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Analysis of the Poem "My Papa's Waltz" by Theodore Roethke
Most people have different interpretations of the above poem based on individual reading perspectives. Some people have the idea that this poem shows a cordial relationship between a father and his son. On the other hand, some people think the poem portrays parental abuse of a father on this son. However, from my own perspective, the language, imagery, symbolism and the tone of the poem create the impression that author isn't angry about the experience, so he's not in an abusive relationship. The poem is very brief since it consists of 4 stanzas only each made up of 4 lines. The author makes the experience interesting by referring to it as a waltz. The poem has a plain 'abab' rhyme scheme in the first stanza, ‘cdcd' in the second stanza, ‘efef' in the third stanza and ‘ghgh' in the fourth stanza. The author also uses iambic trimeter; it makes the poem sound good and flow easily. The fact that the poem has three
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It's not clear whether the use of the word "beat" refers to the musical beat in the waltz or the act of the father punishing his child using his belt. However, the fact the beatings were so hard that the "pans slid from the kitchen shelf" symbolizes that the father might have been very brutal on the poet. The poet says that "Such waltzing was not easy," and his father "beat time on his head," meaning he was used to the beatings most of his childhood and his transition from childhood to adulthood happened so fast than others (Napierkowski and Ruby, 1998). Nonetheless, he doesn't directly accuse his father, rather he points an accusing finger at his mother since her "Countenance could not unfrown itself." Therefore, the poet suggests that his mother doesn't react in a way that will help in stopping the father from beating
However, neither the setting of the poem nor its events can be linked to the ballrooms where people dance waltz. The opening lines of the poem portray the narrator’s father as a drunken person “The whiskey on your breath/ Could make a small boy dizzy”. The dancer is anything but elegant, he doesn’t waltz gracefully but romps “until the pans/Slid from the kitchen shelf”. The poem is set in a family home, most likely in the kitchen. Thus, the narrator is trying to downplay the social connotati...
In the poem, the act of 'waltzing' symbolizes love, though not without some strife. "Such waltzing was not easy" (Roethke pg 602, 4)....
The poem "My Papa's Waltz" uses imagery by especially appealing to the sense of touch. The sense of touch also helps the reader to better understand the abusive father theme. The third stanza concentrates on the actual act of abuse. The author, Roethke, describes the battle wounds on the father and son that are inflicted by the father. The father's hand "was battered on one knuckle" from hitting his son with a belt (10). This is apparent because the son's "right ear scraped...
“My Papa’s Waltz” by Theodore Roethke is a representation of the journey toward reconciliation of the love and the fear that the speaker, a young boy, has for his father, and is an extended metaphor for the way that we balance the good and bad in our lives. Whilst reading this poem it is impossible to determine definitively whether it is truly about a dance or if the speaker is actually being abused. However, I don’t believe that it really matters either way. Actually, I believe it is this ambiguity and push and pull between the two extremes that creates the overall sense of struggle that comes with the reconciliation of the facets of the father and son’s relationship. This dance between love and fear is accentuated by Roethke’s use of ambiguous diction, end rhyme, and iambic trimeter.
The first poem, "My Papa's Waltz," by Theodore Roethke (Page 18) presents a clear picture of the young man's father, from line one. "Whiskey" on the father's breath is one of many clues in appearance that mold a rough image of this uneducated, blue-collar worker, possibly a European immigrant, as indicated by the "Waltz" in the title (Line 1). These traits are not necessarily related. They merely exist at once in the father's character. Additional signs of roughness are his hand, "battered on one knuckle"(11), and "a palm caked hard by dirt"(14). This is a man who has probably known only grueling labor. His few escapes likely consist of a drink or two when he gets home from a tough day and maybe something good on the radio. This idea of the father as an unrefined oaf is further reinforced by his actions. His missed steps injure the child's ear, while the father and son's "romping" causes the pans to slide "from the kitchen shelf"(6). As he "beat[s] time"(13) on the child's head we see very clearly that he is quite brutish and careless with the child, and oblivious to his environment. All these factors make the boy's mother very uncomfortable. We can see the disapproval in her countenance, which "could not unfrown itself"(8). She is obviously upset but, strangely, does nothing to interfere with the horseplay that grieves her. This suggests that the waltz is enjoyable for not only one, but both parties. One might wonder why it is that the boy so delights in these moments. This is obviously a crude, boorish man. He probably doesn't flush. He may even smell bad. Are these reasons to love one's father less? Certainly not in the eyes of a small boy. This young man's father may not be the most sensitive or perceptive man around, but he still seems to be a hero in the eyes of his son. Finally, the son recalls these words: "Then you waltzed me off to bed/ Still clinging to your shirt"(16). After reading this poem, it is clear just how unconditional a child's love is.
