Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Feminism literary theory
Feminism literary theory
African feminism in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Many women; such as the women in Ntozake Shange’s play; still feel oppressed by the racist and male-dominated society we live in today. For Colored Girls Who Have Considered Suicide gives a voice to the voiceless and articulated the realities of modern life form some black women. Shange presented the black woman in moments of weakness, sorrow, or shame; honestly, and without apologies. Specifically, Shange established that women of color deserve to be heard and her voice never stifled. In doing this, she sets a strong theme for her play that is composed of, Black feminism, the emotions of growing up, breakdown of communication between men and women, and empowerment through sisterhood. It is said that Shange writes the body of the female in …show more content…
The characters of the story spoke of their “rites of passage”. An example of this is when the Lady In Yellow says; “Bobby started lookin at me/yeah/he started looking at me real strange/like I was a woman or somthin/started talkin real soft/in the backseat of that ol Buick/WOW” (Shange 24). This quote explains how she lost her virginity to one of her friends on the night of her graduation. Both the graduation and loss of virginity are significant rites of passage in a young girl’s life, signifying her transition from child to adult. Unlike many of the other sexual encounters throughout the story, this moment is sweet, simple, and a treasured memory. However, as the ladies get older, Shange presents their sexuality as becoming increasingly …show more content…
Most of the men in For Colored Girls Who Have Considered Suicide that the women in the story are involved with are shallow, inconsiderate, and either incapable of communicating or unwilling to communicate except through sex, violence, and verbal abuse. Although, the man is not all to blame for this, the woman allows the man to treat her this way, and whether right, wrong, or indifferent, she does not leave him although she has the opportunity to do so. The issue of communication between the man and woman is that the woman believes this is what she deserves, and the man plays his part by acting indecent and
The woman in Alice Walker’s The Color Purple and the woman in Tennessee Williams’ A Streetcar Named Desire both struggle with discrimination. Celie, a passive young woman, finds herself in mistreatment and isolation, leading to emotional numbness, in addition to a society in which females are deemed second-rate furthermore subservient to the males surrounding them. Like Celie, Blanche DuBois, a desperate woman, who finds herself dependent on men, is also caught in a battle between survival and sexism during the transformation from the old to the new coming South.
In the 223 years our country has been instituted, the way black people are perceived in society has always been less than acceptable. Great leaders and motivators like Abraham Lincoln and Dr. Martin Luther King Jr. have come and gone, their voices and action have attempted to change the role of black people in society. However, even in today times, equality is still far off, and there is no voice comparable to what blacks relied on in those days. Instead of marches in Alabama, or speeches in Washington, the plight of the blacks are heard through literature. Small voices in literature that makes a big impact on society. Toni Morrison and bell hooks use words to motivate people of all color. Morrison and hooks open eyes to this so-called free country we live in with the purpose of showing society's condemnation of black life, interracial relationships and black woman in a traditionally men's roles. In the two stories by Toni Morrison titled, "On the Backs of Blacks" and "Friday on the Potomac," she strives to prove the effects of racism in America, the oppression of African Americans in society, and the racial and sexist aspects of the Anita Hall and Clarence Thomas Hearings. In "Sorrowful Black Death Is Not a Hot Ticket" and "Seduction And Betrayal" bell hooks criticizes the way black life is depicted the movies: Crooklyn, The Bodyguard, and The Crying Game.
For Colored Girls is a 2010 film adapted from Ntozake Shange’s 1975 stage play for colored girls who have considered suicide/ when the rainbow is enuf. The play is Ntozake Shange’s first work and renowned theater piece. The release date For Colored Girls was November 5, 2010. The director of the movie is Tyler Perry and storyteller is Ntozake Shange. For Colored Girls centers on nine women who each confrontation form some form of abuse, neglect, or harassment whether it’s physical, sexually, or emotional. The characters being in the film as associate but as the story progresses they become unexpected allies during some of the most terrifying moment of their lives.
As the women narrate the harm caused by men, they lose track of the beings that they once were and become different people in order to cause a reaction in others. These women are hurt in ways that cause them to change their way of living. The Lady in Blue becomes afraid of what others will think of her because a man impregnated her: “i cdnt have people [/] lookin at me [/] pregnant [/] I cdnt have my friends see this” (Shange, Abortion Cycle # 1 Lines 14- 16). Instead of worrying about the life of her child, she worries about how her...
Pauline Hopkins’ novel “Of One Blood” was originally published serially in a magazine called Colored American, from 1902-03. Within this novel Hopkins discusses some of the prominent racial and gender oppressions suffered by African Americans during this time. Following the Emancipation Proclamation of 1849 which resulted in African American freedom from slavery, but unfortunately not freedom from oppression and suffering. One of the minor characters, and the only dominant female role, within the novel is Dianthe Lusk. Within the novel Dianthe has many identifiers, which limits not only the readers but Dianthe’s understanding of her identity. Some of these identifiers include: women or ghost, black or white, sister or wife, princess or slave, and African or American. However, the most prominent of these juxtapositions in the novel is the racial identity. This paper will argue that the suffrage of Dianthe through her experiences with racial identity and rape serve to locate racial identity as an agent of politics, rather than of one’s color.
