries, yes,/ but they themselves, with their own reckless ways,/ compound their pain beyond their proper share” (1.38-52). While the gods do doom certain mortals, many of these mortals exacerbate their ill fate by making rash decisions and ignoring the gods’ warnings. The gods are also not always disrupting mortals lives; they often aid mortals in need. In fact, mortals who effectively court the favor of the gods often benefit greatly. While the gods’ powers are unquestionable, no one god’s power is insurmountable. Gods can be outsmarted and their wrath escaped. The Odyssey, in congruence with Zeus’ statement, ultimately, portrays human freedom as existent, but limited.
Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation. With Willy Lowman, the audience goes for a bumpy ride until the eventual, but expected, crash. ** (NEEDS WORK)
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
When we look at Greek Mythology we often run into the gods of that era. Sometimes they are merely backdrops to the human element of the story but in stories such as The Odyssey the gods play a prominent if not vital role to the central themes of the story.
Sophocles' trilogy of Oedipus the King, Oedipus at Colonus, and Antigone is a powerful, tragic tale that examines the nature of human guilt, fate and punishment. Creon, Oedipus' uncle and brother-in-law, is the story's most dynamic character. His character experiences a drastic metamorphosis through the span of the three dramas. Creon's vision of a monarch's proper role, his concept of and respect for justice, as well as his respect for the design evolve considerably by the trilogy's tragic conclusion.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
Oedipus did not have a fair start in life. His father, Laius, heard prophecy that Oedipus would one day kill his father and sleep with his mother. In order to prevent this, Laius gave Oedipus to a shepherd to be killed. Fortunately, through a string of events, Oedipus's life was saved, and he even went on to become the honored king of Thebes. Despite this feat, Oedipus still managed to make several decisions that ultimately fulfilled the original prophecy told to Laius, and inevitably sealed Oedipus?s fate.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
Because of the under development of science, Ancient Greeks used mythologies and associated to the gods anything that they could not explain or understand, which also have revealed many aspects of their culture and society, including their views toward gods. Through the survived works of ancient Greeks, one can see that the concept of exchange plays a center role in the relationship between human beings and gods; and that the ancient Greeks had absolutely and undeniably respect for their gods, who are human-like and demand to be glorified.
the Gods in the affairs of humanity is much greater in the Iliad then in the
Elizabeth Kubler Ross, in Death and Dying, discusses the stages one goes through when he or she comes to terms with his or her own fate. These stages include Denial, Anger, Bargaining, Depression, and Acceptance. In Sophocles’ Oedipus Rex, and the medieval morality play, Everyman, by and anonymous author, both the title characters travel through these stages throughout the plot when they come to meet their fates or misfortunes.