One of the areas being discussed is potential abuse and inappropriate behavior in the two poems. “The Whipping” demonstrates a neighbor witnessing an abusive relationship between a mother and her young child as she is drawn back to her own fearful past. As the neighbor looks upon the child she recalls the memories and facial expressions of her own mother as she states “Words could bring, the face that I no longer knew or loved …” (lines17-19). “My Papa’s Waltz”, on the other hand, demonstrates the possible inappropriate behavior of a father towards his son. The father shows a lack of concern for his child when it states
Despite the use of certain words such as “papa” and “waltz,” the overall connotation represented throughout the poem seems to concentrate more heavily on the negative aspects of the narrator’s memories. For these reasons, one can conclude that the poem aims to illuminate the immaturity and irresponsibility of the
This means that the poem contains unstressed followed by stressed syllables. In addition, each line contains three-stressed syllable, which makes it trimeter. For instance, “The whiskey on your breath” (1) can be used to identify the stressed syllables in that line. The syllable for “whisk”, “on” and “breath” are the three stressed syllable within that line of the poem. The use of an iambic trimeter allows the poem to become the waltz itself as it matches the three beats of the waltz. While this meter is used throughout the poem, there are certain lines that contain disruptions to the meter of this poem. For example, “slide from the kitchen shelf”(6) which is a trochaic. A trochee is a meter pattern that involves a stressed syllable flowed by an unstressed syllable. In this case, “slide” is a stressed syllable, while “from” is unstressed. These disruptions in meter mirror the father’s “missing steps” in line 11. This dance between the father and son is not smooth, but rather rough and clumsy due to the father’s drunkenness. Similarly, the first stanza also includes a simile, “But I hung on like death” (3), which portrays a sense of seriousness in tone of the speaker. In other words, there is a sense of play but also a sense of danger that characterizes the
This poem has a kept form. Even at a glance, it has a set form. It consists of four quatrains, each line being an iambic tritameter. The poem is about a young boy waltzing with his father. One can assume that the speaker is a young boy, or perhaps the poet reminiscing his youth. The father dances around in a haphazard manner, knocking over pans in the kitchen. Upon first glance, the tone is humorous. The picture one immediately forms is rather comical with the boy clinging on for dear life as his chuckling father spins him round and round, making a mess in the kitchen while the mother looks on discontentedly. However, the line, "whiskey on your breath could make a small boy dizzy" suggests the father's drunkedness and "at every step you missed my right ear scraped buckle" suggests the dance was not an altogether joyful one. Lines such as "hung on like death", and "beat time on my head" are might even lead the reader to think the father is abusive of the boy.
Family bonds are very important which can determine the ability for a family to get along. They can be between a mother and son, a father and son, or even a whole entire family itself. To some people anything can happen between them and their family relationship and they will get over it, but to others they may hold resentment. Throughout the poems Those Winter Sundays, My Papa’s Waltz, and The Ballad of Birmingham family bonds are tested greatly. In Those Winter Sundays the relationship being shown is between the father and son, with the way the son treats his father. My Papa’s Waltz shows the relationship between a father and son as well, but the son is being beaten by his father. In The Ballad of Birmingham the relationship shown is between
A poem’s diction plays a fundamental role in analyzing a poem, considering the text is all one needs in order to discover the meaning. My Papa’s Waltz is a fairly short poem, but the words have major impact. The word “whiskey” (Line 1) implies that the father is a drunk, and this makes the boy “dizzy,” (Line 2) or in other words, it sickens him. The poem claims the boy is small, making him sound fragile, playing into the next few lines of the poem. “Death” (Line 3) is a negative connotation, along with “battered” (Line 10), “beat” (Line 13), and “caked hard” (Line 14). “Romped” (Line 5) has a positive denotation suggesting harmless roughhousing. The word “countenance” (Line 7) does not flow within the stanza, sounding sharp and negative, paralleling the mother’s stern disapproval. “Hung” (Line 3) is past tense, therefore the poem is a reflection of an earlier time. “Waltzed” (Line 15) takes on a different meaning beyond the dance, making it a synonym for taking someone somewhere. Understanding the words of a poem was the first step in order to analyze My Papa’s Waltz using this methodology.
Roethke writes, “The hand that held my wrist was battered on one knuckle.” Breaking it down, “battered” in this line is used to describe an abusive action/behavior. On lines 11 and 12, “At every step you missed my right ear scraped a buckle” (Roethke), the word “buckle” could be a scenario of the father beating his child with the belt. The line “beat time on my head” (Roethke) is another line that leads me to think that the father is abusing the boy.
My Papa’s Waltz My Papa’s Waltz has been compared to a generational litmus test. Depending on what generation the reader was born, could determine how the reader would interpret this poem. Each generation has its own views that have been developed in them for the language used to describe Papa in this poem. The whiskey on his breath and Papa’s hand beating on his head, both sound like a negative connotation.
In the late nineteen forties, Theodore Roethke emerged with a poem that has been the source of much debate. "My Papa's Waltz," is an account of a relationship between son and father. Alas, many readers who are exposed to this piece fail to note the love present in the connection of the characters. In an attempt to illuminate the author's true intention several factors must be examined. After several examinations of Roethke's poem as well as learning of his childhood it is evident that this poem does not suggest an abusive environment, but is an appreciative account of the love and playfulness between the characters. Therefore, a successful interpretation of this poem will look beyond the four stanzas and study not only the history of the writing, but the life of the poet.
The first thing that strikes me about this poem is the structure. The poem is very ordered written with 4 lines a stanza and a total of 6 stanza’s. This looks like a professional poem created by an adult, showing experience right away. The syllables are normally 7 per line but there are exceptions to this rule as all of stanza 5 has 8 syllables a line. The first stanza and the last stanza are nearly the same apart from the last line of each differing by a word. This poem uses many poetic devices well to create a vivid picture in the readers mind. There are rhyming couplets, alliteration, repetition, rhetorical questions as well as many biblical and egotistical references to the artist and poet himself. Now we will look at the poems meanings.