In a world where the vast majority of cultures are patriarchal, in response to traditional structures, women often find themselves at war in their minds, hearts and in their own actions. 'Yellow woman' and 'The story of an hour' are examples of how women struggle in a male domintaed society. In these two stories, the women fnd themselves wrestling with thoughts and emotions that our society consider unacceptable. The following statements ,ay be asked and considered of these women:
Males have always fiddled with the lives of women for years, they play it well and society is the audience asking for an encore, it is society that says it’s okay. They take advantage of their circumstances and the other gender has to endure the harsh results from that. Janie, a black woman in Hurston’s “Their Eyes Were Watching God and Edna, a white woman in Chopin’s “The Awakening” live in two
“…And this is for colored girls who have considered suicide but are moving to the end of their own rainbow…” (Perry: For Colored Girls, 2010). For colored girls was first written and performed as a play by Ntozake Shange in 1977. It was then called “for colored girls who have considered suicide when the rainbow was enuf”. Tyler Perry adapted and transformed it into a movie in 2010. For colored girls is centered on nine women as they encounter their fair share of neglect, abuse, pain and harassment both physically and emotionally. They slowly but surely recover from such abuse and discover joy in themselves. The movie begins with the characters as strangers but at the end, they become good friends.
One profound piece of African American literature is Ntozake Shange’s choreopoem, For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf. This revolutionary text presents black women with poems that address the various aspects their life and challenges they face. To aid in the telling the stories of black woman, Ntozak Shange utilizes the feminine gaze. The feminine gaze is the viewing of a scenario from the prospective of a woman. While the masculine gaze often objectifies women, the feminine gaze views women as the complex people that they are. The female perspective is an essential part to the pieces of Shange’s work. One poem in the work that employs this viewpoint is the Lady in Yellow’s “Graduation Nite” poem. The feminine
Georgia Douglas Johnson was a playwright of the Harlem Renaissance whose social commentary delved into the hardships of African Americans in the early 20th century. As an African American woman of the time, Johnson often brought to light the difficulties of her race and gender. In Johnson’s play Plumes she invites her audience into an everyday kitchen, with two hardworking early 20th century African American women trying navigate their way through a racially oppressive and patriarchal society. Johnson uses the characters’ desires to provide for those that they love, as an illustration to the adversity of everyday life of the African American in her time, particularly the African American woman. In this paper, I will explore the complications
In The Lesson, Toni Cade Bambara recounts black life of the New York Harlem in the 1960s. She uses fiction to portray the real life situations of black children in that area. The purpose of this story is to send a message of the reality of the circumstances that black peoples faced in this time by deriving from her own experiences and from the civil rights movement of the time. She tells this story from the viewpoint of a young girl living in Harlem to showcase how the inequality of lifestyles not only affects children, but leaves a lasting impression. Critical race theory is categorically explored because the time period of this piece of writing is of a time when inequality and segregation were still glaringly common and accepted.
Kingston’s mother takes many different approaches to reach out to her daughter and explain how important it is to remain abstinent. First, she tells the story of the “No Name Woman”, who is Maxine’s forgotten aunt, “’ Now that you have started to menstruate, what happened to her can happen to you. Don’t humiliate us. You wouldn’t like to be forgotten as if you had never been born”’ (5), said Maxine’s mother. Kingston’s aunt was murdered for being involved in this situation. The shame of what Kingston’s aunt brought to the family led them to forget about her. This particular talk-story is a cautionary tale to deter Kingston from having premarital sex and to instill in her fear of death and humiliation if she violates the lesson her mother explained to her. Kingston is able to get pregnant but with the lecture her mother advises her with keeps her obedient. Brave Orchid tells her this story to open her eyes to the ways of Chinese culture. The entire family is affected by one’s actions. She says, “‘Don’t humiliate us’” (5) because the whole village knew about the pregnant aunt and ravaged the family’s land and home because of it. Maxine tries asking her mother in-depth questions about this situation, but her m...
Gloria Naylor, a celebrated African-American novelist, was born in New York City on January 25, 1950. She has authored six novels, namely The Women of Brewster Place (1982), Linden Hills (1985), Mama Day (1988), Bailey’s Cafe (1992), The Men of Brewster Place (1998), and 1996 (2005). Her fiction depicts how black men and women struggle to survive and succeed in the oppressive world of racism. Her fictional world generally contains portions of her own life and looks more convincing as she is the part of what she writes “that outline did not say that black was beautiful, it did not say that black was ugly. It said simply: You are. You exist. It reverberated enough to give me courage to pick up the pen. And it’s what finally validated me” (Naylor 171). With a great confidence and authority she writes about the places and the people she is well acquainted with. Naylor’s fictional world is singularly a world of black community, and she selects her characters from its all layers--working to upper class one, and urban North to rural South. The uniqueness of her characters is that they are individuals, capable of controlling, to a certain extent, their own destinies. Her novels bear the literary influence of the
Through literary works readers are able to learn about the various meanings of human life experiences. Literary works influences each reader differently. Country Lovers and The Welcome Table are two short stories that deal with the common struggle of racism and discrimination among African American women.’’ Racism is an enduring, salient aspect of social and global structures. It is based on demonstrably false theories of racial different appropriated by a culture in order to deny or unjustified distribute social privileges, economic opportunities, and political rights to the racially stigmatized groups. Racism thus, structures social differences, power or culture or whom.’’ There are many stories that are written to show the everyday struggles of human conflicts and struggles that humans embark on in everyday life. The two stories I will be identifying the differences and similarities among the two powerful stories of two African American woman. I will be examining the content, form, Style of the literary works.
It is not until Celie is an adult that she finally feels content with her life and understands her capacity to be a completely autonomous woman. The concept of racial and gender equality has expanded greatly throughout the twentieth century, both in society and in literature. These changes influence Walker's writing, allowing her to create a novel that chronicles the development of a discriminated black woman. Her main character, Celie, progresses from oppression to self-sufficiency, thereby symbolizing the racial and gender advancements our country has achieved.